首尔弗里兹艺博会 Frieze Seoul 2024 | 阿拉里奥展位 A34

阿拉里奥画廊欣然宣布将于2024年9月4日至7日参加亚洲规模最大的艺术盛会“Frieze Seoul 2024 首尔弗里兹艺术博览会”。在此次艺博会中，画廊将呈现一系列持续在女性主义艺术、摄影、雕塑和绘画领域进行开创性实验的成熟艺术家和中生代艺术家。同时，也将展出年轻一代艺术家的作品，他们以当代视角重新诠释传统。

ARARIO GALLERY will be participating in "Frieze Seoul 2024", Asia's largest art fair, from September 4 to 7. During this event, the gallery will showcase a wide range of works by both established and mid-career artists who have continued pioneering experiments in feminist art, photography, sculpture, and painting within the context of contemporary art history. Additionally, the gallery will present works by younger generation artists who reinterpret tradition with a contemporary sensibility.

本次博览会将重点推介自1960年代以来一直活跃，但在艺术史研究中尚未得到充分关注的成熟艺术家。其中，韩国当代摄影和女性运动的先驱人物朴英淑（Park Youngsook，1941年生于韩国）的作品将受到特别关注。在1960年代和70年代男性主导的韩国摄影界中，朴英淑以其对性别表现的深刻洞察和对边缘群体、女性议题的持续关注，创作出独具一格的女权主义作品。自1966年首次个展以来，她通过作品揭示女性所面临的压迫现实，并推动女性解放运动，其中包括在1988年成为由女性学者、社会学家和人类学家组成的女性主义文化运动团体“另一种文化”的成员。她描绘不同背景女性历史和现实的作品，将在九月于首尔国立现代美术馆举办的“连接身体：亚洲女性艺术家”展览中展出；同时，她还将在今年10月的世界顶级艺术博览会，弗里兹大师展（FRIEZE MASTERS）的聚光灯单元中呈现个人项目。

The fair will highlight established artists who have been consistently active since the 1960s but have not been sufficiently studied in art history. Among them, the works of PARK Youngsook (b. 1941, Korea), a foundational figure in Korean contemporary photography and feminist movements, will be introduced. PARK has pursued original feminist work with a deep awareness of gender representation and a continuous focus on women, the marginalized, and the peripheral in the male-dominated Korean photography scene of the 1960s and 70s. Since her first solo exhibition in 1966, she has depicted the oppressive realities of women and promoted women's liberation through her work, including as a member of “Another Culture”, a feminist cultural movement group formed by female scholars in women’s studies, sociology, and anthropology in 1988. Her works, which portray the history and realities of women from various backgrounds, will be featured at the exhibition Connecting Bodies: Asian Women Artists at the National Museum of Modern and Contemporary Art in Seoul this September, and she will also have a solo booth in the Spotlight section at Frieze Masters, the world's largest art fair, in October.

另一位值得关注的参展艺术家是郑江子（JUNG Kangja，1942-2017年，韩国），她的作品同样将在首尔国立现代美术馆的“连接身体：亚洲女性艺术家”展览中亮相。2023年，郑江子入选伦敦弗里兹大师展现代女性单元的11位重要女性艺术家之一，该单元聚焦1880年至1980年间女性权利和女性主义发展的关键时刻。通过参与在首尔国立现代美术馆、纽约所罗门·R·古根海姆博物馆和洛杉矶哈默博物馆巡回展出的“唯有青春：1960年代至1970年代韩国实验艺术”展览，她的作品引起了国内外艺术机构和收藏家的广泛关注。本次博览会将展出郑江子的代表性绘画系列《韩服纪念碑》。

Another participating artist is JUNG Kangja (1942-2017, Korea), who will also be featured in the Connecting Bodies: Asian Women Artists exhibition at the National Museum of Modern and Contemporary Art in Seoul. In 2023, JUNG was one of 11 key female artists selected for a solo booth in the Modern Women section at Frieze Masters in London, which highlighted pivotal moments in women's rights and feminism from 1880 to 1980. She also gained attention from both domestic and international art institutions and collectors through her participation in the exhibition Only the Young: Experimental Art in Korea, 1960s–1970s, which toured the National Museum of Modern and Contemporary Art in Seoul, the Solomon R. Guggenheim Museum in New York, and the Hammer Museum in Los Angeles. At this fair, JUNG's representative painting series, Monument of Hanbok will be exhibited.

