展评 Article｜乌尔德的红绳 Urd's Red Rope

文摘文化 2024-09-24 19:00 上海

That's How We Grow Up

2024.8.24 - 2024.9.24

艺术家 Artists:

杨迪 Di Yang

冯骏原 Julian Junyuan Feng

陶辉 Hui Tao

童默 Mo Tong

朱雪晴 Xueqing Zhu

章烟朦 Yanmeng Zhang

王韫纯 Yunchun Wang

策展人 Curator:

Otto Neu

冯骏原 Julian Junyuan Feng

孤僻者 Loner, 2023

CGI archival pigment print
CGI渲染，收藏级喷墨打印

100h x 100w cm

在北欧神话的流传中，命运（Norn）三女神被视为宇宙的神秘编织者，掌握每个人和事物的命运走向。她们维护着“世界之树”（Yggdrasil），以树叶宣判人类与众神的命运。乌尔德（Urd）作为三女神之一，掌管宇宙时间洪流中的“过去”。恰如“That's How We Grow Up”所探讨的主题：深刻影响命运的过去——无法流逝的，笼罩现在的，牵引未来的。

In Norse mythology, the three goddesses of Fate (Norn) are seen as the mysterious weavers of the universe, controlling the destiny of everyone and everything. They maintain the “World Tree” (Yggdrasil), whose leaves pronounce the fate of mankind and the gods. Urd, as one of the three goddesses, is in charge of the “past” of the cosmic time stream. As the theme of “That's How We Grow Up” suggests, the past has a profound impact on destiny - one that cannot pass away, one that shrouds the present, and one that holds the future in its grip.

杨迪 Di Yang

迪斯尼太远 Miles away, Disneyland, 2024

单通道影像 Single channel video

2048 x 1536

5+2 AP

步入展览，对于童年生活的解构如同建筑对于空间的分隔般显而易见，又无处不在：步入半层的浴室，童稚的积木即刻便勾起潮湿而幽闭的幻想。老式电视架于童年脆弱的建筑结构之上，播放着杨迪（Di Yang）的作品“迪士尼太远”（Miles Away, Disnyland）。鲜亮跳脱的色彩被灰蔼的气候淡化，演变为荒唐却真实的幻梦。其后，冯骏原（Julian Junyuan Feng）创作的“孤僻者”（Loner）则对立地讲述着从梦中惊醒的迷惘。

Stepping into the exhibition, the deconstruction of childhood is as obvious and pervasive as the architectural separation of space: stepping into the half-floor bathroom, the childish blocks immediately evoke a humid and claustrophobic fantasy. A vintage television, mounted on the fragile structure of childhood, plays Di Yang's “Miles Away, Disnyland”. The bright and vibrant colors are muted by the grey climate, evolving into an absurd but real fantasy. Later, Julian Junyuan Feng's “Loner”is a contrasting account of the confusion of waking up from a dream.

童默 Mo Tong

红领巾与校服 Red Scarf and School Uniform, 2024

布面油画 Oil on canvas

70h x 50w cm

成长于这片土地的童年被肢解成为漫长时空中的记忆碎片，又被命运之绳编织的庞大网络固定。在命运三女神的叙事中，乌尔德的“红绳”通常是线索的表征，用以将天神、人类与自然紧密相连，固定在宇宙的既定结构中。在展览空间，各个分散的童年解构（亦或解读）同样被隐性的线索串联，交织出在同一片文化环境的影响下成长的一代人相似的宿命底色。

Childhood growing up in this land is dismembered into fragments of memory over a long period of time and space, and then anchored in a vast network of strings of fate. In the narrative of the Three Goddesses of Fate, Urd's “red rope” is often used as a symbol of clues that connect the gods, humans and nature, anchoring them in the established structure of the universe. In the exhibition space, various scattered childhood deconstructions (or interpretations) are similarly linked by implicit clues, interweaving the similar fatalistic undertones of a generation growing up under the influence of the same cultural environment.

王韫纯 Yunchun Wang

读后感 I&II Review I&II, 2024

木板油画 Oil on wood panel

67.5h x 54w cm

顺应着线索，拾级而上，暗绿色的“教室”墙壁则回响着儿时在紧密安排的课程缝隙中的窃窃私语。冯骏源的“龟甲阵型”（Judd in Uniform）联合童默（Mo Tong）的“红领巾与校服”（Red Scarf and School Uniform）撷取了在集体意识中有关童年的共同回忆，并以符号的姿态放大了其中规训与统一的部分。与之相对，王韫纯（Yunchun Wang）的“读后感 I&II”（Review I&II）则收集了规范化生活其下潜藏的、隐秘的文学艺术性的部分，恰如暑假作业中的课外书目或是被压缩的美术课，以畅想的姿态表现了童年涌动的暗流，甜蜜而感伤。

Following the clues, the dark green walls of the “classroom” echo the whispers of childhood in the gaps of the tightly organized curriculum. Julian Junyuan Feng's “Judd in Uniform” and Mo Tong's “Red Scarf and School Uniform” capture common memories of childhood in the collective consciousness and symbolize them. Red Scarf and School Uniform” captures the common memories of childhood in the collective consciousness and symbolically amplifies the part of discipline and uniformity. In contrast, Yunchun Wang's “Review I&II” collects the hidden literary and artistic parts underneath the standardized life, such as the extracurricular books in the summer homework or the compressed art class, and expresses the surging undercurrents of childhood in an imaginative gesture, sweet and sentimental. It is a sweet and sentimental expression of the undercurrents of childhood.

陶辉 Hui Tao

无题 Untitled, 2018

收藏级艺术微喷 Archival pigment print

38h x 28.5w cm x 5

6+2AP

Photo credit to 金浩钒

章烟朦 Yanmeng Zhang

橙色的房间 Orange Room, 2024

布面油画 Oil on canvas

160h x 120w cm

在其上，另一狭小空间犹如“性教育自修室”，以空虚的幻想填补集体意识中缺失的一环。无论是在陶辉（Hui Tao）“无题”（Untitled）中的监视视角的自渎，还是章烟朦（Yanmeng Zhang）“橙色的房间”（Orange Room）中直接强烈却扭曲变形的纠缠肉体，都在诉说着同一种荷尔蒙催化之下难以疏解的幻境，与内心渴求并现实之间的坚硬冲突。

Above it, another small space is like a “sex education room”, filling in the missing link in the collective consciousness with empty fantasies. Whether it is the blasphemy of surveillance in Hui Tao's “Untitled” or the direct and intense but twisted entanglement of flesh in Yanmeng Zhang's “Orange Room,” the work speaks of the direct and intense but twisted entanglement of flesh. The entangled flesh in Yanmeng Zhang's “Orange Room” all speak of the same hormone-catalyzed illusion that is difficult to dissolve, and the hard conflict between inner desire and reality.

