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陆扬 Lu Yang目：中国境象
目 China: A new generation of artists
BANK欣然宣布艺术家陆扬作品《DOKU-The Self》亮相巴黎蓬皮杜艺术中心（Centre Pompidou）群展“目：中国境象（目 China: A new generation of artists）”。展览将于10月9日至2025年2月3日呈现，聚焦21位出生于1970年代末至1990年代初的中国艺术家。他们成长于改革开放时期，经历了中国对外开放、环境变迁以及社会生活方式的种种转变，这些主题贯穿于他们的创作。
此次群展作为蓬皮杜艺术中心与上海西岸美术馆合作项目的延伸，以“目”字为题，中法团队联合策展，精选作品涵盖影像、绘画、雕塑、装置、摄影和新媒体等一系列近年来尤其是后疫情时期的创作，其中探讨的核心问题包括中国与世界的互动、对全球化挑战的思考，以及如何应对环境问题。
BANK is pleased to announce that Lu Yang's DOKU-The Self is featured in the group exhibition “目 China: A new generation of artists” at the Centre Pompidou in Paris. Running from October 9 to February 3, 2025, This collective exhibition shines a spotlight on the upcoming contemporary Chinese art scene with works by 21 artists. The opening of China to the world, environmental upheavals and the transformation of lifestyles in Chinese society are all topics that have been addressed in the contemporary creative output by this young generation of artists, born in the late 1970s through to the early 1990s, as China experienced a great economic boom.
This group exhibition is under the partnership between the Pompidou Centre and the West Bund Museum in Shanghai. Under the theme of the character 目 (mù), meaning “eye”, the rich selection of works picked out by the Sino-French curators covers a broad spectrum of practices — video, painting, sculpture, installations, photography and new media — with emphasis on creations in recent years. Core issues explored in the works of many of these artists include Chinese interaction with the rest of the world, thoughts about globalisation and global challenges, especially environmental breakdown.
关于DOKU
About DOKU
陆扬《DOKU-The Self》(2022) 影像截帧，图片版权归属于艺术家
Still image of Lu Yang's DOKU-The Self (2022). Courtesy of the artist
在“DOKU”系列作品中，陆扬精巧地设计了他栩栩如生的电子化身，这源自艺术家对科学和哲学的独特而深刻的探究，涉及了佛教、神经科学、心理学以及现代技术的跨学科融合。 影像中不断变化形象的主角为DOKU，名字灵感来自佛教经文“独生独死”（Dokusho Dokushi）。DOKU作为非二元性别角色，融合了多位舞者和音乐家的独特的创作，并借助科学家、3D动画师和数字技术专业人士的团队合作，运用最尖端的动作捕捉技术创造而成。通过这种反复转生，艺术家涅槃重生为一个超越肉体限制的、无处不在的化身，这也见证了古老的轮回概念与最新技术创新的融合。Lu Yang’s elaborately outfitted and eerily lifelike avatars in work series DOKU are born out of the artist’s distinct and ongoing scientific and philosophical inquiries — an interdisciplinary blend of Buddhism, neuroscience, psychology and modern technology. The shape-shifting protagonist in this five-channel work is DOKU; the name is derived from the phrase “Dokusho Dokushi,” which translates to “We are born alone, and we die alone,” and references a canonical Buddhist scripture. While sharing Lu Yang’s facial expressions and features, the nonbinary character was generated from an amalgamation of various dancers and musicians, and created in collaboration with a team of scientists, 3D animators, and digital technicians using the latest in motion capture technology. Through this repeated incarnation, the artist is reborn as an ever-present avatar, endowed with talents surpassing physical limitations — uniting ancient concepts such as reincarnation with the latest technological innovations.陆扬《DOKU-The Self》(2022) 影像截帧，图片版权归属于艺术家
Still images of Lu Yang's DOKU-The Self (2022). Courtesy of the artist
关于艺术家 About the Artist
陆扬 Lu Yang
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多媒体艺术家陆扬创作了许多奇幻、病态和令人震撼的图像，这些图像代表了宗教、哲学、神经科学、心理学和现代技术的跨学科融合，以及对真实生命形式和神灵的神经结构的幻想。陆扬的艺术实践涵盖游戏引擎、3D动画影像、视频游戏装置、全息影像、动作捕捉表演、VR和程序操作。陆扬的作品涉及与著名科学家、心理学家、表演艺术家、舞蹈家、实验作曲家、音乐制作人、机器人公司和偶像明星的频繁合作。
陆扬毕业于杭州中国美术学院新媒体艺术系，获学士和硕士学位。她的作品在众多国际重要博物馆和机构展出，陆扬也参展了2022年威尼斯双年展。近期个展包含：巴塞尔美术馆，巴塞尔，瑞士（2023）；Zabludowicz Collection，伦敦，英国（2022-23）；PalaisPopulaire，柏林，德国（2022-23）；ARoS 奥胡斯美术馆，奥胡斯，丹麦（2021-22）；Spiral，东京，日本（2018）；木木美术馆，北京，中国（2017-18）；克利夫兰当代艺术馆，克利夫兰，美国（2017）；尤伦斯当代艺术中心（UCCA），北京，中国（2011）；福冈亚洲美术馆，福冈，日本（2011）。近期参与的大型主题展览包括：2022 年第 59 届威尼斯双年展《梦之奶》、2021 年纽约亚洲协会三年展、巴黎蓬皮杜艺术中心（2020 年）、2018 年和 2012 年上海双年展、2018 年雅典双年展、2016 年利物浦双年展、2016 年蒙特利尔国际数字艺术双年展、2015 年第 56 届威尼斯双年展（中国馆）和 2014 年福冈亚洲艺术三年展。2019 年，陆扬获得了 "宝马艺术之旅"（BMW Art Journey）的奖项，随后开始委任制作名为“DOKU”的新数字作品。陆扬还获得了德意志银行 2022 年度艺术家奖。
Lu Yang (b. Shanghai, China) is a multi-media artist based in Tokyo. Mortality, androgyny, hysteria, existentialism and spiritual neurology feed Lu’s jarring and at times morbid fantasies. Also taking inspiration and resources from Anime, gaming and Sci-fi subcultures, Lu explores his fantasies through mediums including 3D animation, immersive video game installation, holographic, live performances, virtual reality, and computer programming. Lu has collaborated with scientists, psychologists, performers, designers, experimental composers, Pop Music producers, robotics labs, and celebrities throughout his practice.
Lu Yang has held exhibitions at Centre Pompidou-Metz, France (2023); Kunsthalle Basel, Switzerland (2023); Nxt Museum, Amsterdam (2023); Zabludowicz Collection, London (2023); the 59th La Biennale di Venezia, Venice (2022); PalaisPopulaire, Berlin (2022 - 23); ARoS Aarhus Art Museum, Denmark (2021– 22); Asia Society Museum, New York (2021); San Francisco Art Institute, California (2018); Ullens Center for Contemporary Art, Beijing (2011), and Fukuoka Museum of Asian Art, Japan (2011) among others. In 2022, Lu Yang was selected as Deutsche Bank’s Artist of the Year, Lu also received the BMW Art Journey Prize (2019), Asian Cultural Council Grant (2013), and the Focus on Talents Award, Today Art Museum (2011).
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