阿拉里奥画廊还将呈现韩国第一代具象雕塑家柳仁（RYU In，1956-1999年）的作品。柳仁在其短暂的40年人生中留下了约70件作品。他以独特的技法扭曲或变形真实描绘的人体部位，并运用戏剧性手法，深刻表达了人类生活中的最根本的焦虑、挫折和复杂情结。在20世纪80年代抽象艺术和装置艺术主导韩国艺术界的背景下，柳仁凭借以人体为中心的精准而有力的具象雕塑，树立了杰出具象雕塑家的声誉。进入20世纪90年代，他将雕塑与装置艺术相结合，创作融入形式元素的新具象雕塑，进一步拓展了创作的范畴。

ARARIO GALLERY will also present the works of RYU In (1956-1999, Korea), a first-generation figurative sculptor well-known for his works. RYU left behind about 70 works during his short life of 40 years. He intensely expressed the fundamental anxieties, frustrations, and complexes of human life through his unique technique of distorting or transforming realistically depicted human body parts and employing theatrical devices. In the 1980s, when abstract and installation art dominated the Korean art scene, RYU built a reputation as a prominent figurative sculptor by presenting precise and powerful figurative sculptures centered around the human body. In the 1990s, he expanded his scope by introducing new figurative sculptures incorporating formal elements and combining sculpture with installation art.

画廊还将重点展示以其独特的艺术语言活跃于国内外的中青年艺术家。孙逊（SUN Xun，1980年生于中国）是当代中国艺术界的重要人物，曾在澳大利亚当代艺术博物馆、圣路易斯艺术博物馆、绘画中心、哈默博物馆、余德耀美术馆、民生现代美术馆、上海油罐艺术中心和海沃德画廊等国际知名机构举办个展。孙逊不断尝试各种材料和媒介，包括精细的手绘和定格动画、木刻浮雕和装置艺术。在本次首尔弗里兹艺博会上，他将展出唤起东亚传统中萨满教和民间信仰的系列作品，在一个魔幻的虚构世界中呈现拟人化的动物形象。这些作品颠覆了人类与非人类、观察者与被观察者之间的视角和立场，对人类中心主义提出批判性质疑。

The gallery will also spotlight mid-career and young promising artists who are active both domestically and internationally in their unique artistic languages. One of the featured artists is SUN Xun (b. 1980, China), a notable figure in contemporary Chinese art who has held solo exhibitions at the Museum of Contemporary Art Australia, Saint Louis Art Museum, Drawing Center, Hammer Museum, Yuz Museum, Minsheng Art Museum, TANK Shanghai, and Hayward Gallery, among others. SUN Xun has continuously experimented with various materials and media, including elaborate hand-drawn and painted stop-motion animations, woodblock reliefs, and installation art. At Frieze Seoul, he will present works that evoke shamanism and folk beliefs embedded in East Asian traditions, featuring anthropomorphized animals in a magical, fictional world. These works subvert the perspectives and positions of humans and non-humans, observers and observed, raising critical questions about anthropocentric thinking.

李珍珠（LEE Jinju，1980年生于韩国）的最新作品也将在此次艺博会展出。李珍珠以运用以水为媒介的韩国传统绘画技法，细腻描绘日常生活中遇到的怪异且神秘的场景、物体和风景而闻名。她观察并细致绘制沐浴在柔和光线中的人物的方法，与朝鲜王朝的肖像画技法相似。然而，李珍珠的作品探讨了传统绘画中鲜少涉及的女性身体和内在世界，作品中的人物通过遮蔽的眼神、背影或手势来表达自我。李珍珠将于今年10月在上海余德耀美术馆举办个展。此外，画廊还将展出金仁培（KIM Inbai，1978年生于韩国）的作品，他以跨越人类感知结构界限的创作而著称，如平面与立体、时间与空间、语言与非语言之间的界限。金仁培最近荣获2024年第35届金世中青年雕塑家奖。

New works by LEE Jinju (b. 1980, Korea) will also be unveiled. LEE is known for her delicate depiction of strange and mysterious scenes, objects, and landscapes encountered in everyday life, using the coloring techniques of traditional Korean painting mediated by water. Her method of observing and meticulously rendering figures bathed in soft light resembles the portrait techniques of the Joseon Dynasty. However, LEE’s work addresses the female body and inner self, which were not deeply explored in traditional painting, with the figures in her works expressing themselves through obscured eyes, back views, or hand gestures. LEE is set to have a solo exhibition at the Yuz Museum in Shanghai this October. Additionally, the gallery will showcase works by KIM Inbai (b. 1978, Korea), known for his work that crosses the boundaries of human perception structures, such as between plane and three-dimensionality, time and space, and language and non-language. KIM won the 35th Kim Sejoong Young Sculptor Award in 2024.

