形上直立设计 | Aisling Couture 森林礼堂

建筑经常会给人一种坚硬的感觉，可能是因为它形成的原因。砂岩被搅碎翻滚塑成混凝土，石英砂将粗粝的自己融化成冷峻的玻璃。这些大小不一的砂石在河滩上大树下运走，被碾碎挤压以便成为建筑的材料。

Architecture often feels hard, probably because of the reason it was formed. Sandstone is crushed and rolled into concrete, and quartz sand melts its coarse self into cold glass. These different sizes of sand and gravel are removed from the beach under trees and crushed to be used as building materials.

但当风吹过树梢沙沙作响时，像被恋人的手指轻抚划过，砂石的回忆回到了河滩树下的微风里，空间就变成了一个拥抱。

But when the wind rustles through the treetops, like the fingers of a lover, the memory of the sand is returned to the breeze under the trees on the beach - the space becomes an embrace.

DESIGNER

张广 Zhang Guang

用具有温度的研究型设计，
创造领域的新体验。
With a research design with temperature,
Create new experiences in the field.

婚礼被赋予了二为一体结合的意义——理性的契约仪式及精神的永恒。

The wedding is endowed with the meaning of the combination of two in one - the rational contract ceremony and the eternal spirit.

非随意性的构建方式可以接近空间表达的目的。

Non-arbitrary construction can approach the purpose of spatial expression.

早在希腊，毕达哥拉斯学派就发现了自然数同音乐的一致性，并利用音程比例形成了基本的古希腊四音音列调式。这种数字化的比例方式在古希腊建筑和音乐同时体现,多利克等四种柱式对应的就是四音音列调式——两者通过音程和尺度的组合，达到听感和视觉不同领域浪漫且理性的表达。

As early as in Greece, the Pythagoreans discovered the consistency of the natural numbers with music and used the interval ratio to form the basic Greek four-tone series mode. This digital proportion is reflected in both ancient Greek architecture and music, and the four columns of Dolic and others correspond to the four-tone tone series mode - both of them achieve the expression of different auditory and visual feelings through the combination of intervals and scales.

‍由于七声音阶的音程不均匀，每种音阶的调性和色彩就变得明显——多利亚调式被认为适合表达庄重和勇气，弗里吉亚调式则与激情和感性相关。

Because of the uneven intervals of the seven scales, the tonality and color of each scale became apparent - the Doric mode was considered suitable for expressing gravitas and courage, and the Phrygian mode was associated with passion and sensibility.

图形化的C调多利安音阶和多立克柱式

比例组合可以让目的空间呈现一种浪漫而有序的状态。

 The combination of proportions can make the destination space present an orderly and romantic state.

立面比例图

‍她小心地撕开自己的一角，门洞就成了眼睛。穿过厚的黑色的墙，落在彼此身上。

She tore a corner of herself carefully, The doorway became the eyes. Through the thick black wall, Fall on each other.

交汇是空间情感的表现——错位是相遇的一瞥，中轴是热恋的对视，复数的模组是自由的交流。

Convergence is the expression of spatial emotion - dislocation is the glimpse of encounter, the central axis is the gaze of passionate love, and the plural module is the free exchange.

视线关系图

婚纱空间大都做成超市一样的夹道，原本熠熠发光的婚纱像超市两侧货架上被摆卖的口香糖，人也在夹道上被推搡着往前走，这怎么能和那个唯一联系起来呢。

Wedding space is mostly made into a supermarket like the alley, the original sparkling wedding dress like the supermarket shelves on both sides of the sale of chewing gum, people are also pushed forward on the alley, how can this and the only link it.

不同空间和婚纱的关系

我们想建造一个能够和婚纱产生关系的空间，有足够的时间与距离让婚纱与心中的景象重合，让人有想和那件婚纱有更多地呆在一起心情的空间。将原始空间重新进行了大小的划分，通过代表不同感受的视口串联在一起，让人和婚纱通过尺度变化有不同的相遇感受。

We want to build a space that can have a relationship with the wedding dress, with enough time and distance to allow the wedding dress to coincide with the scene in the heart, so that people want to have more room to stay with the mood of the wedding dress. We re-divided the original space into big and small boxes, and connected them together through the viewport representing different feelings, so that people and wedding dresses have different encounter feelings through the scale change.

大多数的建筑由水泥和钢筋构成，人们在结构上镶上好看的石头，喷涂任意颜色的油漆，就表现出“体面”的样子。天花裸露出水泥的结构，两座梁像蝴蝶结一样相互缠绕，以诚实的状态向彼此呈现。

Most of the buildings are made of cement and steel, and people put beautiful stones on the structure and spray paint of any color to show the "decent" look. The ceiling exposes the concrete structure, and the two beams intertwine like bows, presented to each other in a state of honesty.

