Exhibition view — A Thousand Plateaus Art Space, Booth: 3C12
贵宾预展（仅限邀请）｜VIP PREVIEW (INVITED ONLY)
2024.3.26 12:00 - 20:00
2024.3.27 12:00 - 16:00
2024.3.28 12:00 - 14:00
2024.3.29 12:00 - 14:00
2024.3.30 11:00 - 13:00
开幕之夜｜OPENING
2024.3.27，16:00 - 20:00
公众日｜PUBLIC DAYS
2024.3.28 - 2024.3.30
香港会议会展中心，湾仔港湾道1号
Hong Kong Convention & Exhibition Centre
1 Harbour Road, Wan Chai, Hong Kong
Exhibition view
Exhibition view
▲（左）漆澜，致杜甫—晓看红湿处，手工皮纸综合材料，275.7 × 179.5 cm，含框 281 × 185.5 × 8 cm，2024
Qi Lan, To Du Fu - Morning flowery road after rainy night, Mixed media on handmade bast paper, 275.7 × 179.5 cm, w/frame 281 × 185.5 × 8 cm, 2024
▲（右）漆澜，晓看红湿处（二），手工皮纸综合材料，134 × 87 cm，含框 138.5 × 91 × 6 cm，2024
Qi Lan, Morning flowery road after rainy night II, Mixed media on handmade bast paper, 134 × 87 cm, w/frame 138.5 × 91 × 6 cm，2024
▲展览现场
Exhibition view
▲（左）杨述，无题2009-39号，布面丙烯、木炭条、油画棒，90 × 70 cm，2009
Yang Shu, Untitled 2009-39, Acrylic, charcoal bar and oil painting stick on canvas, 90 × 70 cm, 2009
▲（右）杨述，无题 No.116，布面丙烯，260 × 180 cm，2007
Yang Shu, Untitled No.116, Acrylic on canvas, 260 × 180 cm, 2007
Exhibition view
Exhibition view — Kabinett "Bi Rongrong: A Quatrefoil Patterned Door · Reflection"
▲展览现场
Exhibition view
Exhibition view
Exhibition view
Exhibition view
展览现场 — 光映现场 Film
Chen Qiulin, The Garden(Trailer), Single-channel video, 14' 45'', 2007, Ed.5
陈秋林的作品《花园》（2007）探索万县拆迁后的在地内涵。作品中，几十位农民工搬着塞满大花瓶的鲜艳的塑料牡丹穿越城市。通过他们不断的行走和徒劳的寻找，城市的废墟、半拆除的建筑物和在建的工地相互重叠，扩展出一个与现实同步的景况。徒劳的运送任务，不仅擦除了这些空间类别的差异，还讽刺地解释了他们之间的怪诞共性。通过这一辨证的视觉方式，艺术家意图在都市毁坏、再建和乌托邦式的想象中呈现一个循环。通过捕捉其中的往复性和关联感，陈秋林的作品超越了单纯的反映社会现实或个体痛苦层面，到达新的节点，成为当代中国的一个视觉寓言。
Chen Qiulin’s work, Garden (2007), explore the dialectal potentials in the post-demolition setting of Wanxian. The work presents dozens of peasant workers traversing the cityscape to deliver huge vases stuffed with gaudy plastic peonies. Through their repetitive walking and fruitless searching, the urban ruins, semi-demolished buildings, and new sterile constructions are overlapped into an expanded field of simultaneous reality. The futile task of delivery not only erases the differences of these spatial categories, but also ironically reveals the eerie resemblance between them. In a dialectic fashion of visualization, the artist renders the present as a circular movement between urban destruction, creation, and utopian imagination. It is this newly-acquired sense of circularity and interconnectedness that propels Chen Qiulin’s works beyond a singular reflection of social reality or personal anguish, and thus gains critical potentials as a visual allegory for contemporary China.
In addition to the exhibitions and events in the over 1,000 square meters gallery space, A Thousand Plateaus Art Space also takes an active part in important international art fairs including Art Basel in HK, Art Hong Kong, Art Stage Singapore, Asia Now | Paris Asian Art Fair, ART021, West Bund Art & Design, JING ART, Art Chengdu, Photo Shanghai, Festival LOOP and Paris Internationale, LISTE in Basel etc..
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