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Duyi Han: Visions of Bloom出品/Produced by: 樱桃瑚 CHERUBY
策展人/Curator: 李石影 Claire Shiying Li
开幕/Opening: 2024/11/8 周五 Fri
地址/Add: 上海市静安区文安路30号 苏河皓司一楼 1F, Suhe Haus, 30 Wen'an Rd, Shanghai
韩笃一(b. 1994)早期以风格独树一帜的先锋场景设计与收藏级家具设计成为国际瞩目的新锐中国青年设计师。此次展览“琳琅”是他国内首次以艺术家身份举办个人展览,呈现数件由樱桃瑚(CHERUBY)全新委任制作的重磅作品,超越艺术与设计的区别定义。由李石影策划,“琳琅”将以凝练的手法展示韩笃一的长期个人学术研究和他对于前沿科技和跨学科思维的大胆探索。展览主要作品包含仿清博古趣味的《琳琅蛋白殿堂》墙纸与地贴设计、模糊人造景与自然造物的《绽放的幻象》动画影像、收藏级长凳《ATP的合成》以及数幅平面刺绣作品。“琳琅”意在苏河皓司一楼置入一个高度浓缩的当代中式花园,继承亚洲传统的哲学观点和东西方艺术建筑史的美学范式。比如墙纸和地贴《琳琅蛋白殿堂》的“博古纹”就是蛋白质微观模型、清代宫廷室内装饰、罗马金宫(Domus Aurea)壁画特点融合而成。韩笃一将RCSB蛋白质数据库(RCSB Protein Data Bank)公开的立体结构模型作为基本建造单元,进行二维或三维的转化再创作,重新想象并塑造了一个有文人博古情怀的跨文化艺术史检索殿堂。蛋白质作为生命体的重要组成部分,又成为艺术造型的材料。艺术家将自然与技术并置,在生命体与人造物的交错时空中探讨潜在的存在主义的哲思与高维观识。在展览中心位置有圆形屏幕的影像装置《绽放的幻象》,其造型灵感来自于近现代流行的西洋塔型钟表。在书、画、园同根同源的美学系统中,影像提供时间维度的延伸想象。由艺术家独立完成的动画渲染影像由多个看似不相关的现实景象的丝滑变形过程组成,暗示一切事物或现象是相即相入并且圆融无碍的一种普世推测。屏幕前,画有ATP合成科学图例的刺绣装饰长凳与烘托时尚氛围的轻薄挂帘组成一种有宇宙禅机感的冥想居室设置。在不同媒介承接转化和复合作用下,韩笃一缝合娟裱出一室一园的完整体验,调演多重感官意识里的万千联系。
韩笃一 Duyi Han
心伺令 Ordinance of the Subconscious Treatment物品(丝绸、手工刺绣)、空间设计(600 平方米公寓内部)、图像、影像(实景和 CGI)Objects (silk, hand-embroidery), spatial design (600m2, apartment interior), image, video (real-life and CGI)BANK is pleased to announce that artist Duyi Han's solo exhibition "𝐕𝐢𝐬𝐢𝐨𝐧𝐬 𝐨𝐟 𝐁𝐥𝐨𝐨𝐦" will be opened on November 8, 2024 at Suhe Haus, Shanghai. The exhibition is produced by CHERUBY as the inaugural exhibition project. Han's work was previously exhibited in “ôˈgəst August”, BANK's summer group show this year.Duyi Han (b. 1994) has made a name for himself on the international scene since 2020 as a Chinese avant-garde scenographer and collectible furniture designer. “Visions of Bloom” (琳琅) is his first solo exhibition in China, presenting all-new major works commissioned by CHERUBY. The exhibition explores his identity as a multi-disciplinary artist and brings together the worlds of art and design. With Claire Shiying Li’s curatorial vision, “Visions of Bloom” will succinctly showcase an amalgamation of Duyi Han’s personal research in alternate architectural histories, his in-depth knowledge of cutting-edge technology and production techniques, and a multi-layered exploration in cross-disciplinary thinking. The exhibition consists of an all encompassing wall and floor cover installation titled “Proteine Grottesche”, an animated video “Visions of Bloom” which transforms artifacts into natural creatures, a collectible bench with embroidered upholstery “Synthesis of ATP” and multiple framed pictures made of embroidery on silk.
“Visions of Bloom” is designed like a miniature Chinese treasure gallery on the first floor of Suhe Haus, reflecting Asian philosophies and Eastern and Western architectural legacies. “Proteine Grottesche” is a wallpaper and floor covering installation that consists of “Myriad Antiques” (Bogu patterns) made with 3D protein molecule models inspired by interior ornaments from the Qing dynasty and mural compositions of the Domus Aurea in Rome. Duyi Han uses published 3D models from RCSB Protein Data Bank as building blocks to formulate a cross-cultural art historical matrix, a palace of pictorial data aggregation. With scholarly taste, he collects myriad of visual sources from biology and archeology, blurring the lines between life-forming and art-making. Han explores an existential truth and an awakening perspective in his celebratory portraits of nature and artifacts.In the center of the exhibition, there is a video installation titled “Visions of Bloom”, reminiscent of Western timepieces brought to Emperor Qianlong which symbolizes sophistication in craftsmanship and pre-modern curiosity in time-based art. Duyi Han independently creates rendered animation clips and assembles them in accidental fashion, alluding to a Buddhist Huayan school belief that all things and phenomenons are interchangeable and compatible with each other. In front of the screen, an upholstered bench displays embroidered diagrams depicting the synthesis process of ATP in cells of living organisms, all of which framed by decorative curtains with hints of a cosmic zen atmosphere and a queer sensibility. Duyi Han reimagines the notion of an ornamented room or a scholarly garden in the trajectory of Chinese history, experimenting a cross-pollination of science and art history for a multi-layered and multi-cultured sensorial universe.
