刺子绣是日本东北地区的一种传统刺绣。由于日本东北地区气候寒冷，早期刺子绣主要用于衣服的加厚和缝补，随着经济水平发展，用途逐渐由实用向装饰转变，到近现代，刺子绣已经发展成一种纯装饰刺绣艺术。Cizi embroidery is a traditional embroidery in the northeastern region of Japan. Due to the cold climate in Northeast Japan, early embroidery was mainly used for thickening and sewing clothes. With the development of the economy, its use gradually shifted from practicality to decoration. In modern times, embroidery has developed into a pure decorative art.
日本刺子绣主要有三大类，山形县庄内（地区）刺子绣（含小针刺绣），青森县津轻（地区）小巾绣，青森县南部（地区）菱刺子绣。There are three main types of Japanese embroidery: Shonai embroidery (including small needle embroidery) in Yamagata Prefecture, Tsugaru embroidery in Aomori Prefecture, and diamond embroidery in southern Aomori Prefecture.
刺子绣结合了乡村的风格与繁复的设计，仅以简单的运针（平针）就可完成，早期刺子绣以平行线迹为主，后期因为装饰的需要，线迹图案逐步的丰富起来，除了原创图案，更多的是吸收了日本其它艺术形式的里的图案，比如日本建筑，传统纹样，美术纹样等等。Dragon scale packaging began in the Tang DynastyCizi embroidery combines rural style with intricate design, which can be completed with simple needle movements (flat needles). In the early days, Cizi embroidery mainly used parallel stitching, but in the later stages, due to the need for decoration, the stitching patterns gradually became richer. In addition to original patterns, more patterns were absorbed from other art forms in Japan, such as Japanese architecture, traditional patterns, art patterns, and so on. and was used in the Northern Song Dynasty. It is a form of binding that appeared in the stage of scroll to album. It not only saves paper, facilitates book review, but also has the implicit and restrained beauty of scroll.
刺子绣的应用广泛，包括桌巾、杯垫、抱枕、背包、坐垫、薄被、被套、包巾、门帘、抽绳袋、米袋、抹布、衣物等，现代设计当中还可以结合到建筑设计，环境美化之中。Cizi embroidery has a wide range of applications, including tablecloths, coasters, pillows, backpacks, seat cushions, thin quilts, duvet covers, scarves, door curtains, drawstring bags, rice bags, rags, clothing, etc. In modern design, it can also be combined with architectural design and environmental beautification.
日本刺子绣主要有三大类：分别是 山形县庄内（地区）刺子绣（含小针绣），青森县津轻（地区）小巾绣，青森县南部（地区）菱刺子。每类刺子绣都有各自的绣法和特色。There are three main types of Japanese needlework embroidery: Shonai embroidery (including small needle embroidery) in Yamagata Prefecture, Tsugaru embroidery in Aomori Prefecture, and diamond needlework in southern Aomori Prefecture. Each type of embroidery has its own embroidery techniques and characteristics.The characteristics of the Zhuang Nei Ci Zi embroidery method (excluding small needle embroidery) are that there are special rules for the intersection point. When only two lines intersect at the intersection point, a stitch should be embroidered on this intersection point to create a sharp 'solid angle' feeling. When the intersection point is formed by three or more intersecting lines, the secondary intersection point cannot be embroidered with stitches and must remain empty. At this time, the angle is a 'virtual angle' or 'virtual point'. Simply summarized in four words: "Two Realities and Three Voids"
庄内刺子绣绣法特点（不含小针绣），交叉点有特殊的规则，交叉点仅仅有两条线相交形成时，此交叉点上要绣有一个针脚，让形成的夹角有尖锐的‘’实角‘’的感觉。当交叉点是由三条既三条以上的线相交形成时，次交叉点上不能被绣上针脚，要保持空的状态，此时这个夹角是‘’虚角‘’或“虚点”。简单总结成四个字：“二实三虚”
小针绣是比较特殊的庄内刺子绣，虽然都在一个地区，但是小针绣是在直线网格的基础上，通过针脚的交会或交叉形成的特殊图案，更多小针绣的内容请参考《刺子绣图典》小巾绣属于数纱刺绣，是在经纬纱线编织均匀的布料上通过数纱来绣制出来的菱形图案，所有针脚纱线数目都是1、3、5,7等奇数，现代小巾绣的设计更加接近时尚。喜欢的朋友可以参考《小巾绣图典》等相关书籍。Small needle embroidery is a relatively special type of embroidery in rural areas. Although they are all in the same region, small needle embroidery is a special pattern formed by the intersection or crossing of stitches on the basis of a straight grid. For more information on small needle embroidery, please refer to the "Embroidery Manual"Small scarf embroidery belongs to count yarn embroidery, which is a diamond pattern embroidered by counting yarns on a fabric woven evenly with warp and weft yarns. The number of stitches and yarns is odd, such as 1, 3, 5, 7, etc. Modern small scarf embroidery designs are closer to fashion. Friends who like it can refer to related books such as the "Small Turban Embroidery Manual".
