此次参展为瑀空间 ASTRA ART在艺博会的首次亮相，标志着瑀空间 ASTRA ART在艺博会领域的崭新启程。

This exhibition represents a fresh start for ASTRA ART in the dynamic realm of contemporary art fairs.

瑀空间 ASTRA ART 致力于构建艺术家、评论家、收藏家之间的桥梁，打造具有国际视野的现当代艺术鉴赏与交流的平台。我们探索当代艺术的创新可能性，积极引入国际现当代艺术作品，同时关注本土的当代艺术发展，助力艺术家的职业成长，推动更多优秀的当代艺术家进入观者视野。

ASTRA ART is dedicated to building a bridge among artists, critics, and collectors, and creating a platform for the appreciation and exchange of modern and contemporary art with an international perspective. 

We explore the innovative possibilities of contemporary art, actively introduce international modern and contemporary artworks, and at the same time, pay attention to the development of local contemporary art. We strive to facilitate artists' professional growth and promote more outstanding contemporary artists to enter the audience's view, ultimately pushing Chinese contemporary art to the world stage.

此次艺博会上，瑀空间 ASTRA ART精心策划，呈现三组不同代际的艺术家的作品。其中包括70后捷克籍艺术家兹德内克·康瓦利纳（Zdenek Konvalina）富有节奏和韵律的笔触下，蓬勃的生命力与能量流动；80后艺术家仝紫云近十年间基于传统写实绘画上的新视角；以及90后艺术家汪琦琦、楼烨，前者以怪诞的身体为线索，对生命与存在传统认知的挑战，后者以传统的中国画材料绢本为载体，以工笔画的晕染方式表现她对于生命物的非现实景象探索。

这几位艺术家在画面上的风格呈现各异，但在内在探索与自我诘问的表达中展现出共性与交织。

At ART021 ASTRA ART has created four carefully curated exhibitions by artists from different generations. They include the vibrant life force and energy flow depicted with rhythmic and melodic strokes by the Czech artist Zdenek Konvalina, who is a member of the post-70s generation; the new perspectives based on traditional realistic painting by the post-80s artist Tong Ziyun over the past decade; As well as the post-90s artists Wang Qiqi and Lou Ye. The former challenges traditional perceptions of life and existence through bizarre bodily themes, while the latter uses traditional Chinese painting materials, with silk as the primary medium, and employs the meticulous gongbi painting technique to explore non-realistic depictions of living forms. Lou Ye's works transcend simple imitation of natural imagery and deviate from the conventional forms of traditional Chinese painting.

Although their styles vary on the canvas, they share commonalities and interconnections in their expressions of inner exploration and self-questioning.

仝紫云，1987年生于河南省唐河县，本科与硕士就读与中国美术学院油画系，2024年获得中国艺术研究院博士学位。

Tong Ziyun was born in 1987 in Henan. He obtained his undergraduate and master's degrees from the Oil Painting Department of the China Academy of Art and obtained his doctoral degree from the Chinese National Academy of Arts in 2024.

仝紫云《过去、现在和未来》100x80cm布面油画2022年

仝紫云将写实作为区分和描绘世界的独特方法，通过细腻的笔触与深刻的洞察力，探讨时间与空间的复杂关系，超越现实的复制，体现了对“同一性”的思考。他将理性、安静的唯美绘画与情绪化、非逻辑的绘画结合，形成独特表达。

仝紫云深谙传统绘画技法，却并未受其束缚，而是通过赋予事物新的生命和能量，将观众的目光引向更为广阔的时空体验。他的作品中流露的不仅是技艺的高超，更是对现代人精神困境的微妙探讨，引发人们对历史与当代、形式与内涵、个体与社会等诸多议题的思考。

From an artistic perspective he regards realism as a unique method of distinguishing and depicting the world. Through delicate brushstrokes and profound insights, he explores the complex relationship between time and space, transcends the replication of reality, and offers his personal reflections on the challenging subject of ‘identity’. He combines rational and quiet aesthetic painting with emotional and illogical painting to form a unique expression. 

Through extensive education and experience he is well-versed in traditional painting techniques, but is not bound by them. Instead, by endowing things with new life and energy, he directs the audience's gaze towards a broader experience of time and space. His works not only reveal superb skills, but also subtle explorations of the spiritual dilemma of modern people, triggering people's thinking on many issues such as history and modernity, form and the individual and society.

仝紫云《室内的风景和窗外的风景》布面油画, 200×200cm 2010

仝紫云善于从日常生活中汲取灵感，将那些看似平凡无奇的物品和场景转化为艺术表达的对象。他的创作思路不仅局限于对现实的直接描绘，更注重在作品中融入自己的情感、思考和观念。通过艺术的形式，他试图揭示现代人内心的梦幻与虚空，以及人与物、人与世界之间的复杂关系。

Tong Ziyun excels at drawing inspiration from daily life, transforming seemingly ordinary objects and scenes into subjects of artistic expression. His creative approach is not limited to direct depictions of reality, but rather focuses on incorporating his own emotions, thoughts, and concepts into his works. Through art, he attempts to reveal the dreams and emptiness within modern people's hearts, as well as the complex relationships between humans and objects, and humans and the world.