最后，韩友衡（Yohan HAN，1983年生于韩国）的作品也将在本次艺博会亮相，他专注于“行为”这一主题，这也与今年首届 Frieze Live 项目的主题相呼应。韩友衡一直在进行各种形式上的实验，重点探索行为、雕塑作品和媒介之间的关系和交流。在阿拉里奥画廊展位，观众将看到他的"鼓"系列作品，该系列巧妙结合了传统韩国制鼓工艺和异形画布形式，也将同时展出记录其行为作品的视频。韩友衡出生于法国，曾在 Surim Cube 和朝鲜画廊举办个展，并参加了首尔国立现代美术馆、首尔 Mullae 艺术空间、法国蓬皮杜中心、巴黎19区艺术无国界空间和 Espace Pierre Cardin 等机构的多个群展。他还曾在国立现代美术馆高阳艺术工作室、清州艺术工作室、巴黎 La Générale Nord-Est 和巴黎国际艺术博物馆担任驻地艺术家。2019年，韩友衡入选首尔文化艺术基金会的"首次艺术支持"项目，并于2016年和2017年参加了巴黎白夜艺术节。

Finally, the work of Yohan HAN (b. 1983, Korea), an artist who deals with the theme of 'performance,' which is also the subject of this year's inaugural Frieze Live program, will be featured. HAN has been conducting various formal experiments with a focus on the relationship and communication between performance, sculptural works, and media. At the ARARIO GALLERY booth, his "Drum" series, which combines the traditional Korean drum-making technique of 'drum filling' with the shaped canvas format, as well as video works documenting his performance pieces, will be displayed. Born in France, HAN has held solo exhibitions at Surim Cube and Gallery Chosun and participated in numerous group exhibitions at the National Museum of Modern and Contemporary Art in Seoul, Seoul Art Space Mullae, Centre Pompidou in France, Espace des arts sans frontières, and Espace Pierre Cardin. He has also been an artist-in-residence at the National Museum of Modern and Contemporary Art Goyang Art Studio, Cheongju Art Studio, La Générale Nord-Est in Paris, and Cité Internationale des arts in Paris. HAN was selected for the Seoul Foundation for Arts and Culture's 'First Art Support' in 2019 and participated in La Nuit Blanche in Paris in 2016 and 2017.

此外，画廊还将展出多位国际艺术家的近期作品，包括苏伯德·古普塔（Subodh GUPTA，1964年生于印度），他将在首尔弗里兹艺博会开幕期间于阿拉里奥画廊首尔空间举办个展；名和晃平（Kohei NAWA，1975年生于日本）；布恩·卡路拜恩（Buen CALUBAYAN，1980年生于菲律宾）；以及吉塞拉·麦克丹尼尔（Gisela McDaniel，1995年生于美国）。

通过2024年首尔弗里兹艺术博览会，阿拉里奥画廊旨在呈现涵盖当代艺术多元流派的精选作品，为国内外观众揭示当代艺术的多重魅力。

In addition, the gallery will present recent works by international artists such as Subodh GUPTA (b. 1964, India), who has a solo exhibition scheduled at ARARIO GALLERY SEOUL to coincide with the opening of Frieze Seoul; Kohei NAWA (b. 1975, Japan); Buen CALUBAYAN (b. 1980, Philippines); and Gisela McDaniel (b. 1995, USA).

Through Frieze Seoul 2024, ARARIO GALLERY aims to present works that encompass various currents of contemporary art, offering domestic and international audiences the diverse allure of contemporary art.

当前展出 | Current Exhibitions

阿拉里奥画廊·天安 ARARIO GALLERY CHEONAN

关于画廊 | ABOUT US

阿拉里奥画廊自1989年创立至今，分别于韩国天安、首尔和上海拥有其支点画廊。在过去的三十年间，阿拉里奥画廊始终致力于关注与推广亚洲与国际艺术家，丰富其艺术家名单，并长期培养支持年轻艺术家。其代理的五十余位艺术家来自韩、日、中、印和东南亚地区各国，涵盖自20世纪70年代至今的实验艺术先锋，创作门类包括视觉艺术、绘画、雕塑、影像以及装置等众多艺术类别，突出展现亚洲地区令人瞩目的社会历史文化。
自2005年入驻北京798艺术区起，阿拉里奥通过展示亚洲地区极具代表性的优秀艺术家，迅速成为中国当代艺术发展的重要枢纽。2014年8月，上海徐家汇衡山坊馆正式开馆，2017年7月迁址上海西岸，与来自中国和海外的艺术家一道为中国艺术舞台的多元性注入活力，继续作为中国当代艺术的先驱力量而存在。
2022年，由日本艺术家名和晃平及其SANDWICH工作室倾力打造的上海新空间落址西岸国际传媒港，集当代先锋艺术、国际限量艺术衍生品、收藏级家具设计、潮流时装快闪与精品咖啡品牌为一体，致力于打造一个当代都市长效生活方式的策展式艺术商业复合空间。

▼  点击“阅读原文”至画廊官网，了解更多展览资讯