· · ·
在这个八月的尾巴，
昊美术馆携手深圳市人工智能与机器人研究院，于8月24日在昊美术馆二楼展厅隆重推出
《问题如何演绎》科技艺术展览。
At the end of August, HOW Art Museum and Shenzhen Institute of Artificial Intelligence and Robotics for Society (AIRS) jointly launched the ‘How The Question Deduces’ technology-art exhibition on the second floor hall of HOW Art Museum from the 24th August 2024.
展览现场
Exhibition site
展览一系列作品由科学家、艺术家、AI与机器人接力合作完成。这些作品不仅涵盖了AI艺术、机器人艺术、机械装置、虚拟现实等传统与现代科技艺术形式，还融入了数据孪生/可视化、智能感应互动、身体捕捉、新媒体影像等前沿技术，展现了科技与艺术跨界融合的无限可能。
The series of works in the exhibition were created through relay cooperation among scientists, artists, AI and robots. These works not only cover traditional and modern forms of technology and art such as AI art, robot art, mechanical devices, and virtual reality, but also incorporate cutting-edge technologies such as data twinning/visualization, intelligent sensor interaction, motion capture, and new media video, showcasing the limitless possibilities of cross-boundary integration between technology and art.
展览现场
Exhibition site
生命的算法，在展览中不仅代表着生物体本身复杂而精妙的运作机制，也象征着人类不断探索未知、挑战极限的精神追求。人类科技向外是对宏观宇宙力量的驾驭，向内是对微观世界奥秘的探索。通过这些努力，人类努力将物质转化为解放身心的工具，不断突破生命的限制，延长生命的长度，拓宽生命的广度。正是人类智慧与创造力的源泉，即便生命有限，人类也始终相信无限可能的存在，这种信念激励着人们不断前行，探索未知。如展览预告所言，问题的演绎：是提问，也是回答；是演绎，也是质疑 。在技术的洪流中，如何重新定义自我与世界的关系，成为新的时代课题。
In the exhibition, the algorithm of life represents not only the intricate and exquisite operating mechanisms inherent in organisms but also the unyielding human spirit of exploring the unknown and pushing boundaries. Human technology endeavors both to harness the forces of the macrocosm and to delve into the secrets of the microcosm. Through these endeavors, humanity strives to transform matter into tools that liberate the mind and body, relentlessly pushing against the limits of life, extending its span, and broadening its horizons.
It is from this wellspring of human wisdom and creativity that, despite the finitude of life, we cling to the belief in infinite possibilities. This conviction serves as a beacon, guiding us forward in our quest to uncover what lies beyond.
As the exhibition preview alludes, the interpretation of problems is both a posing of questions and an offering of answers; it is a deduction and a provocation for further inquiry. In the midst of the technological deluge, redefining our relationship with ourselves and the world has emerged as a defining challenge of our time.
《境界》
科学家：刘众 艺术家：沈少民 2023，综合材料，540cm×300cm
In Finite of Mirrors
Scientist: LIU Zhong Artist: SHEN Shaomin 2023, Mixed Media, 540cm×300cm
本次展览的三个线索「虚实接驳」「地空堆栈」「未来考古」分别从不同角度探讨了人工智能与机器人在时空、生态、未来等方面的议题。
This exhibition constructs discourses around issues of ‘Artificial Intelligence + Robotics’ throughout three clues:「Virtuality-Reality Connection」, 「Ground-Air Stack」 and 「Future Archaeology」. An exciting journey that crosses space-time dimensions andthe realms of virtuality and reality
虚实接驳Virtual-Reality Connection
《时间回旋》
科学家：赵达、林天麟 艺术家：沈少民
2023，机器人，直径12cm×3
Time Rotation
Scientists: ZHAO Da, LAM Tin Lun Artist: SHEN Shaomin
2023, Robot, Diameter 12cm×3
通过创建一个虚实双向重叠的镜像空间，反思机器人与人工智能在现实与虚拟世界中的存在状态及其相互关系。这个线索探讨的是虚拟与现实之间的界限与融合，以及机器人与人工智能在这一过程中的角色与定位。
In a mirrored realm, where the boundaries between the virtual and the real converge, a profound reflection unfolds upon the intricate interplay between robots and artificial intelligence in our tangible reality and the ethereal realm of data. Do they share the same space-time within the vast universal hierarchy? Can we uncover an interface, a harmonious gateway that bridges the virtual and the real?
Beyond the confines of human cognition and machine algorithms, might there be a generative intelligence, transcending these dichotomies? Are robots and artificial intelligence two facets of the same intricate gem, unified in their intrinsic nature?
