Title of work: The Bird From The Future - Fragment of Anatomy #2 (Eye - Profile)
Year: 2024
Material: Rotogravure in copper plate and galvanised steel
Size: 40 x 30 cm (unframed) 75 x 65 cm (framed)
Introduction: Inspired by the historic drawing style and technic of renown and historical French scientist Georges-Louis Leclerc (Comte de Buffon), the artist Charles de Meaux is depicting a bird in detail. In this drawing: the eye of the bird.
艺术家：查理·德莫
作品名称：来⾃未来的鸟—解剖碎⽚之⼆ （眼睛—侧影）
年份：2024
材质：铜板和镀锌钢板上的轮转凹版印刷
尺⼨：40 x 30 厘⽶ （无框）75 x 65厘米（有框）
简介：艺术家查理·德莫 (Charles de Meaux) 受到法国著名历史学家乔治-路易·勒克莱尔·
德·布丰的历史绘画风格和技法的启发，详细描绘了⼀只鸟。这图纸中：鸟的眼睛。
Artist: Charles de Meaux
Title of work: The Bird From The Future - Fragment of Anatomy #1 (Beak)
Year: 2024
Material: Rotogravure in copper plate and galvanised steel
Size: 40 x 30 cm (unframed) 75 x 65 cm (framed)
Introduction: Inspired by the historic drawing style and technic of renown and historical French scientist Georges-Louis Leclerc (Comte de Buffon), the artist Charles de Meaux is depicting a bird in detail. In this drawing: the beak of the bird.
艺术家：查理·德莫
作品名称：来⾃未来的鸟—解剖碎⽚之⼀ （喙）
年份：2024
材质：铜板和镀锌钢板上的轮转凹版印刷
尺⼨：40 x 30 厘⽶（无框）75 x 65厘米（有框）
简介：艺术家查理·德莫 (Charles de Meaux) 受到法国著名历史学家乔治-路易·勒克莱尔·
德·布丰的历史绘画风格和技法的启发，详细描绘了⼀只鸟。这图纸中：鸟的喙。
Artist: Charles de Meaux
Title of work: The Bird From The Future - Fragment of Anatomy #7 (Skeleton)
Year: 2024
Material: Rotogravure in copper plate and galvanised steel
Size: 40 x 30 cm (unframed) 75 x 65 cm (framed)
Introduction: Inspired by the historic drawing style and technic of renown and historical French scientist Georges-Louis Leclerc (Comte de Buffon), the artist Charles de Meaux is depicting a bird in detail. In this drawing: the joint skeleton of the bird.
艺术家：查理·德莫
作品名称：来⾃未来的鸟—解剖碎⽚之七 （⾻骼）
年份：2024
材质：铜板和镀锌钢板上的轮转凹版印刷
尺⼨：40 x 30 厘⽶（无框）75 x 65厘米（有框）
简介：艺术家查理·德莫 (Charles de Meaux) 受到法国著名历史学家乔治-路易·勒克莱尔·
德·布丰的历史绘画风格和技法的启发，详细描绘了⼀只鸟。这图纸中：鸟的⾻骼
Artist: Charles de Meaux
Title of work: The Bird From The Future - Fragment of Anatomy #10 (Head)
Year: 2024
Material: Rotogravure in copper plate and galvanised steel
Size: 40 x 30 cm (unframed) 75 x 65 cm (framed)
Introduction: Inspired by the historic drawing style and technic of renown and historical French scientist Georges-Louis Leclerc (Comte de Buffon), the artist Charles de Meaux is depicting a bird in detail. In this drawing: the head of the bird.
艺术家：查理·德莫
作品名称：来⾃未来的鸟—解剖碎⽚之⼗ （头）
年份：2024
材质：铜板和镀锌钢板上的轮转凹版印刷
尺⼨：40 x 30 厘⽶（无框）75 x 65厘米（有框）
简介：艺术家查理·德莫 (Charles de Meaux) 受到法国著名历史学家乔治-路易·勒克莱尔·
德·布丰的历史绘画风格和技法的启发，详细描绘了⼀只鸟。这图纸中：鸟的头。
Artist: Charles de Meaux
Title of work: The Bird From The Future - Fragment of Anatomy#6 (Wing 2)
Year: 2024
Material: Rotogravure in copper plate and galvanised steel
Size: 30 x 40 cm (unframed) 75 x 65 cm (framed)
Introduction: Inspired by the historic drawing style and technic of renown and historical French scientist Georges-Louis Leclerc (Comte de Buffon), the artist Charles de Meaux is depicting a bird in detail. In this drawing: the wing of the bird.
