Imperia Tognacci [Italy]
Untitled
1
lo, as reflux of rejected flutter
from the rock of boredom,
I had taken the desert route.
All you have to do is follow the direction
wells and oases for the soul
Thirsty!Return wave
brings me back to the plots
of my roots, where, in solitary
rooms, breath of silent words
puff the abandoned silent
on the backrest.You will get up
Again the forehead, ears,
You will respond to the appeal of the sun!
Silent, you reach me, you,
that you are no longer in the limit of the field.
I return to the demolished illusions
Hoping that, stone upon stone,
May a better world arise.
2
When my being a prisoner
between walls of flesh he stirs and cries,
it can’t be enough for me, mother,
the dragging of gestures
within the hemming of the domestic field.
Tired is the hour of yellowed words,
of faces exiled in thin frames,
of certain perimeters, of numbered steps
between the bedroom and the kitchen,
of coffee scent, which gives charge
in the morning air, of the rotating
Rhythm of the washing machine
and the background vociferous
of the small screen,
repeating scarce bread
on impoverished canteens.
I don’t resign myself to the wind
of my time that, behind the glass,
of the last leaf spies the tired rhythm.
3
I won’t dig for gold
that does not exist in the earth
of resignation. I’ll turn the spit
for daily food.
I will sew
hemming, I will mend tears.
I will draw water, I will collect wood
trying to catch the wind
so that, swirling, he brings me
in the universalembrace.
The kneeler in silence
waits, to dissipate the night
of the soul. In the mirror
interior, floating shapes
of the past they change into each other.
(Translation by Manuela Mazzola）
因佩里娅·托尼亚齐[意大利]
无题
1
瞧！当逆流从厌倦的
岩石中激荡而出
我踏上了前往沙漠的旅途
你要做的便是去追寻
通往灵魂方向的井水和绿洲
口渴！回波
将我带回至
我扎根的土地，在那里，房屋
坚固，无声言辞的呼吸
喘出遗失的沉默
于座椅靠背上，你将再次
抬起额头，竖起耳朵
你将回应太阳的召唤
沉默，你够着我，你
你不再拘囿于此地
我归返至破灭的幻像
祈愿，石头堆垒石头
一个更好的世界诞生
2
当我是一名囚犯
在血肉之墙的中间，他搅攘哭泣
这于我而言还不够，妈妈
拖曳的身姿
囚于驯服区域之内
疲惫是泛黄文字的时刻
是驱逐出瘦骨的面容
是特定的外缘，是卧室与厨房
之间编定的脚步
是咖啡的香味，它给早晨的空气
充电，是洗衣机的
转动旋律
及小荧幕的
背景杂音
反复播放稀缺的面包
在穷困食堂
我不会顺从于
这个时代的风，在玻璃之后
最后一片叶子窥探疲惫的韵律
3
我不会掘金
于没有黄金的顺从
土地。我会将唾液
当成日常食物
我会缝
边，我会修补眼泪
我会汲水，我会收集木材
试图抓住风
因而，回旋，他拥我
入宇宙的怀抱
跪着的人在寂静中
等待，驱散黑夜的
灵魂。在镜子
内部，过往的
飘荡身影，他们彼此变幻
（萧逸帆 译；Tr. Xiao Yifan）
About the author:
Imperia Tognacci was born in San Mauro Pascoli (FC). After obtaining a diploma from the Rimini Teachers’ Institute, she enrolled in the Faculty of Teaching at the University of Urbino and, at the same time, having obtained his specialization in teaching “differently-abled” people, she began her career as a teacher in private schools. Subsequently, having won the Master’s Competition, announced by the Ministry of Public Education, in Rome, she interrupted her university studies and moved to the capital to dedicate himself to teaching. Her literary activity began in 1996 with assiduous collaboration as a poet and essayist at the cultural magazine “La Procellaria” of Reggio Calabria, directed by Francesco Fiumara.
She has published in poetry “Trajectory of a stem”, Roma 2001; “The night of Gethsemane”, Vasto 2004; “Christmas in Zollara”, Foggia 2005; “Pascoli’s Odyssey”, Idem, 2006; “The door ajar”, Idem, 2007; “The prisoner of Ushuaia”, Caserta 2008; “The lake and time”, Torino 2010; “The call of Orpheus”, Bari 2011; “In the woods, in the footsteps of the shepherd”, Idem, 2012; “Where it rained manna”, Idem, 2015; “The Prisoner of Ushuaia”, 2nd edition, Torino, 2021; “The goal is to leave”, Idem, 2022; in essays: “Giovanni Pascoli-The road of memory”, Rionero Sannitico 2002; “Giovanni Pascoli and the search for the meaning of being”, on “The new literary tribune “, n. 80, IV quarter 2005 (on the occasion of the 150th anniversary of the poet’s birth), then in Pascoliana Odyssey, pp. 65-71; “The aesthetic and symbolic speculation in the poetry of Vincenzo Rossi”, Torino, 2020; in fiction “Never say what tomorrow will be”, Bari, 2002; “The shadow of the mother”, Idem, 2009; “Souls at the crossroads”, Idem 2017; Diary of a Samaritan, 2024. She has won several literary awards.
作者简介
因佩里娅·托尼亚齐，出生于圣毛罗帕斯科利。毕业于里米尼师范学院之后，她考入了乌尔比诺大学的教育学院，同时获得了“残障人士”教学专业的文凭，她开始在私立学校担任教师。随后，她在罗马公共教育部举办的硕士竞赛中获胜，便中断了大学学业，搬往了首都罗马，全身心投入了教学事业。她的文学活动始于1996年，于同年在雷焦卡拉布里亚合办的文化刊物《海燕》杂志社担任特聘诗人和散文家，并奋力创作，该杂志由弗朗切斯科·菲马拉担任主编。
出版诗集：《茎的轨迹》，罗马，2001年；《客西马尼之夜》，瓦斯托，2004年；《佐拉拉的圣诞节》，福贾，2005年；《帕斯科利的奥德赛》，福贾，2006年；《虚掩之门》，福贾，2007年；《乌斯怀亚的囚犯》，卡塞塔，2008年；《湖与时间》，都灵，2010；《奥菲斯的呼唤》，巴里，2011年；《林中牧羊人的足迹》，巴里，2012年；《何处下甘露》，巴里，2015年；《乌斯怀亚的囚徒》，第二版，都灵，2021年；《目标是离开》，都灵，2022年；散文著作：《乔瓦尼·帕斯科利：记忆之路》，里奥内罗·桑尼蒂科，2002年；《乔瓦尼·帕斯科利：对存在意义的探索》，载于《新文学论坛》，第80期，2005年第四卷（在诗人诞辰150周年之际），而后载于《帕斯奎利诺·德桑蒂斯》，第65-71页；《文森佐·罗西诗歌中的美学与象征性思考》，都灵，2020年；小说《永远不要说明天会发生什么》，巴里，2002年；《母亲的影子》，巴里，2009年；《十字路口的灵魂》，巴里，2017年；《一个撒玛利亚人的日记》，2024年。她曾获多个文学奖项。
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