年 份：2024
Year：2024
地 区：意大利 圣乔瓦尼-泰阿蒂诺 基耶蒂
Location : San Giovanni Teatino, (Chieti), Italy
客 户 ：Archdiocese of Chieti-Vasto
Client：Archdiocese of Chieti-Vasto
建筑项目：Mario Botta Architetti, Mendrisio
Architectural project: Mario Botta Architetti, Mendrisio
照明项目：Mario Botta Architetti, Mendrisio
Lighting project：Mario Botta Architetti, Mendrisio
摄 影：Fabio di Carlo
Photographer：Fabio di Carlo
产 品：Palco InOut、Laser、Woody等
Products：Palco InOut、Laser、Woody etc.
The San Rocco Complex in Sambuceto is a project that began in 2006, but its origins go back much further, as the growth of the San Rocco community since the post-war period has been unstoppable and is still booming today.
白天，自然光通过改变光影之间的运动和关系，在大厅内营造出明亮的氛围。而在晚上，由于建筑的原因，照明的处理方式非常不同。
In daytime, natural light creates a luminous atmosphere inside the hall by altering the movement and relationship between light and shadow. While at night, the lighting is handled very differently due to the architecture.
覆盖着吸音玻璃纤维板的浇注混凝土墙对布线系统的安装构成了直接问题。博塔还设计了整个祭坛区域，由舞台布景中使用的金属桁架照亮，以将照明设备提升到舞台上方。
The cast-concrete walls covered in sound-absorbing fibreglass panels posed an immediate problem for the installation of the wiring system. Botta had also designed the entire altar area to be lit by the kind of metal trusses that are used in stage sets to raise the lighting equipment above the stage.
因此，采用了一种定制的Palco inOut射灯（ø153mm）的解决方案，该射灯配备了窄光聚光和中宽光配光以及防眩光屏幕。
A solution was therefore adopted with a custom Palco inOut floodlight (ø153mm) fitted with spot and medium optics and anti-glare screens.
每个金属结构上使用了12个。之所以决定在内部使用户外灯具，是因为它提供了建筑相当高所需的更宽的功率和光学范围。灯具的耦合系统也更容易适应金属桁架。最终的解决方案是在桁架内铺设两条轨道，并在金属部件上钻孔，以便泛光灯电源线穿过。
Twelve of them were used on each metal structure. The decision to use an outdoor luminaire internally was taken because it offers a wider power and optic range required by the building’s considerable height. The luminaire’s coupling system was also easier to adapt to the metal trusses. The final solution involved running two tracks inside the trusses and drilling holes in the metal parts for the floodlight power lines to pass through.
其中一条轨道上有一条UPS线路，可以保证应急照明。这是为了在祭坛区域和紧急出口周围的照明水平之间达到平衡。如果没有这种平衡，祭坛周围的区域将比出口区域有更高的照明水平，这可能会在紧急情况下造成混乱。在定义了这些照明水平后，整个复杂的照明方案现在由Quick BLE无线控制系统管理。选择无线技术是因为很难将有线控制系统所需的5针电缆穿过轨道和孔。
One of the tracks houses a UPS line which guarantees emergency lighting. This is designed to offer a balance between the lighting levels around the altar area and those around the emergency exits. Without this balance, the area around the altar would have much higher lighting levels than the exit areas, which could cause confusion in an emergency. Having defined these lighting levels, the entire complex lighting scheme is now managed by a Quick BLE wireless control system. Wireless technology was chosen as it was difficult to pass the 5-pin cables required for a wired control system through the tracks and holes.
主厅再次被Palco泛光灯照亮，但在这种情况下，室内版本安装在直接固定在墙上的轨道上。这里使用了泛光以及点和介质光学。
The main hall is lit once again by Palco floodlights, but in this case, the indoor version, installed on tracks fixed directly on the wall. Flood as well as spot and medium optics have been used here.
在祭坛区域，为了增加重点照明，Palco射灯安装在带有42°光学元件的悬吊轨道上。这些还配有配件，如圆柱形屏幕和软透镜，因为我们想在不使光线过于锐利或明亮的情况下区分光线。这软化了效果，以确保这些触摸不会过度。宽光配光采用建筑师选择的特定亚光颜色。
In the altar area, to add touches of accent lighting, Palco floodlights were installed on a pendant track with 42° optics. These are also fitted with accessories, like a cylindrical screen and soft lens, because we wanted to differentiate the light without making it too sharp or bright. This softened the effect, to ensure these touches are not excessive. The floodlights were supplied in a specific matt colour, chosen by the architect.
在以洗礼字体为特色的入口区域，假天花板上安装了激光嵌入式灯具。朝圣者大厅位于主大厅的东侧，由可移动的半透明面板隔开，因此这两个区域之间永远不会有净的视觉分隔。它没有后堂，也很高：7.10米。在这里，白天，由于天花板上的圆形开口，光线以相当直接的方式从上方倾泻而下。晚上，激光嵌入式灯具也会产生同样的效果。这些灯具也用于教堂和大厅之间的过渡区。
In the entrance area that features the Baptismal Font, Laser recessed luminaires were fitted in the false ceiling. The Pilgrim's Hall is an area located on the east side of the main hall and is separated by mobile semi-transparent panels, so there is never a net visual separation between the two areas. It has no apses and is also very high: 7.10 m. Here, during the day, light pours down from above in a fairly direct manner thanks to circular openings in the ceiling. In the evening, the same effect is created by Laser recessed luminaires. These luminaires are also used in the transition zone between the church and the hall.
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