阿拉里奥首尔｜黄洙连个展「岩浆 Magma」｜展期至4月20日

阿拉里奥首尔于2024年2月29日至4月20日呈现艺术家黄洙连（HWANG Sueyon）个展《岩浆》（Magma）。

岩浆以其作为熔岩状态的存在，被认为既重又柔，既坚硬顽固又流变自如。这种二元性反映了岩浆固有的岩石特性以及在极端热度下液化的能力。艺术家黄洙连（生于1981年）个展《岩浆》 (Magma) 与岩浆的这些基本属性有着内在的联系。在此次由3件雕塑和10件二维雕塑组成的展览中，黄洙连展示了与她之前作品的轨迹略有偏离的变化，看似相似却又截然不同。展览于阿拉里奥首尔B1层空间呈现。

Magma, in its state as molten rock, is believed to be a hefty yet slinky, solid yet fluid existence. This duality reflects magma's inherent rock-like characteristics alongside its capacity to liquefy under extreme heat. The exhibition Magma is intrinsically connected to these fundamental qualities of magma. In this exhibition consisting of 3 sculptures and 10 2-dimensional sculptures, HWANG presents variations from a point slightly divergent from the trajectory of her previous works, appearing similar yet distinctly different.

此次展览中的三件雕塑作品，皆源于艺术家精心挑选的社交媒体短视频中的特定画面。通过以自身的身体进行表演，她对这些画面进行了重新阐释与物化处理。生活中随处可见的短视频内容为艺术家开启了无限的流动性探索空间。她尤为倾心于那些揭示世间各式物品生产过程的视频，对其中的图像进行了深入的干预，提炼出创作雕塑的关键元素。在此过程中，艺术家的身体以模仿的姿态参与其中，使得短视频内的主题形状或特征经由她的个人体验和诠释，化为全新的雕塑作品，赋予了它们全新的生命。

The 3 sculptures featured in the exhibition are the result of the artist selecting specific images captured from short-form content on social media, then reinterpreting and physically realizing these images through performances using her own body. The easily accessible short-form content images in daily life have existed as numerous fluid potentials for HWANG, and she has been particularly drawn to videos showing manufacturing processes of various items in the world. HWANG interfered with these moving images and she extracted sculptural elements within them to create sculptures. In this process, the artist's body intervened in a mimicking manner, and the shape or attributes of the subjects within the short-form content were reborn as new sculptures embedded with personal experience and interpretation.

二维雕塑作品分为两个系列，每个系列均巧妙运用切割模具与黏土这两种主要材料。"切割模具"系列利用在石膏中精心排列的切割模具，并辅以丙烯酸介质或涂层，巧妙揭示了三维与平面相互交错的空间结构之美。源自短视频内容的灵感，这一系列将切割模具视为原型，通过为模具注入新的特性，将其流动性的生产力进行了抽象的拓展。此过程不仅打破了切割模具的传统功能界限，还通过模具的创意排列与新材质的结合，在画布上营造出一种独特的张力。

The 2-dimensional sculptures are presented in two series, each utilizing die-cut molds and clay as the main materials. The ‘Die-cut Mold’ Series demonstrates the subtleties of spatial composition that interpenetrates between three dimensions and planes by arranging die-cut molds in jesmonite and adding acrylic mediums or coatings. This series, also derived from short-form content, acts as prototypes that are cut and produced, and abstractly expands the fluid productivity of die-cut molds by adding new properties to them. This abstraction process transcends the functional limits of die-cut molds, creating tension on the canvas through their arrangement and composition, and the blend with new materials.

"黏土意识"系列则以其借助黏土表现绘画般质感而格外引人入胜。利用黏土独特的柔软和可塑性，艺术家生动地呈现了被压制和擦的触感体验，以及与之伴随的持续物理互动，从而生动地在作品中呈现了一个有形的物理现象。此外，通过层叠黏土，这一系列不仅加深了画面与雕塑元素的视觉共融，还巧妙对比了材料的坚固性与其视觉上的精细度，突出了作品的视觉和触觉之间的并置。

The other series, ‘Clay Mind,’ is fascinating in that it is a sculpture that expresses painterly qualities using clay. Utilizing the unique soft and pliable texture of clay, the artist vividly manifests the tactile experience of being pressed and rubbed, alongside her consistent physical interaction, thus vividly bringing to life a tangible physical phenomenon in her work. Moreover, by layering clay, it amplifies a peculiar visual pleasure where painterly and sculptural elements co-exist, highlighting the juxtaposition of the material's physical robustness with its visual delicacy.

正在展出 | Current Exhibitions

阿拉里奥画廊·上海 ARARIO GALLERY SHANGHAI

关于画廊 | ABOUT US

▼  点击“阅读原文”至画廊官网，了解更多展览资讯