“穿裤子的云:今天的绘画”
A Cloud in Trousers: Painting Today
策展人:富源
Curated by Yuan Fuca
West Bund Museum, ShanghaiBANK欣然宣布艺术家孙一钿与梁浩的作品将亮相展览“穿裤⼦的云: 今天的绘画”,该展览由西岸美术馆与池社共同呈现,将于2024年10月25日(周五)开幕。展览汇集⼆⼗三位来⾃不同代际和背景的艺术家,他们游⾛于具象与抽象、传统与当代之间,并以极富鲜明个⼈⾊彩的笔触在不同的时间坐标上阐述对于“今天”的思考,共同为公众呈现中国当代绘画实践的多元⾯貌,提供感知艺术的第⼀视⾓。
BANK is pleased to announce that the works of artists Sun Yitian and Liang Hao will be featured in the exhibition A Cloud in Trousers: Painting today, which opens Friday, October 25, 2024, and is jointly presented by The West Bund Museum and Pond Society.Bringing together 23 artists from different generations and backgrounds, the exhibition explores the interplay between figuration and abstraction, tradition and modernity. With distinctive personal styles, these artists express their reflections on the present across various temporal coordinates, offering the public the latest experience of the diversity in contemporary Chinese painting.
参展作品
Artworks
孙一钿 Sun Yitian
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孙⼀钿,1991 年⽣于中国浙江,2015 年毕业于中央美术学院油画系,并于 2018 年获得同系硕⼠学位,现于清华⼤学⼈⽂学院攻读博⼠学位。她的作品涉及绘画、装置、⾏为、时装跨界。她的作品以“物”为切⼝⼜暗喻背后的劳动与⽣产,揭示消费社会的内在机制。孙⼀钿的作品通常以照⽚写实的⽅式来审视诱惑和恐惧,⼆者之间的秘密、⽇益脆弱的联系,以及雕塑性的「物质」,共同构成了她的创作主题。
孙⼀钿曾入选 2023 福布斯中国当代⻘年艺术家榜单和 2019 年亚洲福布斯 30 岁以下杰出⻘年,荣获 2023 K11 Artist Prize 入围艺术家提名, WSJ 中⽂版 2022-2023“年度出⾊创作者”以及罗博之选 The Best of Best 2022“年度⻘年艺术家”奖项。作品曾在 BANK 画廊、 施博尔画廊(柏林)、香港 Mine Projects、阿尔敏·莱希(上海) 、柏林狮⼦⾏宫、巴黎莎玛丽丹、澳⻔艺术博物馆、UCCA 尤伦斯当代艺术中⼼、伦敦弗⾥兹艺博会和巴黎国际当代艺术博览会等国内外各⼤机构展出。作品已被纳入国内外各⼤机构的收藏, 包括霍特家族收藏,纽约;⽩兔美术馆,悉尼;福尔林登美术馆,瓦塞纳尔;洛杉矶县立美术馆,洛杉矶;天⽬⾥美术馆,杭州;Longlati 基⾦会,上海;⽊⽊美术馆,北京;余德耀美术馆,上海;四⽅当代美术馆,南京;龙美术馆,上海等。
近期参加的展览包括:“共贯与多元:当代绘画艺术新样态”,中国美术馆,北京,2024;“卧游无界:中国⼯艺与当代艺术”, K11 MUSEA,香港,2024;“很久很久以前”,施博尔画廊,巴黎,2023;“跨界:可能与回响”,余德耀美术馆,上海,2023;“流光”, 四⽅当代美术馆,南京,2023;“年年:动物的能与术”,德基美术馆,南京,2023;“无尽的交谈”—2022 ⾸届北京艺术双年展“共⽣”,国家对外⽂化贸易基地,北京,2022;“22 年夏”(Summer '22),施博尔画廊,柏林,2022;“集光⽚⽻”,UCCA Edge,上 海,2022;“艺术的语⾔,艺术家的游戏”,OCAT 深圳馆,深圳,2022;“断裂的⼀代”,松美术馆,北京,2022。
Sun Yitian (b.1991, Zhejiang, China) graduated from the Painting Department of China Central Academy of Fine Arts, Beijing (CAFA) in 2015 and earned her Master Degree in 2018. She is now completing her doctorate of Literature at the School of Humanities at Tsinghua University, Beijing. Her practice, which spans painting, installation, performance, and fashion, employs material objects as metaphors of labor and production to reveal the inner mechanisms of our consumersociety. Sun's often photo-realist works examines the secret, increasingly tenuous connection between seduction and fear as well as the sculptural ‘thingness’ of her subjects. Sun was selected for the Influential 2023: Forbes China Contemporary Young Artists and Forbes 30 Under 30 Asia Class of 2019, andreceived the K11 Artist Prize nomination, the WSJ China’s ON THE FIELD Creator of the Year Award and “BOB Best of the Best” 2022 Young Artist Award.Her works have been exhibited at BANK Gallery, Esther Schipper, Mine Projects, Almine Rech, Paris and major organizations such as the Lion Palace, Berlin; Samaritaine, Paris; Macao Museum of Art; UCCA Edge, Shanghai, as well as Frieze