《流动的切片》
科学家：深圳市人工智能与机器人研究院
艺术家：科学 + 艺术联合实验室 2023，电视机，44cm×25cm×33cm×16，10'' - 1'54''
Fluid Sections
Scientist: Shenzhen Institute of Artificial Intelligence and Robotics for Society
Artist: SciArt Co-lab 2023, Television, 44cm×25cm×33cm×16，10'' - 1'54''
《流动的切片》中，16台老式电视机无声播放着科研实验进程中产生的影像记录，形成历史与当下的交错并置，如：92年的空间机器人，以及目前已研发并投入使用的大型基础设施检修机器人等。
16台电视犹如16个培养皿中科学的流动切片，呈现放大一个个样本，被用以观测、研究、实验、测试，最终发酵、生长出截然不同的形态与成果。
In the 'Fluid sections' , 16 vintage televisions silently play recordings of scientific experiments, creating a juxtaposition of history and the present: such as the space robots of 92 and the current utilization of large-scale infrastructure maintenance robots.
The 16 televisions serve as vessels, akin to 16 Petri dishes containing the Fluid Sections of scientific exploration. Each screen magnifies a distinct specimen, employed for observation, research, experimentation, and testing. Through this process, they ferment, evolve, and transform, giving birth to diverse forms and remarkable achievements.
《阳光的情绪》
科学家：王一凡、李南、王淇、丁宁 艺术家：科学 + 艺术联合实验室
2022，综合材料，尺寸可变，59'22''
The Mood of the Sunlight
Scientists: WANG Yifan, LI Nan, WANG Qi, DING Ning Artist: SciArt Co-lab
2022, Mixed Media, Dimensions Variable, 59'22''
《阳光的情绪》是由科学 + 艺术联合实验室策划创作的跨学科项目，论文发表在数据科学领域国际会议IEEE DATA 2022。
The Mood of the Sunlight is a collaborative interdisciplinary project conceived and created bySciArt Co-lab. The associated research paper has been published in proceedings of IEEE DATA 2022 International Conference on Digital Science.
《阳光的情绪》收集了深圳阳光的多维度数据，包括色调、饱和度、亮度等，并通过数据可视化与 AI 生成，复现转化为阳光移动的轨迹与痕迹。阳光在流逝的时间中被反复无限地拉长压缩，释放出情绪与氛围的起伏变化。
The Mood of the Sunlight gathers multidimensional data on sunlight in Shenzhen. This data encompasses aspects such as hue, saturation, and brightness. Through the fusion of data visualization and AI generation, it reproduces and transforms the trajectory and traces of sunlight's movement. Over the course of passing time, sunlight is endlessly elongated and compressed, revealing the undulating fluctuations of emotion and atmosphere.
地空堆栈 Ground-Air Stack
《意义的意义》
艺术家：许锦龙 2023，综合材料，740cm×112.3cm
The Significance of Significance
Artist: XU Jinlong 2023, Mixed Media, 740cm×112.3cm
将堆栈这一计算机术语应用于地海空天之间的垂直结构，探索机器人与人工智能如何打通不同层级系统，并促进生命、城市、自然三大系统的生态自洽与共生。这一线索关注的是机器人与人工智能在构建和谐生态环境中的潜力与挑战。
Originally a term used in the field of computer science to describe data processing, 'stack' is repurposed in this context to depict the vertical structure encompassing the realms of land, water, the cloud, and the atmosphere—it also signifies the triad of matter, information, and energy. Through the lens of the Ground-Air Stack, we embark on an exploration of how robots and artificial intelligence can traverse these hierarchical systems, establishing ecological integrity and symbiotic mechanisms within the realms of 'life, cities, and nature.'
《硅基细胞》
科学家：涂宇啸、高源、林天麟 艺术家：科学 + 艺术联合实验室
2023，综合材料，直径12cm×75
Silicon-Based Cells
Scientists: TU Yuxiao, GAO Yuan, LAM Tin Lun Artist: SciArt Co-lab
2023, Mixed Media, Diameter 12cm×75
多个机器人自由模块如同《硅基细胞》般开放连通，构成一个复杂的智能系统。这也许就是技术造物最接近自然造物的类比。它们在剧场舞台上开放接口、自主组合、动态连接，实现复杂群体协作，创造出超越个体的群体智能。
《硅基细胞》是受粘菌和蚂蚁等生物集群行为启发，所研发的能够自由构型、无限拓展的模块化自重构机器人 FreeSN，在个体智能交织的网络中，群体智能涌现。
Multiple autonomous modules of robots, akin to silicone-based cells, interconnect in an open manner, birthing a complex intelligent system. This might be the closest analogy of a technological creation to a natural creation.
They open interfaces on the theater stage, autonomously merge and dynamically connect, weaving an intricate collective collaboration, leading to creation of a collective intelligence surpassing that of individuals.