关于艺术家
About the Artist
韩笃一
Duyi Han
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韩笃一(1994)专注于前卫美学的研究和整体审美体验的创造。他的实践涉及收藏级设计、场景设计和数字艺术等。韩笃一将物体和环境作为“神经美学的处方”来设计。他受到艺术史、东亚哲学和当代医药实践的启发,从不同的时代和文化背景中汲取参考,对多样的“美学配方”加以混合和转化,把特定的视觉内容作为“处方”来唤起人的丰富感受。韩笃一擅长在作品中融入对传统艺术形式的当代而富有突破性的诠释表达,以及对人类心理和视觉符号学的独特探索。韩笃一的许多作品与纺织物和时尚产业有关,因为时尚是当代视觉文化的主要推动力之一。
韩笃一持有美国康奈尔大学建筑学士学位,曾工作于赫尔佐格和德梅隆等瑞士、中国、美国的建筑事务所。他的作品获得过来自多个跨学科的奖项的荣誉,包括Créateurs设计大奖、Architizer A+ 大奖、Aesthetica艺术奖、AZ Award、Dezeen设计大奖等,并登载于超过20种语言的媒体平台,包括Architectural Digest、Vogue、CNN、Elle Décor、Dezeen、Vice、美国国家科学院等。韩笃一的《心伺令》系列被安邸评为2022年米兰设计周的最佳12个作品之一。在2024年,韩笃一和迪奥合作创作了Lady Dior“我之所见”手袋。韩笃一的作品曾展出于Salon 94 Design画廊(纽约)、米兰Alcova、 威尼斯TSE建筑双年展、威尼斯设计双年展、巴黎Asia Now、维也纳设计周、布鲁塞尔收藏展、科莫湖设计节、巴塞罗那设计周、南京四方当代美术馆、纽约世贸中心、元宇宙誌屋等地。韩笃一的作品被永久收藏于旧金山现代美术馆。
Duyi Han (1994) focuses on forefront aesthetic research and the creation of total aesthetic experiences. He works in collectible design, scenography, and digital art. He considers the creation of his objects and environments as “neuroaesthetic prescriptions” ——intricate semiotics of beauty algorithmically guided by the Tao of time and change. Duyi Han is inspired by art history, Eastern Asian philosophy, and contemporary pharmaceutical practices. He draws references from diverse cultural and temporal contexts. By remixing and transforming “ingredients of beauty,” he “prescribes” specific visual content to evoke rich feelings. Duyi Han’s work is known for contemporary and groundbreaking interpretations of traditional art forms, exploration of psychology, and visual semiotics. Much of Duyi Han’s work is related to textile and fashion industry as fashion is a major driving force of contemporary visual culture. Duyi Han holds a B. Arch from Cornell University and has worked at Herzog & de Meuron and other architecture studios in Switzerland, China, and the US. Duyi Han’s work has been recognized by multidisciplinary awards including Créateurs Design Award, Architizer A+ Award, Aesthetica Art Prize, AZ Awards, and Dezeen awards. His work has appeared on media platforms in more than 20 languages, including Architectural Digest, Vogue, CNN, Dezeen, Vice, and US National Academies of Science, Technology, and Medicine Magazine. His "Ordinance of the Subconscious Treatment" is named among the 12 best installations at Milan Design Week by Architectural Digest. In 2024, He collaborated with Dior on the "Lady Dior As Seen By" handbag. Duyi Han’s work has been exhibited at Salon 94 Design gallery (New York), Alcova Milano, Venice TSE Architecture Biennial, Venice Design Biennial, Asia Now (Paris), Vienna Design Week, Collectible (Brussels), Lake Como Design Festival, Barcelona Design Week, Sifang Art Museum (Nanjing), World Trade Center (New York), and Meta ZiWU (China). Duyi Han’s work is in the permanent collection of San Francisco Museum of Modern Art (SFMOMA).
关于CHERUBY
About CHERUBY
CHERUBY(樱桃瑚)是一家设立于上海的非营利艺术机构。致力于扶持富有远见的年轻创意人才 探索当代艺术与时尚的交汇。通过展览、出版、驻留项目及策展活动, 推动关于时尚与艺术融合的跨界对话与美学发展。 CHERUBY 致力于汇集新锐创意人才,激发从业者的好奇心与协作精神 透过机构广泛的网络与活动,在中西文化间架起交流桥梁。机构致力于提倡青年文化,并为多元学科和实验性创作提供平台,关注创意边界的突破。CHERUBY 将于2025年3月在上海正式启幕。Based in Shanghai, CHERUBY is a non-profit art institution that supports the creative development of visionary emerging talent bringing the worlds of contemporary art and fashion. CHERUBY produces exhibitions, publications, residences, and curatorial projects aimed at facilitating and shaping an interdisciplinary discourse and aesthetics around the fashioning of contemporary art. Bringing together young and emerging creatives, CHERUBY provokes a spirit of curiosity and desire for collaboration to bridge a cultural understanding between the East and the West through its network and activities. CHERUBY champions youth culture and platforms multi-disciplinary and experimental practices that operate in the peripheries. CHERUBY will officially open its doors in March 2025 with a permanent bricks-and-mortar space in Shanghai.
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