首尔正在展出｜韩日艺术家群展《视角着陆》｜展期至2月17日

阿拉里奥首尔欣然宣布将于2024年1月10日至2月17日呈现群展《视角着陆》，展出姜哲圭、具知润、安智山、三枝由季等13位韩、日艺术家之作品。

ARARIO GALLERY SEOUL will present a group exhibition of 13 contemporary painters entitled Landing Point from 10 January to 17 February 2024. The exhibition will open to the public from 11am on January 10. We warmly invite you to the opening reception of our exhibition, which will start at 5pm on January 10.

我们的目光应当投向何方？手中应握持何物？如何记录？又应于何种画面上着陆？绘画是连续性的，是一个过程，其间涉及不断调整自我与世界之间的关系；也挑战着将从可见与不可见元素之总体中提取出的感觉转化为材料的有形属性。画面最终成为一个停顿之处。在那里，停留着画家的流逝。

Where to look, what to hold in hand, how to depict, and upon which picture plane to land. Painting is an ongoing process of tuning the relationship between the world and oneself. It involves the challenge of transforming sensations, plucked from the entirety of both visible and invisible elements, into the tangible properties of materials. Each picture plane ultimately becomes a place of pause. There, the painter's passing present lingers.

绘画的幻象，经由艺术家的身体进入画布，每一刻都化为一个新的实体。现实的阴影变为雾，曾经微小的笔触涅槃为耀眼的光。绘画以其独特的时间与空间魅力吸引着观者。因此，画布成为了一个独立的场域，在画家和观众目光的每一个交汇时刻，不断地在当下重生。在这仅存于此时此刻的降落点，我们于短暂的停顿中评估下一个跳跃的方向。

The painterly apparition, having made its way onto the canvas through the artist's body, metamorphoses into a new entity with each passing moment. Shadows of reality morph into mist, and the once trivial brushstrokes are reborn as radiant light. The art of painting captivates the viewer, holding them in its unique temporal and spatial embrace. Thus, the canvas becomes a place of its own. With every intersection of the painter's and the viewer's gazes, the present is continuously reborn. At this landing point here and now, in the midst of a momentary pause to gauge the direction of the next leap.

艺术家的目光不断投向未知的真理；艺术史的长河中，这种追寻永无止境，没有预定的终点。画面作为一个暂时的停顿，成为每个人在这条永恒道路上的标记。这些标记，既记录着过去的轨迹，也确保着我们不会再重蹈覆辙。现在，从这个着陆点出发，我们评估着下一次飞行的方向——我们将如何漂流？将踏向何处？向何方划动船桨？开辟新道路的动力，始终源于此刻的画面。

The eyes of the artists continuously search for the unknown truth; in the course of the history of art, that continues endlessly without a predetermined destination. The picture plane, as a temporary pause, becomes each person's marker planted along this eternal path. They are records of past trajectories and markers to ensure we do not retread the same path. Now, from this landing point, we gauge the direction of another takeoff. How shall we drift? Upon what shall we step, and towards where shall we row? The driving force behind pioneering a new route is always the picture planes of now.

展览现场 INSTALLATION VIEW

阿拉里奥画廊·首尔 ARARIO GALLERY SEOUL

正在展出 | Current Exhibitions

阿拉里奥画廊·天安 ARARIO GALLERY CHEONAN

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阿拉里奥画廊自1989年创立至今，分别于韩国天安、首尔和上海拥有其支点画廊。在过去的三十年间，阿拉里奥画廊始终致力于关注与推广亚洲与国际艺术家，丰富其艺术家名单，并长期培养支持年轻艺术家。其代理的五十余位艺术家来自韩、日、中、印和东南亚地区各国，涵盖自20世纪70年代至今的实验艺术先锋，创作门类包括视觉艺术、绘画、雕塑、影像以及装置等众多艺术类别，突出展现亚洲地区令人瞩目的社会历史文化。

自2005年入驻北京798艺术区起，阿拉里奥通过展示亚洲地区极具代表性的优秀艺术家，迅速成为中国当代艺术发展的重要枢纽。2014年8月，上海徐家汇衡山坊馆正式开馆，2017年7月迁址上海西岸，与来自中国和海外的艺术家一道为中国艺术舞台的多元性注入活力，继续作为中国当代艺术的先驱力量而存在。

2022年，由日本艺术家名和晃平及其SANDWICH工作室倾力打造的上海新空间落址西岸国际传媒港，集当代先锋艺术、国际限量艺术衍生品、收藏级家具设计、潮流时装快闪与精品咖啡品牌为一体，致力于打造一个当代都市长效生活方式的策展式艺术商业复合空间。

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