冯骏原 Julian Junyuan Feng

龟甲阵型 Testudo Formation, 2022

低碳钢，不锈钢，牛皮皮革，矿物油
Low-carbon steel, stainless steel,

cowhide leather, mineral oil

144h x 68w x 19d cm

登至顶层，冯骏原的装置作品“受伤者”（The Wound Man）与“龟型甲阵”（Testudo Formation）以金属的硬质出现，似乎暗合成长中所形成的风化干涸的外壳。而朱雪晴（Xueqing Zhu）的绘画“慢性伤害和隐喻”（Chronic Injuries and Metaphors）则缓缓述说了坚硬甲壳的柔软内质，及成长历程在其上留下的隐性伤口。与其相对，王韫纯的“模糊的情绪”（Fuzzy Emotions）与“圣诞快乐”（Merry Christmas）则留下了分立的想象，及对于“真我”的持续追寻。

On the top floor, Julian Junyuan Feng's installation “The Wound Man” and “Testudo Formation” appear in metallic hardness, seemingly alluding to the weathered and dried shells formed during growth. The shells are hardened with metal. Xueqing Zhu's painting “Chronic Injuries and Metaphors”, on the other hand, slowly describes the soft interior of the hard shell and the hidden wounds left by the process of growing up. In contrast, Susanna Wong's “Fuzzy Emotions” and “Merry Christmas” leave behind discrete imagery and a continuous search for the “true self”.

朱雪晴 Xueqing Zhu

慢性伤害和隐喻 Chronic Injuries and Metaphors, 2024

布面油画 Oil on canvas

120h x 90w cm

整场展览似乎围绕着德里达的解构主义，将完整而混沌的通用童年肢解、拆分，并从艺术社会学的视角提炼出其中有关传统程式、规范、教育制度与个体思维的不同侧面。它们彼此鲜明、冲突，却又混杂一处，如同“咸池洗其光”一般经历着撕裂蜕变之后的重视与回味。而在这里，太阳的光芒却在池水中变作无尽的碎片，连成线索，贯穿过去、当下与未知的明天。

The whole exhibition seems to revolve around Derrida's deconstructionism, dismembering and splitting the complete and chaotic universal childhood, and extracting the different aspects of traditional programs, norms, education system and individual thinking from the perspective of art sociology. They are distinct and conflicting with each other, yet mixed in one place, like “washing its light in a salty pool”, experiencing the importance and reminiscence after tearing and transforming. Here, the sun's rays are transformed into endless fragments in the pool, forming clues that run through the past, the present and the unknown tomorrow.

文/付若瑄

Text by Roxane Fu

展览现场 INSTALLATION VIEW

Installation view of That's How We Grow Up, August 24, 2024 - September 24, 2024, Nan Ke Gallery, Shanghai © Courtesy of Nan Ke Gallery, photographed by Runxin

Artist 艺术家｜

Julian Junyuan Feng 冯骏原

冯骏原（b. 1991）是一位生活在上海和珠海的艺术家、写作者，现任北京师范大学-香港浸会大学联合国际学院高级讲师。曾获复旦大学物理学士与宾夕法尼亚大学艺术硕士。他近期的个人/双人项目包括“坏物理”（The Shophouse, 2024）、“苦恋”（Suhe Haus, 2023）、“低俗怪谈”（totalab，2022），并于长征独立空间（2023）、剩余空间（2023）、中间美术馆（2020）、广东时代美术馆（2018）等机构参展。作为策展人，他于2019年在北京歌德学院德国文化中心与张植蕙共同策划展览“还要什么自行车”，于2021年在香港Para Site与李佳桓合作策划展览“溢流地”（2022年巡回至UCCA沙丘美术馆）。其写作亦可见于e-flux architecture、frieze、Artforum、Flash Art、《黑齿杂志》和《艺术界》（LEAP）。

Julian Junyuan Feng (b.1991) is an artist and writer based in Shanghai and Zhuhai, China, currently a Senior Lecturer at Beijing Normal University-Hong Kong Baptist University United International College (UIC). He received his B.S. in physics from Fudan University and M.F.A. in fine arts from the University of Pennsylvania. His recent solo/duo projects include “Bad Physics,” The Shophouse, 2024; “Action de Jouissance,” Suhe Haus, 2023; “Penny Dreadful,” totalab, Shanghai, 2022. He also exhibited at Long March Independent Space (2023), Surplus Space (2023), Inside-Out Art Museum (2020) and Guangdong Times Museum (2018). Feng co-curated the exhibition “Whatever works, whatever it takes” with Zhihui Zhang at Goethe-Institut China in 2019. In 2021, he co-curated the exhibition “Liquid Ground” with Alvin Li at Para Site in Hong Kong and a second, traveling iteration at UCCA Dune in 2022. His writing has appeared in e-flux architecture, frieze, Artforum, Flash Art, Heichi Magazine and LEAP Magazine.

