展览｜ Exhibition
夫智铉
《家园》
BOO Jihyun
<The Home>
展期｜Duration
2024年10月30日（周三） - 12月14日（周六）
地点 | VENUE
阿拉里奥画廊·首尔
ARARIO GALLERY SEOUL, 4F
阿拉里奥首尔于 2024 年 10 月 30 日（周三）至 12 月 14 日（周六），呈现艺术家夫智铉（BOO Jihyun，1979年生）个展《家园》（The Home）。本次展览将在画廊的四楼空间，展出艺术家特别为此构思和创作的同名大型装置作品。夫智铉试图在视觉上实现一个体现 “万物起源，一切存在的发源地 ”的观念场所，这个空间包含了生命之源、最终的休憩之地和目的地等含义。大型装置作品《家园》由废弃渔灯、金属结构和镜子这些艺术家一贯使用的媒介构成，它捕捉并反射光的轨迹，营造出一种神秘景观。光与暗、形式与空间，达致一种陌生而又舒适的平衡，由此引发人们对日常时空的全新的感官体验。
ARARIO GALLERY SEOUL hosts BOO Jihyun’s (b. 1979) solo exhibition, The Home, from 30 October 2024 (Wed) to 14 December 14 2024 (Sat). The artist will present a large-scale installation of the same name, conceived and created specifically for this exhibition, in the gallery's fourth-floor space. BOO seeks to visually realize a conceptual place that embodies the meaning of “the origin of all things, the birthplace of all existence”. This is a space that encompasses meanings such as the source of life, the ultimate place of rest, and a destination to be reached. The large-scale installation work, The Home, is created by combining discarded fishing lamps, metal structures, and mirrors, which are materials she has consistently used in her work. The work captures and reflects the movement of light, creating a mystical landscape within the space. Light and darkness, form and void, strike an unfamiliar yet comforting balance, prompting a fresh sensory experience of everyday space and time.
展览现场，2024，阿拉里奥画廊首尔空间
运动的概念是夫智铉作品的核心主题。以光线、空间和时间的运动，可以呈现出在不同地点间运动的体验。展厅入口处的大型椭圆形镜子将作品所处空间与外部世界连接起来，打破了内部和外部的界限，并让观者得以体验空间的扩展和与其他地方的联系。由金属元件组合而成的大型结构让人联想到宇宙飞船的引擎，它不是一个静态的物体，而是在时间和空间中动态变化的象征形式。由外到内，闪烁的灯光像信号一样持续不断，暗示着前往下一个星球的旅程。废弃渔灯聚集在结构的中心，这些物体源自艺术家在济州岛的童年记忆，也是她艺术世界的核心。当渔灯中的蓝光亮起的那一刻，周围的空间就像大海一样弥漫开来，营造出一种梦幻般的氛围，也抚慰并治愈了人们对找回被遗忘的故乡和失去的避难所的渴望。
The concept of movement is a central theme in BOO’s work. The experience of moving between places is expressed through the movement of light, space, and time. The large oval mirror which fills the entrance of the exhibition hall, connects the space where the work is installed to the world beyond, breaking down the boundaries between inside and outside. This allows viewers to experience an expansion of space and a connection to other places. The large structure, made of combined metal pieces, evokes the engine of a spaceship, functioning not as a static object but as a symbolic form dynamically changing within time and space. From the outside to the inside, the flickering lights continue like signals, suggesting a journey to the next planet. Discarded fishing lamps are gathered at the centre of the structure, which are objects rooted in the artist’s childhood memories from Jeju and central to her artistic world. The moment the blue light in the fishing lamps turns on, the surrounding space becomes suffused like the ocean, creating a dreamlike atmosphere. It is a light that heals and consoles the longing to reclaim a forgotten homeland and a lost refuge.
家园 The Home
2024
废弃渔灯、棱镜、滤光器、不锈钢、铝、铁板、LED
Discarded fishing lamp, prism, optical filter, stainless steel, aluminium, iron plate, LED
尺寸可变 Dimensions variable
ⓒ阿拉里奥画廊及艺术家
展览现场，2024，阿拉里奥画廊首尔空间
光信号水平地穿过金属体，穿过废弃渔灯的领域，最终到达安装在结构最远处的棱镜。触及小棱镜透镜的光线投射到墙上，形成月亮、太阳和未知宇宙的形状。光影交错的图案让人联想到星际间的互动和宇宙的周期运动，同时也暗指着诞生和消亡的原理。通过棱镜，散射的光线扩展成各种颜色和形态。灯光开启和关闭的模式直观地表达了时间的流动，超越了简单的地点概念，反映了在不同地点之间移动时所体验到的感觉，以及在此过程中形成的记忆和情感联系。通过沉浸于这件作品，观者可以再次思考自己的身份和记忆，思考自己从哪里来，要到哪里去，以及如何理解自己在这段旅程中的存在。
The horizontal signals of light, travelling across the metallic body, pass through the domain of the discarded fishing lamps and eventually reach the prism installed at the farthest point of the structure. Light reaching the small prism lenses is projected onto the walls, forming shapes reminiscent of the moon, the sun, and the unknown cosmos. The intersecting patterns of light and shadow evoke interplanetary interactions and the cyclical movements of the universe, while also alluding to the principles of birth and extinction. The light scattered through the prism expands into various colours and forms. The patterns of lights turning on and off visually express the flow of time, transcending the simple concept of place to reflect the sensations experienced when moving between places and the memories and emotional connections formed during that process. Through this work, viewers are prompted to reflect on their identity and memories, contemplating where they come from, where they are headed, and how they understand their existence in that journey.
展览现场，2024，阿拉里奥画廊首尔空间
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当前展出 | Current Exhibitions
阿拉里奥画廊·首尔 ARARIO GALLERY SEOUL
关于画廊 | ABOUT US
阿拉里奥画廊自1989年创立至今，分别于韩国天安、首尔和上海拥有其支点画廊。在过去的三十年间，阿拉里奥画廊始终致力于关注与推广亚洲与国际艺术家，丰富其艺术家名单，并长期培养支持年轻艺术家。其代理的五十余位艺术家来自韩、日、中、印和东南亚地区各国，涵盖自20世纪70年代至今的实验艺术先锋，创作门类包括视觉艺术、绘画、雕塑、影像以及装置等众多艺术类别，突出展现亚洲地区令人瞩目的社会历史文化。
自2005年入驻北京798艺术区起，阿拉里奥通过展示亚洲地区极具代表性的优秀艺术家，迅速成为中国当代艺术发展的重要枢纽。2014年8月，上海徐家汇衡山坊馆正式开馆，2017年7月迁址上海西岸，与来自中国和海外的艺术家一道为中国艺术舞台的多元性注入活力，继续作为中国当代艺术的先驱力量而存在。
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