‍进入时只能看到装饰过的圆柱，随即目光被远端的人模和风景吸引走至窗前——当两人回头寻找另一方的时候，才会因为视线落在对方身上而发现这件礼物。

When you enter, you can only see the decorated column, and then your eyes are drawn to the window by the human model and the scenery on the far side - when the two look back to look for the other side, they will find this gift because their eyes fall on each other.

当人的身体靠近建筑近距离相处时，就会接收各种空间留下的信息。向上迈出两步穿过入口，视线放大到被森林包裹的室内。

When the human body is close to the building, it will receive the information left by various Spaces. Take two steps up through the entrance and zoom into the forest-wrapped interior.

找到舒服的身体位置坐下后，开始交谈并自然的环顾，树梢在窗外摇曳，有足够的距离想象和唯一的婚纱相遇，站在礼堂前的场景。

After finding a comfortable body position to sit down, start a conversation and look around naturally, the tree tops sway outside the window, there is enough distance to imagine and the only wedding dress meet, standing in front of the auditorium scene.

线帘的空间叠套意义是释放放松的信息，坐下保持距离的观看有别于其他空间在行走中的状态，我们的行为在这里变得细腻温雅。

The meaning of the space folding of the cord curtain is to release the information of relaxation, and the state of sitting and watching at a distance is different from that of walking in other Spaces. Our behavior becomes delicate and gentle here.

树林被吹动后在南方明朗的光线下层层叠嶂，如同翻滚的海浪。这种动态的背景让黑色亮光大理石上的人模显得安静细腻，温柔地将人带入未来想象‍的投射。

The trees were blown up and down in the bright southern light like rolling waves. This dynamic background makes the figures on the black glossy marble appear quiet and delicate, gently drawing people into the future ‍ projection.

光线变幻、季节更迭，自然是亘古不变的。

Light changes, seasons change, nature is eternal.

中式礼服区布置成一个轻松的小花园。

The Chinese dress area is arranged as a relaxing little garden.

东方的爱情大都更传统遵礼--定情会以交换信物表示心意“投我以木桃，报之以琼瑶”，赠物的场景也会顾及避嫌，多在室外“静女其妹，俟我于城隅”，因此花园是一个合适东方情境的主题。

Eastern love is mostly more traditional and respectful - the promise will be exchanged to express the intention of "give me a peach, repay me with Qiong yao", the scene of the gift will also be considered to avoid hatred, mostly in the outdoor "quiet daughter and sister, wait for me in the corner of the city", so the garden is a suitable theme for the Eastern context.

“花园”分析图

整个项目里，品牌团队并未和我们讨论过具体的设计形式，我们不断地交换感受以获得一个最终共鸣的画面，这是我们默契的设计方法。

Throughout the project, the brand team never discussed the specific design form with us, we only kept exchanging feelings to get a final resonance of the picture, which is our tacit design method.

我们眼睛的宇宙休憩在与地平线交接的平面上，面朝天空。让我们思考难以想的,迄今未被解读的空间。因为你是直立的,你也准备好了。站在大地的平面上领会事物。你同自然签下团结的条约,这就是直角。你站立着，垂直面对大海。

——《直角之诗》柯布西耶

The universe of our eyes rests on the plane that meets the horizon, facing the sky. It makes us think about the unimaginable, the hitherto undeciphered space.Because you're upright, and you're ready. Stand on the surface of the earth to understand things. You sign a treaty of solidarity with nature, and this is the right Angle. You stand upright facing the sea.

—— Le Corbusier, The Poem of the Right Angle

形式于空间，如同话语于个人。

Form is in space as speech is in the individual.

空间的作用是用形态，让来访者在过程中无声地感受到品牌的性格——温柔，诙谐抑或粗糙。如果能进一步，来访者在完成旅程后感慨“好像这就是他们相信的事情，感觉真好啊。”那么空间就完达了它被委托的使命。

我们需要考虑得再细腻一些——往往那些当时一瞥的碎片，成为了后来漫长时间里空间留下的落款。

We need to think more carefully -- often the fragments that we see at the time, Instead, it became the signing left by space for a long time later.

本文为原创策划内容 图片归原作者或来源机构所有

Original Planning Content

THE TEAM

内容策划

视觉 Vision：Yeanling
排版 Editor：Lu Jieyi
校对 Proof：Xran Chen

陆婕仪  编辑

Lu Jieyi      Editor of YINJISPACE