iGuzzini | 径山万寿禅寺 The Jingshan Temple
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2024-09-02 17:11
上海
Jiangsu Bosen Architectural Design Co., Ltd
Zhejiang Wenbo Ancient Architecture Design Co., Ltd
摄 影:Flatmind
Photographer:Flatmind
产 品:Palco (低压, 常压)、 Laser Blade (L and XS)、Pixel Pro等
Products:Palco (LV, MV)、 Laser Blade (L and XS)、Pixel Pro.etc.
径山万寿禅寺始建于唐朝(618-907)天宝年间(742-756),已有1200多年的历史,被认为是禅宗和茶道诞生的最古老的场所之一。该寺于2011年被列入《国家非物质文化遗产保护名录》,2022年被列入联合国教科文组织《非物质文化财产名录》。The Jingshan Temple, founded during the Tianbao period (742-756) of the Tang Dynasty (618-907) has a history of over 1,200 years and is considered one of the oldest sites where Chan Buddhism (Zen in Japanese) and tea ceremony were born. The temple was inscribed on the National Intangible Cultural Heritage Preservation List in 2011 and the UNESCO Intangible Cultural Heritage List in 2022.2016年,中央大厅和庭院开始了大规模的修复和重建工作,同时对建筑的立面、景观和室内照明进行了升级。In 2016, major restoration and reconstruction work began on the central hall and courtyards, while the building's façade, landscape and interior lighting were upgraded.寺庙室内只使用了iGuzzini的灯具,主要是在凌霄塔,那里有三尊佛像(Trikala Buddha),由Palco射灯照亮;在观音庙,中心有一尊非常大的“观音千臂”木制雕像,也由Palco照亮,还有观音(慈悲之神)祭坛区,那里聚集了她的所有代表。iGuzzini luminaires were used exclusively in the interiors, mainly in the Lingxiao Tower, where there are three wooden statues of Buddha (Trikala Buddhas) illuminated by Palco floodlights; in the Kwan-yin temple, where there is a very large wooden statue of ‘Kwan - yin with a thousand arms’ in the centre, also illuminated by Palco, and also the Kwan - yin ( (the deity of Compassion) altar area where are together, all her representations.iGuzzini灯光改造的一部分涉及凌霄塔(2F)的一个区域,该区域通常不对游客开放。在这个全木大厅的中心是一个会幕,里面有三尊佛像,由嵌入式Laser Blade L照亮,周围还有许多其他木制雕塑“观音千臂”,由轨道上的泛光灯Palco MV照亮。大厅所达到的效果是几层照明,突出了空间的三维性。Part of the iGuzzini intervention concerned an area of the Lingxiao Tower (2F) that is not usually open to visitors. In the centre of this all-wood hall is a tabernacle housing three statues of Buddha illuminated by recessed Laser Blade L, surrounded by many other wooden sculptures of “Kwan - yin with a thousand arms” lit by floodlights Palco MV on tracks. The effect achieved in the hall is that of several layers of lighting that accentuate the three-dimensionality of the space.灯光设计以禅宗茶文化和东方美学相关概念为指导。该设计坚持“虚无、空虚和真理”的概念,创造了一种旨在传达“温暖、平静、内省和简单”的光。The lighting design was guided by concepts related to the Zen culture of tea and oriental aesthetics. The design adheres to the concepts of ‘nothingness, emptiness and truth’, creating a light that is intended to convey ‘warmth, calm, introspection and simplicity’. 照明设计基于寺庙的整体功能布局,分为:1.“佛光”,涉及寺庙大厅的中轴线,为其创造了三种不同的照明场景:一种用于信徒祈祷和烧香以获得祝福,一种用于仪式,一种专门用于礼拜;2.“禅意照明”,影响用于冥想、抄经、品茶、书法和绘画的侧室。该区域创建了两个照明场景。 3.为主要用于接待、交流和日常需求的外围建筑设计的“交流和生活”;在这些区域中,创建了基于漫反射照明的单个照明场景。The lighting design was based on the overall functional layout of the temple, divided into: 1.‘Buddha Light’, which concerns the central axis of the temple hall for which three different lighting scenarios were created: one dedicated to the worshipers praying and offering incense to obtain blessings, one for ceremonies and one specifically for pujas; 2.‘Zen illumination’, which affects the side rooms used for meditation, sutra copying, tea tasting, calligraphy and painting. Two lighting scenarios have been created in this area. 3. ‘Communication and Living’ designed for the peripheral buildings intended mainly for reception, communication, and daily needs; in these areas a single lighting scenario based on diffuse lighting was created.iGuzzini灯具能够强调制作雕塑的材料——木材,并强调其工艺的精致。The iGuzzini luminaires were able to emphasise the material from which the sculptures are made, wood, and also to emphasise the refinement of its workmanship.一般来说,使用的照明色温为2700K和3000K,并且看到不同类型的空间,使用了不同类型的配光:窄光、宽光和超宽光。例如,我们可以考虑用于佛像面部的照明方案;在使用宽光配光的泛光灯之前,我们添加了一些窄光配光以避免阴影。In general, the lighting colour temperature used is 2700K and 3000K, and seen the different kind of spaces, were used different kind of optics: Spot, Medium and Flood. We can consider for example the lighting scheme used for the faces of Buddha sculptures; before flood light was used, but then we add some spotlight to avoid shadows.其他重要特征是,由于尺寸小和特殊的棕色饰面,这些产品能够融入古代建筑的美学。Other important characteristic, thanks to their small size and special brown finish, the products were able to blend in with the aesthetics of the ancient architecture.
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