仝紫云《龛1》24×30cm布面油画2019 2024年

2010年，仝紫云在本科时的创作不仅奠定了仝紫云日后在绘画题材选择上的方向，也确立了他独特的绘画质感和对日常事物的细腻表达方式。

In 2010, Tong Ziyun graduated from the Oil Painting Department of China Academy of Art with a Bachelor's degree and continued his studies there for a Master's degree. 

During the summer vacation of his senior year, he created a series of works, and won the gold medal in the exhibition of the China Artists Association with one of them, which was also the starting point of his career. 

This marked the beginning of his career. These works not only laid the foundation for Tong Ziyun's future direction in choosing painting themes but also established his unique painting texture and delicate expression of everyday objects.

仝紫云《龛2》24×30cm布面油画2019 2024年

次年，他受邀加入中国油画院课题组，接触新绘画方法和思考方式，跟随多位艺术家学习，深化对题材深层意义的挖掘。

The following year, he was invited to join the research group at the China Oil Painting Academy, where he was exposed to new painting techniques and ways of thinking. He studied under several artists, deepening his exploration of the deeper meanings of his subjects.

如果说本科期间，仝紫云主要致力于解决画面、造型、色彩和技法的问题，那么在油画院时，他已基本掌握了绘画的技术，甚至能够从局部着手完成整体画面。这种技术上的成熟反而让他感到了一种空虚。在老师的指导下，仝紫云开始从其他角度读书和思考，理解绘画观念的来龙去脉，并将这些观念融入到他的创作中，打开了更多元化的思维方式。

During his undergraduate studies, Tong Ziyun primarily focused on addressing issues related to composition, form, color, and technique. However, by the time he was at the China Oil Painting Academy, he had already mastered the fundamentals of painting and was even capable of completing an entire painting by focusing on its individual parts. 

This technical maturity, paradoxically, left him feeling a sense of emptiness. Under the guidance of his teachers, Tong Ziyun began to read and think from different perspectives, understanding the origins and development of painting concepts and incorporating these ideas into his creations, thereby opening up more diversified ways of thinking.

仝紫云《日常生活·怀孕七个月》 布面油画, 200×140cm 2024

由此他开始体悟时间对于生活，在2012年，创作了《日常生活·怀孕七个月》。2013年起，他开始《观物》系列，描绘周围事物、静物、废弃物，通过普通物体表达对世界看法和情感。

As a result, he began to comprehend the significance of time in life, and in 2012, he created "Daily Life: Seven Months Pregnant " Starting from 2013, he embarked on the "Observing Objects" series, depicting surrounding objects, still lifes, and waste materials, using ordinary items to express his views and emotions about the world. 

仝紫云《插座》24×30cm布面油画2020年

仝紫云作品既有宏大场景，也有精致小画，弥漫着古典情绪，却包含对古典的破坏元素，呈现反古典效果，传递复杂情感和思想。近年来，他持续创作传统题材静物，但加入想象和抽象元素，采用古典绘画方法，形成强烈反差，展现当代绘画中的独特风格。

The works of Tong Ziyun encompass both grand scenes and delicate paintings, permeated with classical sentiments yet containing destructive elements towards the classics, presenting an anti-classical effect and conveying complex emotions and thoughts. 

In recent years, he has continued to create still lifes with traditional themes, but has incorporated imaginary and abstract elements, using classical painting techniques to create a sharp contrast and demonstrate a unique style in contemporary painting.

汪琦琦，1996年生于浙江温州，先后于2018年和2021年分别获中国美术学院油画系学士和硕士学位，现于上海大学美术学院攻读美术学博士学位。目前工作生活于杭州、上海。

Wang Qiqi was born in Zhejiang, China in 1996. She lives and works in Hangzhou. She studied painting at the China Academy of Art (Hangzhou), graduating in 2018 and obtaining an MFA in 2021. Wang Qiqi is now completing her doctorate of Fine Art at Shanghai University (Shanghai).

汪琦琦-粘连-足I 

汪琦琦的创作以怪诞的身体为线索，对生命与存在的进行追问。在汪琦琦的作品中，身体在组合、变形、尚未封闭的异常状态下，打开了无序的窗口，成为游走在边界的生物。它不断超越自身，超越极限，在世界的褶皱和裂痕中寻找面对非理性时的生命活力。汪琦琦作品被收藏于南京艺术学院美术馆、中国美术学院美术馆等机构。

Wang Qiqi's paintings use grotesque bodies as clues to question life and existence. In many of his paintings the body opens a window of disorder in an abnormal state of combination, deformation, and not yet closed, and becomes a creature wandering on the border.  