Artist 艺术家｜

Tao Hui 陶辉

陶辉1987年出⽣於中国重庆，⽬前⼯作与⽣活於中国北京

教育经历

2010 中国四川美术学院油画系学⼠

奖项

2021 第七届集美·阿尔勒发现奖提名

2019 ⼊围⾸届希克奖

2018 年度ART POWER 100获奖艺术家

2017 ⼊围Hugo Boss亚洲新锐艺术家⼤奖

2015 第19届SESC巴西录像艺术节「南部全景」单元⼤奖

三亚艺术季华宇⻘年奖评委会⼤奖

2008 四川美术学院当代艺术⽂献库特别奖

个展经历

2023「我们娱乐」，施博尔画廊，柏林，德国

「陶辉：奔放」，⾺拉加当代艺术中⼼，⾺拉加，西班⽛

2022「热辣辣的痛楚」，阿那亚艺术中⼼，秦皇岛，中国

「广场上的⾳箱」，阿那亚·⾦⼭岭⼭⾕⾳乐厅，秦皇岛，中国

2019「节奏与知觉」，⾺凌画廊，⾹港

2018「南⽅戏剧史，A幕」，其玟画廊，台北，台湾

「TAO HUI」，The Breeder画廊，雅典，希腊

2017「⼀点儿不多餘」，OCAT西安馆，西安，中国

2016「时常」，UNTILTHEN画廊，巴黎，法国

2015「新倾向：陶辉」，尤伦斯当代艺术中⼼，北京，中国

「⼀个⼈物与七段素材」，艾可画廊，上海，中国

2013「观光客」，空格空间，成都，中国

群展经历

2024

「That's How We Grow Up」，南柯画廊，上海

「清醒梦境：声⾳的旅程」，西岸美术馆，上海，中国

「野蛮⼈写诗」，ASE基⾦会，上海，中国

「⻑歌开元：⾝体与语⾔的交响」，元美术馆，北京，中国

「跟著感觉⾛」，广东时代美术馆，广东，中国

「听路：中国当代声⾳艺术实践」，多伦美术馆，上海，中国

2023

2023年NGV三年展，维多利亚州国⽴美术馆（NGV），墨尔本，澳⼤利亚

第⼗四届上海双年展「宇宙电影」，上海当代艺术博物馆，上海，中国

「动為⾏」，天⽬⾥美术馆，杭州，中国

「製作真实」，谢⼦⿓影像艺术馆，成都，中国

「跨界：可能与回响」，余德耀美术馆，上海，中国

「Between Performance and Documentation: Contemporary

Photography and Video from China」，赫伯特·F·约翰逊艺术博物馆，康

奈尔⼤学，纽约，美国

「中国当代艺术年鉴展（上海）2022」，上海多伦现代美术馆，上海，中国

「循循」，⼭中天艺术中⼼·⽞馆，北京，中国

「不⽌於⼈类」，博乐德艺术中⼼，北京，中国

「流光」，四⽅当代美术馆，南京，中国

「趣时」，红砖美术馆，北京，中国

「楼上的城市」，ASE基⾦会，上海，中国

「Long Distance」，Nassima Landau基⾦会，特拉维夫，以⾊列

「陶辉，特罗拉⾺，王之博」，斯蒂⽂森画廊，阿姆斯特丹，荷兰

2022

「⽣活在新世纪：后89中国媒体艺术」（放映），蔚⼭美术馆，蔚⼭，韩国

第⼆届「⾦熊猫摄影艺术奖」获奖作品展，成都当代影像馆，成都，中国

「I have not loved (enough or worked)」，西澳美术馆，珀斯，澳⼤利亚

爱的艺术流动影像双年展，U2 美术馆，北京，中国

「⾯颊上的⾆头」，当下艺术空间，北京，中国

「镜像：中国⾝份的转变」，亚洲协会，纽约，美国

「ON | OFF 2021：回到未来」，和美术馆，顺德，中国

「⼤象出⾛」，美凯⿓艺术中⼼，北京，中国

2021

「回望：外滩的9个隐⾝⽚段」，洛克·外滩源，上海，中国

第七届集美·阿尔勒国际摄影季，集美新城市⺠广场展览馆，厦⾨，中国

「贮藏」，驻上海韩国⽂化院，上海，中国

「图像的旋踵：⼀次关於媒介⾝份的研究」，UCCA Lab沃捷艺术空间，上

海，中国

「影集」，Vanguard画廊，上海，中国

「太短啦：短视频潮流」，重庆，中国

「绵延：变动中的中国艺术」，北京⺠⽣现代美术馆，北京，中国

「Refrigerator Illusion」，国⽴亚洲⽂化殿堂，光州，韩国

「第四届今⽇⽂献展：缝合」，重庆当代美术馆，重庆，中国

「环形撞击：录像⼆⼗⼀」，OCAT上海馆，上海，中国

「第七届汉江繁星计划：情动」，武汉美术馆，武汉，中国

「寻跡」，K1 1 Art & Cultural Centre，⾹港

2020

「A⾯ / B⾯」线上放映，⾺凌画廊，⾹港

「Hasty Falling Time」（线上），⽇内⽡当代艺术中⼼，⽇内⽡，瑞⼠

「策展课II：故事与结构」，OCAT深圳馆x华·美术馆联合主办，深圳，中国

「暗光」，昊美术馆，上海，中国

「第七届台湾国际录像艺术展—ANIMA阿尼玛」，凤甲美术馆，台北，台湾

「当速度成為形式，在屏幕⾥⽣活」，⼭中天艺术中⼼，北京，中国

「2020＋」，红砖美术馆，北京，中国

「具⾝之镜：中国录像艺术中的⾏為与表演」，新世纪当代艺术基⾦会，北

京，中国

「梦饮酒者」在线电影院，实验影像中⼼,，中国

「宫津⼤辅25年录像收藏展：东亚与东南亚的境迁信号」，⾦⾺宾馆当代美术

馆，⾼雄，台湾

「⾃由联接——2020 OCAT x KADIST⻘年媒体艺术家展览」，OCAT上海馆，

上海，中国

「Methods of Connection」，京都艺术中⼼，京都，⽇本

2019

「希克奖2019」，M+展亭，⾹港国⽴亚洲⽂化殿堂（ACC）群展，光州，韩国

「新徵程：第三届深圳当代艺术双年展——观念、形式和⽇常化」，深圳，中

国

「⽉相」，尤伦斯当代艺术中⼼，北京，中国

「光影如网」，chi K1 1 美术馆，上海，中国

「⻑征计划：⾚字团」，⻑征空间，北京，中国

「聚合体——与中国有关的移⺠研究项⽬」，北京歌德学院∕的|艺术中⼼，北

京，中国

「re-IMAGE-n」，第四届温哥华双年展，温哥华，加拿⼤

「克⾥斯托夫·凯勒，希托·史特耶尔，陶辉」，施博尔画廊，柏林，德国

「宫津⼤辅收藏展」，笠间⽇动美术馆，笠间市，⽇本

「SESC巴西录像艺术节影像展」，罗⾺当代艺术博物馆，罗⾺，意⼤利

「重蹈现实：来⾃王兵的影像收藏」，OCAT上海馆，上海，中国

「百物曲」，外滩美术馆，上海，中国

「百物曲」，Para Site艺术空间，⾹港