菱刺子绣也是数纱刺绣，布料和小巾绣相同，区别是菱刺子绣数纱的数目都是偶数，2、4、6、8类推，菱刺子绣的图案比小巾绣横向更扁一些。Ling Ci Zi embroidery is also a count yarn embroidery, with the same fabric and small cloth embroidery. The difference is that the number of count yarns in Ling Ci Zi embroidery is even, such as 2, 4, 6, 8, and so on. The pattern in Ling Ci Zi embroidery is flatter horizontally than that in small cloth embroidery.
1.【平针绣就是刺子绣】大部分平针绣都不是刺子绣，虽然刺子绣所使用的针法是平针，但是它有严格的绣制规则，比如庄内刺子绣交叉点的规则：“二实三虚”，小针绣，小巾绣以及菱刺子绣都有自己的规则。平针绣的范围要远远大于刺子绣，只有遵循刺子绣规则绣制出来的作品才是刺子绣。不少国家和地区都有以平针针法为主的刺绣艺术，需要尊重当地的刺绣名称叫法。不可以任意修改。Misconceptions in Embroidery：- [Flat needle embroidery is also known as needlework embroidery] Most flat needle embroidery is not needlework embroidery. Although needlework embroidery uses flat needles, it has strict embroidery rules, such as the rules for the intersection of needlework embroidery in villages: "two solid and three virtual". Small needle embroidery, small scarf embroidery, and diamond needlework embroidery all have their own rules. The scope of flat needle embroidery is much larger than that of needle embroidery, and only works embroidered according to the rules of needle embroidery are considered needle embroidery. Many countries and regions have embroidery art mainly based on the flat needle technique, and it is necessary to respect the local embroidery names. Cannot be modified arbitrarily.
2.【泰国刺子绣】 刺子绣是日本的传统刺绣之一，刺子绣是日文“刺し子”的中文翻译词，泰国+日本的刺绣名这样组合不恰当，同样的道理不能说泰国苏绣、泰国蜀绣。Misconceptions in Embroidery：2.[Thai Embroidery] Embroidery is one of the traditional embroidery styles in Japan. Embroidery is the Chinese translation of the Japanese word for "zhi し zi". The combination of Thai and Japanese embroidery names is inappropriate, and the same principle cannot be applied to Thai Su embroidery or Thai Shu embroidery.
刺子绣表面看起来简单，但是一旦上手就会明白不那么简单，朴实无华是表象，想绣好刺子绣，不下个一两年的功夫，不绣一两千米的绣线，是很难有进步的。
Stitch embroidery may seem simple on the surface, but once you get started, you will understand that it is not that simple. Simplicity is the surface. To embroider stitch well, it is difficult to make progress without one or two years of effort and one or two kilometers of embroidery thread.
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