The work she produces can be seen as constantly attempting to transcend its limits, and seeks the vitality of life in the face of irrationality in the folds and cracks of the world. Wang Qiqi’s work is held in the following collections: Art Museum of the Nanjing University of Arts (AMUNA) , Nanjing; Art Museum of China Academy of Art, Hangzhou.

汪琦琦-错位 V

在汪琦琦的作品中，她选择隐去人物的面容，而专注于躯体的描绘。这一选择旨在回归到身体的物质性本身，强调躯体作为一个独立存在的语言和情感表达。她认为，躯体本身也有自己的语言和感情，能够作为一个独立的存在来传达艺术家的思想和情感。同时，通过隐去面容，她进一步对抗了理想化的秩序和对完美人类的设定，从而实现了对现实世界的祛魅。

The audience will notice that in a number of works he chooses to obscure the faces of the figures and focuses on the depiction of the body. This choice aims to return to the materiality of the body itself, emphasizing the body as an independent language and emotional expression. 

She believes that the body itself possesses its own language and emotions, capable of conveying the artist's thoughts and feelings as an independent entity. Meanwhile, by obscuring the faces, she further confronts the idealized order and the construct of the perfect human, thereby achieving a disenchantment of the real world.

汪琦琦-粘连-足II

兹德内克・康瓦利纳，1979年出生于捷克，1997年，兹德内克毕业于捷克布尔诺音乐学院，成为一位职业芭蕾舞演员。2002年至2006年在休斯顿期间，他开始绘画。2014年，从芭蕾舞演员的岗位退役后正式从事绘画创作，目前在伦敦、柏林生活和工作。

Zdenek Konvalina was born in the Czech Republic in 1979. In 1997, Zdenek graduated from the Brno Conservatory  in the Czech Republic and became a professional ballet dancer. During his time in Houston from 2002 to 2006, he began painting. In 2014, Zdenek transformed from a ballet dancer to an artist, now living and working in London and Berlin.

Zdenek Konvalina 兹德内克-康瓦利纳-无题SBS131

兹德内克在作品中融入了许多不同的概念和想法，这些元素与动作息息相关。无论是身体上的律动、意识活动，还是隐喻性的移动，他将这些想法以图像拼贴的方式巧妙结合在一起。

Zdenek has incorporated many different concepts and ideas into his work, and these elements are closely related to the movement. Whether it is a physical rhythm, an awareness activity, or a metaphorical movement, he cleverly combines these ideas in a collage of images.

长期的芭蕾舞者经历，对于兹德内克的艺术创作，影响颇深。芭蕾舞者与艺术家，如同康瓦里纳的一体两面，最终在艺术创作中平衡展现。

The long-term experience as a ballet dancer has profoundly influenced Zdenek's artistic creation. Ballet dancer and artist are like two sides of the same coin for Konvalina, ultimately balanced and presented in his artistic creations.

Zdenek Konvalina 兹德内克-康瓦利纳-往返[SBS118]

兹德内克的平面画作中，他将自己过往的芭蕾舞经验与抽象表现主义绘画融合，着重过程本身，除了仰赖身体心智的即时反馈，他追求实践潜意识中的概念、思想、形式、记忆及提示等，并着眼于探究物质与精神的比例关系，展示了物理世界和数字世界之间的惊人互动。

In Zdenek's graphic paintings, he integrates his past ballet experience with abstract expressionist painting, emphasizing the process itself. Besides relying on the immediate feedback from his body and mind, he pursues the practice of concepts, ideas, forms, memories, and prompts in his subconscious. He also focuses on exploring the proportional relationship between matter and spirit, demonstrating the astonishing interaction between the physical world and the digital world.

1993年出生于浙江杭州，先后获得中国美术学院中国画与书法艺术学院学士及硕士学位，现工作生活于杭州。

Born in 1993 in Hangzhou, Zhejiang, Lou Ye holds both a bachelor's and master's degree from the School of Chinese Painting and Calligraphy at the China Academy of Art. She currently lives and works in Hangzhou.

⽆限 8 Infinite 8，2022，绢本设⾊ 

楼烨的《无限》系列的转运竹造型，不只是自然图像的简单模仿，也有别于中国传统绘画中的类型化呈现。这一系列从不同视域表达了楼烨对事物在宇宙混沌中的无限生发，吞噬重生循环往复的探索。

Lou Ye's  "Infinite" series is not just a simple imitation of natural images, but also differs from the typified presentation in traditional Chinese painting. This series of works express the artist's exploration of the infinite growth of things in the chaos of the universe, the cycle of consumption and rebirth, and the endless cycle of exploration from different perspectives.

⽆限 3 Infinite 3，2022，绢本设⾊ 

⽵影 Bamboo shadow，2023，绢本设⾊ 

ART021 Shanghai 瑀空间ASTRA  ART 

时间 Time

2024.11.7—11.10

地点 Address

ART021 Shanghai 2nd Floor of main building

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