「Body Search I」，莱⽐锡当代艺术博物馆，莱⽐锡，德国

「空港艺术双年展2019」，广洲空港⽂旅⼩镇，广州，中国

「在我的房间⾥」，天线空间，上海，中国

2018

「拔起头髮⾶翔」，新世纪当代艺术基⾦会，北京，中国

「祝福」，Vacancy，上海，中国

「指南针∕Saudade;Unmemorable Place in Time」，⾙拉多收藏美术馆，

⾥斯本，葡萄⽛

「曼⾕艺术双年展2018」，曼⾕，泰国

「当下急⾏」，之空间，重庆，中国

「循环播放」，刺点画廊，⾹港

「放映II」，⾺凌画廊，⾹港

「稳态理论」，普利亚当代艺术中⼼，塔兰托，意⼤利

「Dominus Vobiscum」，ooojh，⾸尔，韩国

「中国新影像」，安仁，成都，中国

「Pseudo-& Hetero」，Lithium画廊，芝加哥，美国

「你对我知之甚少」，韩国国⽴现代美术馆，⾸尔，韩国

「疆域——地缘的拓扑」，OCAT研究中⼼，北京，中国

「途中镜⼦」，GCA美术馆，重庆，中国

2017

「疆域——地缘的拓扑」，OCAT上海馆，上海，中国

「复相·叠影——广州影像三年展」，广东美术馆，广州，中国

「2017深港城市\建筑双年展（深圳）」，南头古城，深圳，中国

「HUGO BOSS亚洲新锐艺术家⼤奖2017」⼊围艺术家展，上海外滩美术馆，

上海，中国

「展演剧场——当代艺术家短⽚作品放映」，chi K1 1 美术馆，上海，中国

「2017京都：亚洲回廊当代艺术展」，京都⼆条城，京都艺术中⼼，京都，

⽇本

「光：合作⽤——亚洲当代艺术同志议题展」，台北当代艺术馆，台北，台湾

「未来电影院」项⽬，巴黎蓬⽪杜艺术中⼼，巴黎，法国

「第⼆届道浩新艺术节」，XI当代艺术中⼼，东莞，中国

「中国当代艺术年鑑展2016」，北京⺠⽣现代美术馆，北京，中国

「I SEE」国际录像艺术展映，柏林画廊，柏林，德国

「时代质感——四川美术学院作品展」，中国美术馆，北京，中国

「转瞬之间」，⾺凌画廊，⾹港

「后视录」，墨⾮墨空间，⻘岛，中国

「教学相⻑」，中央美术学院美术馆，北京，中国

「TALK，TALK」，剩餘空间，武汉，中国

「沧海桑⽥」，施博尔画廊，柏林，德国

2016

「I SEE」国际录像艺术展映，歌德学院中国，北京；四川美术学院，重庆；德

国驻上海总领事馆⽂化教育部⾨新媒体艺术，上海，中国

「镜中表演」，新世纪当代艺术基⾦会，上海，中国

「Hack Space」，chi K1 1 美术馆，上海，中国「装」，OCAT深圳馆，深圳，中国

「何不再问」，第11届上海双年展，上海当代艺术博物馆，上海，中国

「新国际：另⼀个世界的可能」，即空间，三亚，中国

「新⼀代艺术实践中的影像表达」，西安美术馆，西安，中国

「转向：2000后中国当代艺术趋势」，上海⺠⽣现代美术馆，上海，中国

「謐」，艺术⾨画廊，新加坡

「我们的未来」，红砖美术馆，北京，中国

「中国当代艺术年鑑展2015」，北京⺠⽣现代美术馆，北京，中国

「弱无依靠，请寄信於我」，Sabsay艺术空间，哥本哈根，丹⿆

「旅途愉快」，上午艺术空间，上海，中国

「新资本论，⿈予收藏展」，成都当代美术馆，成都，中国

「教程——移动的影像和⼀个来⾃中国的使⽤教材」，波利尼亚诺 Pino

Pascali 基⾦会美术馆，意⼤利

「2016 巴塞尔⾹港展会：光影现场」，agnès b.影院，⾹港

「Hack Space」，K1 1 Art Foundation 临时展览空间，⾹港

「M+放映：四⼗年」，百⽼汇电影中⼼，⾹港

「蓝顶美术馆媒介研究系列-(影像)Action」，蓝顶美术馆，成都，中国

「本⼟，变⾰中的中国艺术家」，路易威登基⾦会，巴黎，法国

「藏品-中国当代艺术作品精选」，路易威登基⾦会，巴黎，法国

2015

「⻘年的尺度」华宇⻘年奖⼊围展，三亚，中国

「亚洲艺术节」，泉州，中国

「谈⾝体」，艾可画廊，上海，中国

「冬纪」，千⾼原艺术空间，成都，中国

「上交会」，激烈空间，上海，中国

「信仰∕⾃由∕永不过时之技术」，波兰美术家协会华沙分会，华沙，波兰

第 19 届 SESC 巴西录像艺术节「南部全景」单元，圣保罗，巴西

「Essential Maders —中国移动影像展」，Borusan 当代艺术展，伊斯坦布

尔，⼟⽿其

「气旋栖息者」，应空间，北京，中国

「⽇光——在德⿊兰和重庆之间」，LP 艺术空间，重庆，中国

2014

「冬季群展」，艾可画廊，上海，中国

「Où vas-tu? 」，无国界艺术中⼼，巴黎，法国

「积极空间」，时代美术馆，广州，中国

「旋构塔」，时代美术馆，北京，中国

「我们如何成為世界的⼀部分」，DAC ⼗⽅艺术中⼼，重庆，中国

「伊朗到中国」，Darbast 平台，玛森画廊，德⿊兰，伊朗

2013

「⾃我⽣成」，苏州美术馆，苏州，中国

「LEAP ⾹港巴塞尔放映项⽬」，⾹港，中国

第 18 届 SESC 巴西录像艺术节「南部全景」单元，圣保罗，巴西

2012

「最差的展览」，分泌场，北京，中国

「传说」，北京，中国

2011

「看望未来」，成都双年展特别邀请展，⽂轩美术馆，成都，中国

「⼯作坊」，器空间，重庆，中国

「重庆独⽴影展」，CIFVF 实验电影单元，重庆，中国

2010

「无处不在」，器空间，重庆，中国

「寻跡」，CACE 艺术空间，重庆，中国

「地点：⿓泉洗浴」，⿓泉洗浴，北京，中国

「四川美术学院 70 週年校庆展」，重庆美术馆，重庆，中国

2008

「四川美术学院油画系年展」，重庆，中国

路易斯安那现代艺术博物馆，胡姆勒拜克，丹⿆

德英基⾦会，上海，中国

上海油罐艺术中⼼，上海，中国

维多利亚国⽴美术馆，墨尔本，澳⼤利亚

希克藏品，瑞⼠

M+美术馆，⾹港

卡蒂斯特艺术基⾦会，巴黎，法国；旧⾦⼭，美国

路易·威登基⾦会，巴黎，法国

K1 1 艺术基⾦会，⾹港

新世纪当代艺术基⾦会，北京，中国

骄阳基⾦会，⾹港

韩国国⽴现当代美术馆，⾸尔，韩国

Tao Hui was born in Chongqing, China in 1987 and currently works and lives in Beijing, China.