未来考古Future Archaeology
《睡神的遐思》（局部）
艺术家：黄佳胜 2021，综合材料，正方体展台80cm×80cm×80cm，球模型直径130cm
Hypnosis Reveries （part）
Artist: HUANG Jiasheng (Jessien)
2021, Mixed Media, Cubic stand 80cm×80cm×80cm, Spherical model diameter 130cm
以考古的方式发掘并储存超出时代边界的未来构想，同时捕捉追踪潜在的未来景观。这一线索强调的是对未来的预见与想象，以及将这些想象转化为可视化、可触摸的“文物”的过程。
Through an archaeological approach of 'exploration, documentation, and analysis,' we unearth visionary concepts that transcend the boundaries of our present reality, reaching far beyond the confines of our era. Like excavating artifacts from the depths of the human mind, we reveal future relics and preserve them within a virtual museum.
Additionally, another ever-evolving open space emerges—a vast, futuristic archaeological site, tirelessly seeking to capture and trace the elusive landscapes of tomorrow, amidst the footprints of the present.
《睡神的遐思》
艺术家：黄佳胜 2021，综合材料，正方体展台80cm×80cm×80cm，球模型直径130cm
Hypnosis Reveries
Artist: HUANG Jiasheng (Jessien)
2021, Mixed Media, Cubic stand 80cm×80cm×80cm, Spherical model diameter 130cm
《睡神的遐思》是VR虚拟现实探索体验作品，长达20分钟。在VR空间内，以抽象和极简的方式构筑个人过去记忆成长的精神迷宫。方、角、圆，三个具有强烈戏剧寓意的符号指向过往与未来。
作品获得了2021年砂之盒沉浸影像节最佳华语作品奖，以及第十一届北京国际电影节 VR 单元官方评选。目前版本支持“立式”和“坐式”两种体验模式。
艺术家黄佳胜Jessien从多年的建筑学研究出发，基于“人对空间的感知方式” 的研究，发明了一套极具实验性和先锋性的空间叙事手法，其中包括一项名为“交互式重定向行走”的国家专利算法。
Hypnosis Reveries is a captivating exploration of virtual reality (VR), unfurling a mesmerizing 20-minute journey. Within the immersive realm of VR, it constructs a spiritual labyrinth of personal memories, tracing the contours of growth through abstraction and minimalism. The interplay of squares, angles, and circles, three potent symbols pregnant with profound allegorical significance, pointing towards both the past and the future.
This work has been awarded the Winner of the Best Chinese Work at the Sandbox Immersive Festival 2021, and Official Selection of Panorama Unit at the 11th Beijing International Film Festival.
Based on years of architectural research and the study of 'Human Perception of Space', Jessien invented a set of highly experimental and pioneering spatial narrative methods,including a national patented algorithm named 'Interactive Redirected Walking'.
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《意识场域》
科学家：元小强、张建国、李南、王超、朱洪武、丁宁 艺术家：科学 + 艺术联合实验室
2023，综合材料，400cm×300cm
Field of Consciousness
Scientists: YUAN Xiaoqiang, ZHANG Jianguo, LI Nan, WANG Chao, ZHU Hongwu, DING Ning
Artist: SciArt Co-lab
2023, Mixed Media, 400cm×300cm
展览通过AIRSpace这一平台，过滤了视觉惯性的符号，保留了遐想的空间，呈现了对时空、生命、存在、意识、智能等概念的深刻思考。这种思考如同无所不在的空气，贯穿于追寻自由的过程中，回应了专业领域的庞大与驳杂，社会范畴内的狂热或恐慌，以及不断演变交叠的想象和叙事。
Through the platform of AIRSpace, the exhibition filters out visually habitual symbols, preserves the space for reverie, and presents profound reflections on concepts such as time and space, life, existence, consciousness, and intelligence.
This kind of reflection, akin to the ubiquitous air, permeates the process of pursuing freedom, echoing the vastness and complexity of professional fields, the fanaticism or panic within social categories, and the constantly evolving and overlapping imaginations and narratives.
《虚梦森林》
科学家：高源、张海翔、王健霖、陈勇全 艺术家：科学 + 艺术联合实验室
2023，综合材料，直径约350-400cm×3
Forest of Illusory Dreams
Scientists: GAO Yuan, ZHANG Haixiang, WANG Jianlin, CHEN Yongquan Artist: SciArt Co-lab
2023, Mixed Media, Diameter approximately 350-400cm×3
展览信息
问题如何演绎
展览时间：2024.08.24 - 2024.10.25
展览地点：昊美术馆（上海）
展览地址：上海市浦东新区祖冲之路2277弄1号二楼
HOW the Question Deduces
Duration: The 24th of Aug - The 25th of Oct , 2024
Venue: HOW Art Museum
Address: 2F, No.1, Lane 2277, Zuchongzhi Road, Shanghai
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