会议缩写 | 笔者发言题目 |
PSN 2014 | Big Data and the shaping of music: an online platform for musical performance studies |
NCMPS 2016 | 可视化分析在音乐表演研究中的综合运用/The Comprehensive Application of Visualization Analysis in Musical Performance Studies |
PSN 2018 | Historically-Informed Performance Encounters Music Education and Examination: the Case of Vivaldi’s RV 356 |
NCMPS 2019 | 从“天才”到“大师”——音乐表演研究热点的教学及实践运用/From ‘Genius’ to ‘Maestro’: the Educational and Practical Application of Musical Performance Studies |
ISPS 2019 | Musical Diversity vs. Technical Proficiency: A Comparison of British and Chinese Graded Examinations in Violin Performance |
MPTIS 2019 | 音乐表演为何越来越需要研究——关于教学实践与学科建设的思考/Why Musical Performance Increasingly Requires Studies: Thoughts on Teaching Practice and Discipline Construction |
PSN 2020? | （因疫情延期/Postponed because of Covid-19） |
SDMPS 2020 | 跨学科视野下的音乐表演体系研究/Musical Performance Studies: An Interdisciplinary Perspective |
ISPS 2021 | Musical performance style of Viennese waltz: A case study of the Blue Danube by Johann Strauss II |
其中，均在英国举办的表演研究网络第二届、第三届与第四届国际研讨会（PSN 2013/2014/2016）是中国大陆学者最早参与的相关学术活动，综述可参见本期推送。而ISPS 2021是在2021年10月疫情期间通过线上为主的方式举办的最新一届表演科学国际研讨会，预计ISPS 2023将于2023年8月在波兰华沙举行。
以下官宣近期粉丝福利的获奖名单：