Education

2010 BFA in Oil Painting, Sichuan Fine Art Institute, China

Awards

2021 Nomination of the 7th edition of Jimei x Arles International Photo

Festival ‘Discovery Award’

2019 Shortlisted for the inaugural Sigg Prize

2018 ART POWER 100 Award-winning Artist

2017 Shortlisted for HUGO BOSS ASIA ART AWARD for Emerging Asian

Artists

2015 The Grand Prize at 19th Contemporary Art Festival Sesc_Videobrasil

‘Southern Panoramas’, São Paulo, Brazil

Art Sanya & Huayu Youth Award, Sanya, China

2008 Grand Award of Contemporary Art Archive from Sichuan Fine Arts

Institute China

Solo Exhibitions

2023

“We, Entertainment”, Esther Schipper, Berlin, Germany

“Tao Hui: Being Wild”, CAC Málaga, Málaga, Spain

2022

“Searing Pain”, Aranya Art Center, Qinhuangdao, China

“Speakers in The Square”, The Chapel of Sound, Aranya Jinshanling,

Qinhuangdao, China

2019

“Rhythm and Senses”, Edouard Malingue Gallery, Hong Kong

2018

“The History of Southern Drama, Scene A”, Chi-wen Gallery, Taipei, Taiwan

“TAO HUI”, The Breeder Gallery, Athens, Greece

2017

“Not at all”, OCAT Xian, Xi’an, China

2016

“Now & Then”, Galeria UNTILTHEN, Paris, France

2015

“New Directions: Tao Hui”, UCCA, Beijing, China

“1 Character & 7 Materials”, AIKE-DELLARCO, Shanghai, China

2013

“Sightseers”, Space Space, Chengdu, China

Group Exhibitions

“That's How We Grow Up”, Nan Ke Gallery

“I Never Dream Otherwise than Awake: Journeys in Sound”, West Bund

Museum, Shanghai, China

“Poetry by the Barbarian”, ASE Foundation, Shanghai, China

“Launching a New Era: Body and Language as Manifesto”, Yuan Art

Museum, Beijing, China

“Follow the Feeling”, Times Museum, Guangdong, China

Listening Paths: Contemporary Sound Art Practices in China, Shanghai

Duolun Museum of Modern Art, Shanghai, China

2023

NGV Triennial 2023, National Gallery of Victoria, Melbourne, Australia

14th Shanghai Biennale “Cosmos Cinema”, Power Station of Art,

Shanghai, China

“Motion is Action”, By Art Matters, Hang Zhou, China

“Making Reality”, Xie Zilong Photography Museum, Chengdu, China

“Boardercrossing：Possibilities and Interactions”, Yuz Museum, Shanghai,

China

“Between Performance and Documentation: Contemporary Photography

and Video from China”, Herbert F. Johnson Museum of Art, Cornell

University, New York, U.S.A.

“The Exhibition of Annual of Contemporary Art of China Shanghai 2022”,

Shanghai Doland Museum of Modern Art, Shanghai, China

“Droning On”, Wind H Art Center, Beijing

“More Than Human”, Blanc Art Space, Beijing, China

“Projection”, Sifang Art Museum, Nanjing, China

“Bon moment”, Red Brick Art Museum, Beijing, China

“Upstairs Cities”, ASE Foundation, Shanghai, China

“Long Distance”, Nassima Landau Foundation, Tel-Aviv Yafo, Israel

“Tao Hui, Tromarama, Wang Zhibo”, Stevenson, Amsterdam, Netherlands

2022

“Living in the New Century: Chinese Media Arts since 1989” (Screening),

Ulsan Art Museum, Ulsan, Korea

2022 Golden Panda Photography Awards Exhibition, Chengdu

Contemporary Image Museum, Chengdu, China

“I have not loved (enough or worked)”, The Art Gallery of Western

Australia, Perth, Australia

“LOVELOVELOVE”, U2 by UCCA, Beijing, China

“Tongue in Cheek”, Dangxia Art Space, Beijing, China

“Mirror Image: A Transformation of Chinese Identity”, Asia Society, New

York, U.S.A.

“ON | OFF 2021: Carousel of Progress”, He Art Museum, Shunde, China

“The Elephant Escaped”, Macalline Art Center, Beijing, China

2021

“9 Latent Episodes Behind the Bund”, Rock Bund, Shanghai, China

The 7th edition of Jimei x Arles International Photo Festival, Jimei Citizen

Square Exhibition Hall, Xiamen, China

“A Place for Concealment”, Korean Cultural Center, Shanghai, China

“The Circulation of Images: A Study on Medium Identity”, Voyage UCCA

Lab, Shanghai, China

“So Short: Short Video Trend”, Chongqing, China

“Durational”, Vanguard Gallery, Shanghai, China

“Refrigerator Illusion”, Asia Culture Center, Gwangju, South Korea

“The 4th Today’s Documents: A Stitch in Time”, Chongqing Contemporary

Art Museum, Chongqing, China

“The Circular Impact: Video Art 21” , OCAT Shanghai, Shanghai, China

“Jiang Han Stars Plan 2021: Affect”, Wuhan Art Museum, Wuhan, China

“Tracing the Fragments”, K11 Art & Cultural Centre, Hong Kong

2020

“Side A / Side B”, Edouard Malingue Gallery, Hong Kong

“Hasty Falling Time” (online), The Centre d’Art Contemporain Genève,

Geneva, Switzerland

P. 3/6

“The Curation Workshop II: Story and Structure”, Co-hosted by OCAT

Shenzhen and OCT Art & Design Gallery, Shenzhen, China

“Noire Lumière”, HOW Art Museum, Shanghai, China

“The 2020 Taiwan International Video Art Exhibition – ANIMA”, Hong-gah

Museum, Taipei, Taiwan

“When Speed Become Form – Live In Your Screen”, Wind H Art Center,

Beijing, China

“2020＋”, Red Brick Art Museum, Beijing, China

“Embodied Mirror: Performances in Chinese Video Art”, New Century Art

Foundation, Beijing, China

“Wake Up Crying”, Online screening exhibition, Centre for Experimental

Film, China

“Daisuke Miyatsu 25 Years of Video Art: A Point of Transit Signals from

East and South East Asia”, Alien Art Centre, Kaohsiung City, Taiwan

“OCAT x KADIST Emerging Artist Exhibition 2020”, OCAT Shanghai,

Shanghai, China

“Methods of Connection”, Kyoto Art Center, Kyoto, Japan

2019

“The Sigg Prize 2019”, M+ Pavilion, Hong Kong

Asia Culture Center(ACC) group exhibition, Gwangju, South Korea

“New Start: The 3rd Shenzhen Biennale of Contemporary Art (BCA) -

Concept, Form and Daily Life”, Shenzhen, China

“Lunar Phases”, UCCA, Beijing, China

“D.E.E.P. | NOWNESS Experiments: The Mesh”, chi K11 art museum,

Shanghai, China

“Long March Project: The Deficit Faction”, Long March Project, Beijing,

China

“ASSEMBLAGE - A project on migration in relation to China”, GoetheInstitut China/ de Art Center, Beijing, China

