锦灰堆 | 非物质文化遗产

锦灰堆

锦灰堆最早出现在明代的鼻烟壶上，它源自中国传统本身，并受到西方物质文明的一定影响，非常真实的描绘古代文人雅士书房所常见的杂物。

Jin ash pile first appeared on the snuff bottle of the Ming Dynasty. It originated from Chinese tradition itself and was influenced by Western material civilization, depicting very realistically the common miscellaneous items in the study rooms of ancient literati and scholars.

具三维视觉艺术特点的写实画法。如：古旧字画、废旧拓片、青铜器拓片、瓦当拓片、虫蛀的古书、废弃的画稿以及扇面信札等。

Realistic painting techniques with three-dimensional visual art characteristics. Such as ancient calligraphy and painting, discarded rubbings, bronze rubbings, tile rubbings, insect-infested ancient books, abandoned artwork, and fan-shaped letters.

杂物件件呈现破碎、撕裂、火烧、沾污、破旧不堪的形状，给人以古朴典雅、古色古香、雅气横生、耐人寻味的感觉，有人称之为“非书胜于书、非画胜于画”。

The miscellaneous items present broken, torn, burnt, stained, and worn-out shapes, giving people a sense of antiquity, elegance, refinement, and thought-provoking. Some people call it "non-books are better than books, non-paintings are better than paintings".

锦灰堆的绘制

1.绘制“锦灰堆”必须选用熟宣纸、中国画颜料、磨墨、毛笔、界尺等用具。

1. When drawing the "Jin ash pile", it is necessary to use tools such as cooked rice paper, Chinese painting pigments, grinding ink, brushes, and boundary markers.

2.绘制图中所描绘的杂物必须是破、旧、污、虫蛀、火烧、撕裂状方能显出古朴典雅，古色古香、雅趣横生之趣。

2. The debris depicted in the drawing must be broken, old, dirty, insect-eaten, burnt, or torn to show its antique and elegant charm, full of charm and elegance.

 3.“锦灰堆”必须善书各种字体，真、草、隶、篆以及古印刷体，善模仿各家书体，做到惟妙惟肖、形神兼备。

3. "Jin ash pile" must be good at writing various fonts, including authentic, cursive, clerical, seal script, and ancient printing styles, and be good at imitating various calligraphy styles to achieve lifelike and lifelike appearance.

在这一领域被公认的能手，是画了六十多年的郑达甫先生．三四十年代流行沪上的"锦灰堆"之作，大多是郑先生手笔。据新编《镇海县志》“人物传”记载，郑达甫(1891～1956年)，镇海浦镇十七房郑氏人，他“家贫少孤，在家乡小学任教，性喜绘画，尤擅临摹”。

The recognized expert in this field is Mr. Zheng Dafu, who has been painting for over 60 years. The "Jin ash Pile" works popular in Shanghai in the 1930s and 1940s were mostly created by Mr. Zheng. According to the "Biographies of Characters" in the newly compiled "Zhenhai County Annals", Zheng Dafu (1891-1956) was from the Zheng family in the 17th house of Zhenhaipu Town. He came from a poor and isolated family and taught at a primary school in his hometown. He had a passion for painting and was particularly skilled at copying.

宋翼青，字云程，又名亦卿。先生早年受柳汀先生画风影响，以花卉、鸟虫为主，后得两石翁心授，笔墨拙朴、典雅而有富贵气。先生尤擅画“锦灰堆”（又名八破），受张海若画风影响，得刘竹斋真传，其“八破”冠绝当代画坛而无雁行者。

Song Yiqing, styled Yuncheng, also known as Yiqing. In his early years, Mr. Liu Ting influenced his painting style, mainly focusing on flowers, birds, and insects. Later, he was taught by the two-stone Weng Xin, with simple and elegant brushwork and a sense of wealth and honour. The gentleman is particularly skilled in painting "Jin ash pile" (also known as "Ba Po"). Influenced by Zhang Hairuo's painting style, he received a true biography from Liu Zhuzhai, and his "Ba Po" is unparalleled in the contemporary art world without any wild geese.

为更好的传承和保护“锦灰堆”这一优秀的传统技艺，近几年来专攻“锦灰堆”的创作技法，并在不断学习前人绘画技法中不断研发出自己特有的创作技法。成为新中国建立后“锦灰堆”第一位传人，其作品多次在国内外展出，已成为当今收藏爱好者手中的珍品。

To better inherit and protect the excellent traditional technique of "Jin Hui Dui", in recent years, we have specialized in the creative techniques of "Jin Hui Dui" and continuously developed our unique creative techniques by learning from the painting techniques of our predecessors. Becoming the first inheritor of the art of "Jin ash pile" after the establishment of New China, his works have been exhibited multiple times both domestically and internationally, and have become treasures in the hands of collectors today.