阿拉里奥首尔｜三枝由季个展「不存在于任何一处」｜展期至8月17日

阿拉里奥首尔于2024年7月10日（周三）至8月17日（周六）呈现日本艺术家三枝由季（1987年生）在韩的首次个展《不存在于任何一处》。

三枝由季是一位以油画和蛋彩画系列作品而闻名的艺术家，并在创作中大胆探索各种材料和媒介。三枝由季的作品呈现了经由复杂的个人记忆和视角而重构的理念世界的风景。她从传统的日本风景画和北欧佛兰德斯画派中汲取灵感，尝试融合东西方的绘画风格：以家乡安昙野市（Azumino City）的风景为基础，通过在单一画面中融入多个视角，既具备传统东亚风景画的构图，也让人想起佛兰德斯画派的细致笔法和神秘的叙事结构。

此次展览将于阿拉里奥首尔三、四楼空间呈现，共计34件作品，包括30幅绘画与4件屏风作品，邀请观众感受三枝由季特有的细腻笔触。

ARARIO GALLERY SEOUL presents the first solo exhibition in Korea of Yuki SAEGUSA (b. 1987, Japan), entitled Not Even on Ship, from July 10 (Wed) to August 17 (Sat), 2024. Yuki SAEGUSA is an artist known for her series of paintings that primarily use oil and tempera, experimenting with a variety of materials and media. SAEGUSA’s works present landscapes of an ideational world, consciously reconstructed through complex personal memories and perspectives. SAEGUSA draws inspiration from traditional Japanese landscape painting and Northern European Flemish painting. This is part of an attempt to blend both Eastern and Western painting styles. Her landscapes, based on the scenery of her hometown, Azumino City (安曇野市), evoke the composition of traditional East Asian landscape paintings by incorporating multiple viewpoints in a single frame, while also recalling the detailed depiction and mystical narrative structure of Flemish paintings. The current exhibition at ARARIO GALLERY SEOUL, spanning the 3rd and 4th floors, features 34 works, including 30 paintings and 4 folding screens, highlighting SAEGUSA’s characteristic delicate brushwork.

展览现场，2024，阿拉里奥画廊首尔空间

三枝由季画作中的场景源自关于“存在于某人脑海中但并不存在于现实的地方”的思考。每一个精心描绘的场景都矛盾地揭示了个人日常经历、主观记忆和想象的不确定性与模糊性。在细致入微的风景中，可以看到来自另一个世界的小动物，它们以卡通形式出现，是艺术家和观众的投射。三枝由季还使用她亲自收集的纸板和屏风作为画作的支撑材料，她将其描述为“曾被使用但注定被丢弃的物品”，并视这些材料上的褶皱和污渍为“材料的记忆（素材の記憶）”。通过在其上作画，她将每种材料的独特记忆与自己的思考和姿态相融合，创造出一个“无所在之地”的独特场景。

The scenes on Yuki SAEGUSA’s canvases stem from thoughts about "a place that exists in someone's mind but nowhere in reality." Each meticulously depicted scene paradoxically reveals the uncertainties and ambiguities of personal daily experiences, subjective memories, and imagination. In the finely detailed landscapes, small animals with cartoonish forms from another world which represent projections of the artist and the audience are seen. SAEGUSA also uses cardboard and folding screens she has personally collected as supports for her paintings, which she describes as "objects that were once used and destined to be discarded". She views the wrinkles and stains on these surfaces as the "memories of the materials (素材の記憶)". By painting on them, she merges the unique memories of each material with her own thoughts and gestures, creating a unique scene that is “a place where there is no place."

展览现场，2024，阿拉里奥画廊首尔空间

作品“重力之月”（2023）使用日本颜料绘制于一幅旧式金色折叠屏风上，探索了重力与时间的关系。围绕折叠屏风的墙上，是12幅来自“黑洞太阳”系列（2023-2024）的画作，象征着年、月、日，布置得仿佛环绕折叠屏风公转。陈旧的折屏与小“黑洞”的引力的相互作用，在一个空间内自然交织。

Gravity Moon (2023), painted with Japanese pigments on an old golden folding screen, explores the relationship between gravity and time. Surrounding the folding screen on the wall are 12 paintings from the series Black Hole Sun (2023-2024), symbolizing the year, month, and day, arranged as if orbiting the screen. The interplay between the time-worn folding screen and the gravitational pull of the small 'black holes' organically intertwines within a single space. 

重力之月 Gravity Moon

2023

金色折屏上日本墨水、钢笔 Japanese ink, pen on golden folding screen

174 x 174 cm

ⓒ阿拉里奥画廊及艺术家

作品“不存在于任何一处”（2023）与展览同名，其中心停泊的金色船只，作为一个象征性图标，隐喻了绘画无限的可能性，像一场无尽的航行。这其中蕴含着材料作为支撑物重生的概念，而并不局限于它们原本的用途。没有固定目的地，也没有特定路线可循，三枝由季的画布变成了一个可无尽探索的未知世界。

The golden ship anchored in the center of the painting Not Even on Ship (2023), which shares the same title as the exhibition, is an icon that metaphorically represents the infinite possibilities of painting, continuing like an endless voyage. This encompasses the idea of materials reborn as supports, not confined to their given usage. With no fixed destination and no specific route to follow, SAEGUSA’s canvas becomes an endlessly explorable unknown world.

展览现场，2024，阿拉里奥画廊首尔空间

展览现场 

INSTALLATION VIEW

展览现场，2024，阿拉里奥画廊首尔空间

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关于画廊 | ABOUT US

阿拉里奥画廊自1989年创立至今，分别于韩国天安、首尔和上海拥有其支点画廊。在过去的三十年间，阿拉里奥画廊始终致力于关注与推广亚洲与国际艺术家，丰富其艺术家名单，并长期培养支持年轻艺术家。其代理的五十余位艺术家来自韩、日、中、印和东南亚地区各国，涵盖自20世纪70年代至今的实验艺术先锋，创作门类包括视觉艺术、绘画、雕塑、影像以及装置等众多艺术类别，突出展现亚洲地区令人瞩目的社会历史文化。
自2005年入驻北京798艺术区起，阿拉里奥通过展示亚洲地区极具代表性的优秀艺术家，迅速成为中国当代艺术发展的重要枢纽。2014年8月，上海徐家汇衡山坊馆正式开馆，2017年7月迁址上海西岸，与来自中国和海外的艺术家一道为中国艺术舞台的多元性注入活力，继续作为中国当代艺术的先驱力量而存在。
2022年，由日本艺术家名和晃平及其SANDWICH工作室倾力打造的上海新空间落址西岸国际传媒港，集当代先锋艺术、国际限量艺术衍生品、收藏级家具设计、潮流时装快闪与精品咖啡品牌为一体，致力于打造一个当代都市长效生活方式的策展式艺术商业复合空间。

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