“re-IMAGE-n”, the 4th Vancouver Biennale, Vancouver, Canada

“Christoph Keller, Hito Steyerl, Tao Hui”, Esther Schipper, Berlin, Germany

“Daisuke Miyatsu Collection x Kasama Museum Blending the

quintessence of modern and contemporary art”, Kasama Nichido Museum

of Art, Tokyo, Japan

“Collezione Videobrasil”, Opere Vincintrici Del Contemporary Art Festival

Sesc_Videobrasil, MACRO ASILO, Rome, Italy

“Remapping Reality: Selected Video Collection from Wang Bing”, OCAT

Shanghai, Shanghai, China

“An Opera for Animals”, Rockbund Art Museum, Shanghai, China

“An Opera for Animals”, Para Site, Hong Kong

“Body Search 1”, Museum of Contemporary Art Leipzig (GfZK), Leipzig,

Germany

“Airport Biennale 2019”, Guangzhou Baiyun International Airport Cultural

Town, Guangzhou, China

“In My Room”, Antenna Space, Shanghai, China

2018

“Force as Fulcrum”, New Century Art Foundation, Beijing, China

“Well-Wish”, Gallery Vacancy, Shanghai, China

“Saudade: Unmemorable Place in Time”, Belem Cultural Center, Lisbon,

Portugal

“Bangkok Art Biennale 2018”, Bangkok, Thailand

“Heterotopia On the Route”, The Galaxy Museum of Contemporary Art,

Chongqing, China

“One Star, One travel”, Zhi Art Space, Chongqing, China

“Play & Loop”, Blindspot Gallery, Hong Kong

“Flim Screening II”, Edouard Malingue Gallery, Hong Kong

“STATO STAZIONARIO CRAC”, Puglia, Taranto, Italy

“Dominus Vobiscum”, ooojh, Seoul, South Korea

“New Video In China: New Attitude since 2010”, Anren, Chengdu, China

“Pseudo-& Hetero”, Lithium Gallery, Chicago, U.S.A.