London and FIAC. Her work is held in the following collections: Hort Family Collection, New York; White Rabbit Gallery, Sydney; Museum Voorlinden, Wassenaar;The Los Angeles County Museum of Art,Los Angeles; By Art Matters, Hangzhou; Longlati Foundation, Shanghai; M WOODS, Beijing; Yuz Museum, Shanghai; Sifang Art Museum, Nanjing and Long Museum, Shanghai, etc. Recent exhibitions include One and All: New Artistic Styles of Contemporary Painting, National Art Museum of China, Beijing (2024); Boundless Reverie: Chinese Savoir-Faire and Contemporary Art, K11 MUSEA, Hong Kong (2024); Once Upon a Time, Esther Schipper, Paris (2023); Bordercrossing: Possibilities and Interactions, YuzMuseum, Shanghai (2023); Projection, Sifang Art Museum, Nanjing (2023); Nián Nián: The Power and Agency of Animal Forms, Deji Art Museum, Nanjing (2023); The Infinite Conversation: 2022 Beijing Biennial “Symbiosis”, National Base for International Cultural Trade, Beijing (2022); Summer ‘22, Esther Schipper, Berlin (2022); The Pieces I Am, Shanghai, UCCA Edge (2022); Art’s Language, Artists’ Game, OCAT Shenzhen, Shenzhen (2022); The Disconnected Generation, Song Art Museum, Beijing (2022).
梁浩 Liang Hao
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梁浩,1988年生广东。2012年毕业于清华大学美术学院绘画系,目前生活和工作于上海。其艺术实践以绘画为主,并涉及不同的媒介。他围绕着手、凝视和思想之间的动态关系展开创作,通过构建技术生产的幻景,亦或对文字与艺术史上图像的引用,来重新考虑手的技术性,以及流转于其中的情感意识。
梁浩的个展包括:“替身”和美术馆,广东,(2023);“高手”BANK画廊,上海,(2023);“重现” 玉兰堂,北京,(2022);“时间的褶皱” 10号赞善里画廊,香港,(2020);“一种目光”玉兰堂,上海,(2019);“映像与猎场”玉兰堂,北京,(2017)。他的作品亦在不同机构参与展出,其中包括纽约 Art OMI艺术中心、韩国Daechumoo Fine Art、上海民生现代美术馆、北京今日美术馆、冰岛Offshore Project Space、北京中央美术学院美术馆。他曾参加美国纽约Art OMI(2016年)和冰岛塞济斯菲厄泽Island Iceland Offshore Project(2015年)的艺术家驻地项目,并于2018年和2016年入围“约翰‧莫尔绘画奖”。 Liang Hao (b. 1988, Guangdong Province) currently lives and works in Shanghai. He graduated from the Painting Department of the Academy of Arts and Design at Tsinghua University, Beijing, in 2012. His practice focuses on painting while extending to other media. He is interested in the dynamics between the hand, gaze and mind, reconsidering the technicality of the hand and the affects that flow through it by constructing illusions of technical production and making references to images in art history or texts.His recent solo exhibitions include: Doubled Bifurcation (He Art Museum, Guangdong, 2023); Gesture and Speech (BANK, Shanghai, 2023); Present, Again (Line Gallery, Beijing, 2022); Unfolding into the Expanse (10 Chancery Lane Gallery, Hong Kong, 2020); A Kind of Gaze (Line Gallery, Shanghai, 2019); Image and Hunting Ground (Line Gallery, Beijing, 2017). His work has been exhibited in worldwide institutions that include : Art OMI, New York; Daechumoo Fine Art, Korea; MinSheng Art Museum, Shanghai; Today Art Museum, Beijing; Offshore Project Space, Iceland; CAFA Art Museum, Beijing. His past artist residencies include: Art OMI International Artist Residency (New York, 2016); Island Iceland Offshore Project (Seydisfjordur, 2015). His award nominations include: John Moores Painting Prize (2018,2016).
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