艺术家：查理·德莫
作品名称：来⾃未来的鸟—解剖碎⽚之六 （膀⼦⼆）
年份：2024
材质：铜板和镀锌钢板上的轮转凹版印刷
尺⼨：30 x 40 厘⽶（无框）75 x 65厘米（有框）
简介：艺术家查理·德莫 (Charles de Meaux) 受到法国著名历史学家乔治-路易·勒克莱尔·
德·布丰的历史绘画风格和技法的启发，详细描绘了⼀只鸟。这图纸中：鸟的膀⼦。
Artist: Charles de Meaux
Title of work: The Bird From The Future - Fragment of Anatomy#5 (Wing 1)
Year: 2024
Material: Rotogravure in copper plate and galvanised steel
Size: 40 x 30 cm (unframed) 75 x 65 cm (framed)
Introduction: Inspired by the historic drawing style and technic of renown and historical French scientist Georges-Louis Leclerc (Comte de Buffon), the artist Charles de Meaux is depicting a bird in detail. In this drawing: the wing of the bird.
艺术家：查理·德莫
作品名称：来⾃未来的鸟—解剖碎⽚之五 （膀⼦⼀）
年份：2024
材质：铜板和镀锌钢板上的轮转凹版印刷
尺⼨：40 x 30 厘⽶（无框）75 x 65厘米（有框）
简介：艺术家查理·德莫 (Charles de Meaux) 受到法国著名历史学家乔治-路易·勒克莱尔·
德·布丰的历史绘画风格和技法的启发，详细描绘了⼀只鸟。这图纸中：鸟的膀⼦。
The aesthetic style of the exhibition was inspired by the French historical scientist Georges Louis Leclerc (Count de Buffon). This historical scientist is known for his delicate brushstrokes and grand storytelling, and his historical paintings are still breathtaking today. In the process of creation, Charles de Meaux skillfully integrated the essence of Leclerc's art and modern technology elements to create a traditional and avant-garde aesthetic style. This style is not only reflected in the paintings of The Bird From The Future, but also throughout every corner of the exhibition space.
The Bird From The Future is an artistic exploration of deep reflection on nature, technology and the future. On the stage of TANK Shanghai, which is full of creativity and vitality, Charles de Meaux paints a magnificent picture of future ecological evolution for us with his unique artistic perspective and profound thinking. Let's look forward to the upcoming art feast and witness the The Bird From The Future flying!
关于艺术家
ABOUT THE ARTIST
Charles de Meaux is a visual artist. Born in Istanbul in 1967, he lives and works in Paris. A multifaceted artist, Charles de Meaux questioned early on the rapport between artist and medium, choosing to consider it redundant. He was one of the first to work on the space between cinema and contemporary art. His works include visual installations, feature films, as much as sound sculptures or video installations.
Charles de Meaux explores the relevance of art in the world, addressing the question of otherness, and the representation of nature and landscapes. Much of his work touches on the meaning of landscape in the contemporary world, and how we inhabit and live Earth. With a strong desire to take art out of the protective space of museums, Charles de Meaux’ work is very present in the public space. As such, one of his latest creations, ‘Bestiaire’, is a permanent monumental digital work visible only from metro trains, in the tunnel between two stations in the city of Rennes, in Brittany, France.
In 1997 Charles de Meaux created Anna Sanders, his own collective, with Pierre Huyghe, Philippe Parenno and Dominique Gonzalez‑Foerster. Institutions and Museums collections: MoMa (New York), The Chinati Foundation (Marfa), Centre Pompidou (Paris), Consortium (Dijon), FNAC Fond National d’art contemporain (France), New Media Museum (South Korea).
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