“How Little You Know About Me”, MMCA, Seoul, South Korea

“Frontier: Re-assessmentt of Post-Globalisational Politics", OCAT, Beijing,

China

“Heterotopia On the Route”, The Galaxy Museum of Contemporary Art,

Chongqing, China

2017

“Frontier: Re-assessment of Post-Globalisational Politics”, OCAT

Shanghai, Shanghai, China

“Simultaneous Eidos: Guangzhou Image Triennial 2017”, Guangdong

Museum of Art, Guangzhou, China

“Cities Grow in Difference: Bi-city Biennale of Urbanism/Architecture”,

Nantou Old-town, Shenzhen, China

“Exhibition of Nominated Artists of HUGO BOSS ASIA ART Award for

Emerging Asian Artists 2017”, Rockbund Art Museum, Shanghai, China

“Performing Dramas: Screening of Short Films by Contemporary Artists”,

chi K11 Art Museum, Shanghai, China

“Culture City of East Asia 2017 Kyoto: Asia Corridor Contemporary Art

Exhibition”, Nijo Castle, Kyoto Art Center, Kyoto, Japan

“Spectrosynthesis”, MOCA Taipei, Taipei, Taiwan

“Prospectif Cinéma programme”, Centre Pompidou, Paris, France

The 2nd “Dao Jiao New Art Festival”, XI Contemporary Art Center,

Dongguan, China

“The exhibition of Annual of Contemporary Art of China”, Beijing Minsheng

Art Museum, Beijing, China

“I SEE” International Video Art Festival, Berlinische Galerie, Berlin,

Germany

“Texture of the Era, Selected works of Sichuan Fine Arts Institute”,

National Art Museum of China, Beijing, China

“One Second Ago”, Edouard Malingue Gallery, Hong Kong

“Open field of vision”, Ink Not Ink Contemporary Art Space, Qingdao,

China

“Reciprocal Enlightenment”, CAFA Art Museum, Beijing, China

“Talk, Talk”, Surplus Space, Wuhan, China

“The mulberry forest becoming ocean”, Esther Schipper, Berlin, Germany

2016

“I SEE” International Video Art Festival, Goethe-Institut China (Beijing),

Sichuan Fine Arts Institute (Chongqing), New Media Art, Department for

Culture and Education of the German Consulate General in Shanghai

(Shanghai), China

“Performance in Mirror”, New Century Art Foundation, Shanghai, China

“Hack Space”, chi K11Art Space, Shanghai, China

“Act”, OCAT Shenzhen, China

“Why Not Ask Again”, 11th Shanghai Biennale, Power Station of Art,

Shanghai, China

“New Order: Alter Mondi Alismf”, Just Space, Sanya Edition, China

“The Image Expression in The Art Practice of New Generation”, Xi’an Art

Museum, Xi’an, China

“Turning Point: Contemporary Art in China since 2000”, Minsheng Art

Museum, Shanghai, China

“IN SILENCE”, Pearl Lam Galleries, Singapore

“This Future of Ours”, Red Brick Art Museum, Beijing, China

“Annual Exhibition of Contemporary Art in China 2015”, Minsheng Art

Museum, Beijing, China

“Trust me if You Cant”, Sabsay, Copenhagen, Denmark

“Journey”, AM Art Space, Shanghai, China

“New Capital: Huang Yu Collection Exhibition”, Chengdu Contemporary

Art Museum, Chengdu, Sichuan, China

“Tutorials-Moving Images and A Users Guide from China”, Pino Pacali

Museum Foundation, Polignano a Mare (BA), Italy

P. 4/6

P. 5/6

“Art Basel 2016: Film Sector, agnès b. CINEMA”, Hong Kong Art Centre,

Hong Kong

“Hack Space”, K11 Foundation Pop-up Space, Hong Kong

“M + Screening: Fourty Years”, Broadway Cinematheque, Hong Kong

“Action Image”, Blue Roof Museum, Chengdu, China

“The Exhibition, Bentu, Chinese artists at a time of turbulence and

transformation”, Fondation Louis Vuitton, Paris, France

“The Collection, A selection of Chinese works”, Fondation Louis Vuitton,

Paris, France

2015

Huayu Youth Award shortlists exhibition, Sanya, China

“Asia Arts Festival”, Quanzhou, China

“Talk about Body”, AIKE-DELLARCO, Shanghai, China

“Winter Discovery”, 1000 Plateaus, Chengdu, China

“Shanghai Deal”, Radical Space, Shanghai, China

“2015 Europa Tour: Contemporary Art from China, Faith/ Freedom/

Future-proof”, Okręg Warszawski Związku Polskich Artystów Plastyków,

Warsaw, Poland

19th Contemporary Art Festival Sesc Videobrasil: Southern Panoramas,

São Paulo, Brazil

“Essential Matters – Moving Images from China”, Borusan Contemporary,

Istanbul, Turkey

“Perched in the Eye of a Tornado”, Ying Space, Beijing, China

“Sunlight – between Teheran and Chongqing”, LP Art Space, Chongqing,

China

2014

“Winter Group Show”, AIKE-DELLARCO, Shanghai, China

“Où vas-tu?”, Espace des Arts Sans Frontières, Paris, France

“Positive Space”, Times Museum, Guangzhou, China

“UP-YOUTH”, China Young Artists Exhibition, Times Art Museum, Beijing,

China

“How Do We Become A Part of This World”, DAC, Chongqing, China

“Iran to China”, Darbast Platform, Mohsen Gallery, Teheran, Iran

2013

“Be Conscious Of Yourself”, Suzhou Museum, Suzhou, China

“Art Basel Leap Video Project”, Hong Kong

18th Contemporary Art Festival Sesc_Videobrasil ‘Southern Panoramas’,

São Paulo, Brazil

2012

“The Worst Show”, Gland, Beijing, China Listen, Beijing, China

“54 International Youth Art Festival”, Beijing, China

2011

“Look at the Future”, Chengdu Biennale Special Invitational Exhibition,

Winshare Art Museum, Chengdu, China

“Workshop”, Organhaus Art Space, Chongqing, China

“Chongqing Independent Film & Video Festival”, Chongqing, China

2010

“Everywhere”, Organhaus Art Space, Chongqing, China

“Xun Ji”, CAEA Art Space, Chongqing, China

“Location: Dragon Fountain Bathhouse”, Forget Art, Beijing, China

“Theme Exhibition The 70th Anniversary of Birth of Sichuan Fine Arts

Institute”, Chongqing Art Museum, Chongqing, China

2008

“Annual Exhibition of the Oil Painting Department”, Sichuan Fine Arts

Institute, Chongqing, China

Colloctions

Louisiana Museum of Modern Art, Humlebæk, Denmark

De Ying Foundation, Shanghai, China

Tank Shanghai, Shanghai, China

National Gallery of Victoria, Melbourne, Australia

Sigg Collection, Switzerland

M+ Museum, Hong Kong

KADIST, Paris, France / San Francisco, U.S.A.

Louis Vuitton foundation, Paris, France

K11 Art Foundation, Hong Kong

New Century Art Foundation, Beijing, China

Sunpride Foundation, Hong Kong

National Museum of Modern and Contemporary Art, Seoul, South Korea

Artist 艺术家｜

Mo Tong 童默

童默出生于1999年，中国河南。硕士就毕业上海师范大学油画专业，目前生活与工作于上海。童默的作品大都描绘着那个他未曾经历时代，他通过其对于历史图像的敏锐解构与延展，把那些被遗忘的社会瞬间如梦境般地呈现在观者面前。在某种意义上说，这些画面是一种集体潜意识反射，并在不知不觉中渗透进了我们每一代人的脑海中。

展览经历

2024 That's How We Grow Up，南柯画廊，上海

2024“轻胜马”无形画廊上海

2024“浪潮来临时”潮汕历史文化博览中心.深圳

2024“我,回廊,沉没的夏天”之间GAP.四川成都

2024“源·生”采艺术中心上海

2023“进化-奇点"南柯画廊.上海

2023“designShanghai”上海世博展览中心上海

2023“可能与回响”Gao'sGallery.太原

2023上海当代艺术博览会上海展览中心上海

2023第三届朵云轩青年艺术家作品邀请展朵云书院上海

2023第七届保利学院之星北京时间博物馆.北京

Mo Tong Born in 1999 in Henan, China. Majored in oil painting at Shanghai Normal University. Lives and works in Shanghai. Most of Tong Mo's works depict an era that he has never experienced. Through his sharp decondition and ex-tension of historical images, he presents those forgotten social moments in front of the viewer like a dream. In a sense, these images are a reflection of the collective un-conscious that has seeped into the minds of each of our generations.

Exhibitions

2024 That's How We Grow Up, Nan Ke Gallery

2024 Qingshengma, Wuxing Gallery, Shanghai.

2024 When the Wave Comes, Chaoshan History and Culture Expo Centre.

2024 Me-Inter-Estivated, Gap, Chengdu.

2024 Source-Grow, UArt Centre, Shanghai.

2023 Evolution: Singularity, Nan Ke Gallery, Shanghai.

2023 Design Shanghai, Shanghai World Expo Exhibition Centre, Shanghai.

2023 Possibility and Echo, Gao’s Gallery, Taiyuan.

2023 ART021 SHANGHAI CONTEMPORARY ART FAIR, Shanghai Exhibition Centre, Shanghai.

2023 The third Duoyunxuan Young Artists Invitational Exhibition, Duoyunxuan Academy.

2023 The 7th Poly College Star, Beijing Time Museum, Beijing.

Artist 艺术家｜

Xueqing Zhu 朱雪晴

朱雪晴，1996年12月17日生于河北省，满族人，现工作生活在上海和威尼斯。她于2019年毕业于北京工业大学油画系，导师为赵银鸥教授，2022年毕业于威尼斯美院绘画系，师从Diraco教授。朱雪晴的作品受北欧的表现主义和超现实主义的影响，结合少年时期学习中国传统国画的经验，重视纯绘画性、精神性与画面的链接。常用象征和隐喻，画面的唯一目的是构建亲密的感性思考。

教育经历

2022 威尼斯美院绘画系

2019 北京工业大学油画系

展览经历

2024 枕边书，震旦博物馆，上海

2024 That's How We Grow Up，南柯画廊，上海

2023 Art 021 2023，由南柯画廊代理参加，上海

2023 Sweet epiphanies，线上展览

2023 Yourself in My Shoes，Tube艺术间，米兰，意大利

2023 Delle Foreste edelle Acqua，borca di cadore，意大利

2022 Degree Show ll，入选Plazzo Monti 艺术竞赛，布雷西亚，意大利

2022 在不再荒野的森林中，RAVE，意大利

2022 solo latte，latteria 2465，威尼斯，意大利

2020-2022 Antares 工作坊，威尼斯马戈拉，意大利

2019 湖中央的思考，北京工业大学毕业设计展，北京

Education

2022 the Department of Painting of Venice Academy of Fine Arts

2019 the Department of Oil Painting of Beijing University of Technology

Exhibitions

2024 Pillow Talk，Aurora Museum，Shanghai

2024 That's How We Grow Up，Nan Ke Gallery，Shanghai

2023 Art 021 2023, Nan Ke Gallery Booth, Shanghai

2023 Sweet epiphanies, Online

2023 Yourself in My Shoes, collective exhibition, Tube Gallery, Milan, Italy

2023 Delle Foreste edelle Acqua, borca di cadore, ltaly

2022 Degree Show II, Palazzo Monti, Brescia, ltaly

2022 In the woods no longer beasts, RAVE, Italy

2022 solo latte, latteria 2465, Venice, Italy

2020-2022 Workshop ‘Antares’ by Professor Diraco and Vulano Agency, Marghera (VE), Italy

2019 Thinking in the middle of the lake, diploma certificate of excellent design, Beijing University of Technology, Beijing

Artist 艺术家｜

Yanmeng Zhang 章烟朦

章烟朦
1991年生于浙江温州。本科毕业于中央美术学院油画系，硕士毕业于日内瓦艺术设计学院当代艺术实践专业。现任教于中央美术学院上海校区。

她的创作借助于数字技术创建异于真实的形象和场景，再通过细腻的笔触转译于画布之上，以超现实的、梦境般的图像引发关于情感本质的探索，在当下技术与消费主义主导的社会语境中，对物质之于情感的异化进行思考与批判。

展览经历

2024年「That's How We Grow Up」，南柯画廊，上海

2024年「颂艺术嘉年华」，颂艺术中心，中国·北京

2023年「在肌理与肌肤之间」，南柯画廊，中国·上海

2023年「向前还是向上」，叁拾空间，中国·北京

2022年「洛德世界II：敌友大会」，野松画廊,中国·深圳

2020年「(RIGHT IN) THE FEELS」，ERG Gallery，比利时·布鲁塞尔

2019年「Artagon Live 」， Cité internationale des arts，法国·巴黎

2019年「Futures of Love」，Magasins Généraux，法国·巴黎

2019年「后浪」，AC Gallery，中国·北京

2018年「2018届约翰莫尔绘画（中国）作品展」，上海民生现代美术馆，中国·上海

2017年「ARTAGON.III」， Artagon，法国·巴黎

2015年「新青年艺术运动」，悦美术馆，中国·北京

Yanmeng Zhang

Born in 1991 in Wenzhou, Zhejiang, Zhang completed her undergraduate studies in the Oil Painting Department at the Central Academy of Fine Arts and further pursued a master's degree in Contemporary Art Practice from the Geneva University of Art and Design. Currently, she holds a teaching position at the Shanghai campus of the Central Academy of Fine Arts.

Her artistic practice merges the realms of digital technology to construct captivating images and immersive settings that transcend reality. With a delicate and nuanced brushstroke, she offers surreal and dreamlike visuals on the canvas. Through her artworks, she delves into the profound exploration of the essence of human emotions, challenging the contemporary context dominated by technology and consumerism. With a critical lens, she reflects on the alienation of emotions in materiality.

Exhibitions:

2024 That's How We Grow Up, Nan Ke Gallery

2024 Ode Art Carnival, Ode Art Center, Beijing, China

2023 The Skin, Nan Ke Gallery, Shanghai, China

2023 To be or not to be, Sense Gallery, Beijing, China

2022 LOD WORLD Ⅱ: A Convention of Friends and Foes Issuing Gallery, Shenzhen, China

2020 (RIGHT IN) THE FEELS，ERG Gallery, Bruegel, Belgium

2019 Artagon Live, Cité internationale des arts, Paris, France

2019 Futures of Love, Magasins Généraux, Paris, France

2019 Waves from the Horizons, AC Gallery, Beijing China

2018 John Moores Painting Prize (China) Shanghai Minsheng Art Museum, Shanghai, China

2017 ARTAGON.III, Artagon, Paris, France

2015 Art Movement of the New Youth, Enjoy-Art Museum, Beijing, China

Artist 艺术家｜

Yunchun Wang 王韫纯

王韫纯1999年出生于浙江杭州，2024年毕业于华东师范大学大学美术学院，现工作和生活于浙江杭州、上海。她的艺术实践从日常生活、自然、文学作品和不同的文化符号中获得灵感，探索微妙的情绪和人类精神的复杂性。她的作品以记忆、想象和直觉为基础，以柔和的色彩描绘神秘和陌生的图像，试图将难以言明的现实感悟转变为诗意的视觉图像，从而超越物质的世界。

Yunchun Wang was born in Hangzhou, Zhejiang Province, graduated from East China Normal University, and now works and lives in Hangzhou and Shanghai. Her art practice was inspired by daily life, nature, and symbols in different cultures and literature, exploring the subtle emotions and complexity of the human spirit. In her paintings, there would always be a cryptic and strange scene with mild colour. Based on memory, imagination and intuition, her works are trying to translate the ineffable feelings of reality into poeticized images, thus transcending the world of matter.

教育经历

2024 华东师范大学美术学院美术(现当代艺术方向)MFA

2021华东师范大学美术学院绘画(油画与综合材料工作室)BA

展览经历

2024 That's How We Grow Up, 南柯画廊

2024 燎原，普陀区美术馆

2022 世界会客厅的阳台风景，华萃当代美术馆

2022 第八届上海青年艺术博览会，海派艺术馆

2022 突破与新生，华东师范大学

2021 凝光无声，华东师范大学

Education

2024 East China Normal University, Fine Art MFA

2021 East China Normal University, Painting BA

Exhibitions

2024 That's How We Grow Up, Nan Ke Gallery

2024 A Blaze for Tomorrow, Putuo Art Museum

2022 The outlook ofthe world parlor in Shanghai, Huacui Contemporary Art Museum

2022 Art Moves the World

2022 Shanghai Young Art Fair, Shanghai Style Art Museun

2022 Breakthrough and rebirth, College of Fine Arts, ECNU

2021 Static Light Without Sound, ECNU library

作品垂询请邮件至

Please email for inquiries about the artwork：

info@nankegallery.com

展览预告｜张鹏个展项目《眷眷之乡》 Peng Zhang: Nostalgia

展览现场 Installation View｜朱雪晴: 枕边书 Xueqing Zhu: Pillow Talk

More information / 更多信息

10:30 - 18:30

Tuesday - Sunday

周二至周日

Tel：021-52727270

info@nankegallery.com

南柯画廊 Nan Ke Gallery

上海市黄浦区长乐路386弄5号

No. 5, Lane 386, Changle Road, Huangpu District, Shanghai

http://mp.weixin.qq.com/s?__biz=MzkxNTQ0NDAyNw==&mid=2247488836&idx=1&sn=5a4bc345acc31ead89ff96daf4d9c287

Nan Ke Gallery

南柯画廊 (Nan Ke Gallery) 是一家位于上海的当代艺术画廊，我们深度关注中国年轻一代艺术家以及海外华人艺术家的创作与发声。画廊致力于连接本土与国际的语境下的先锋议题，并同艺术家、策展人、藏家共同探索与延伸当代艺术的边界。