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© Nick Kane
由Henley Halebrown打造的泰晤士基督教学校及巴特西教堂位于伦敦南部，彰显出事务所对建筑持续探索的兴趣。项目不仅打造出互动的小空间，又以一个同心焦点空间吸引人们进出。这种空间可以是庭院或中央大厅，如同在泰晤士基督教学校中消除了对走廊的需求。
© Nick Kane
项目邻近Clapham Junction火车站，将巴特西教堂和泰晤士基督教学校（一所男女同校的独立中学）聚为一体。
© David Grandorge
6层高的新建筑为教堂提供了一个新的社区大厅和圣所，面积达5000平方米。学校能够容纳的学生人数也扩大到400人，其中有特殊教育需求的学生接近半数。位于市中心Winstanley & York Road Estate也随之焕新。
© Nick Kane
教堂和学校共同矗立于一个直线型的两层基座，赋予了一种公共建筑的庄严感。教堂内的会众聚集在大厅和圣所中，两个空间的组合可用于洗礼和其他大型活动。同时，学校大厅能够用于表演、餐饮、体育和集会，并与社区共享开展课外活动。Henley Halebrown将此视为构想人们相聚方式的空间、民主化和创建结构层次的空间，以及可以聚集或分散的空间。
© David Grandorge
环绕在铁路轨道和住宅街区中，11层高的点式街区和5层的露台俯瞰着项目。在这样的环境背景下，建筑为学生创造了一个庇护所，教室被抬升至四层高，呈S形分布。上层的建筑围绕着东西向的露天庭院布局，成为校内及周围城市生活的缩影。廊道动线被融合其中，为教室遮阳并提供了自然光线和通风。由此创造出的舒适的学习环境，无需依赖机械降温系统。专业教学空间与普通教室交错分布，让学生能够触及多样化的课程。
© David Grandorge
这些露天空间也发挥了Henley Halebrown作品中不断出现的阈限主题。通过以这种方式拥抱元素，室内外空间的界限被打破。这为原本可能仅为简单屏障的墙壁注入了生活气息。通过将建筑视为周围城市环境的延伸而非孤立的物体，进一步从实体和文化层面将建筑与所在环境联系起来。这在很大程度上是一种以直观的方式体验建筑的方式，正如建筑师所言，创造“建筑内的景观”，让公共和私人空间能够互动。
© Nick Kane
在泰晤士基督教学校和巴特西教堂，建筑的陌生规模、形式和立面构成呈现出一种公众感，在社区中产生了一种广受青睐的地标效应，并将学校和会众的文化映射在建筑中。同时，奶油色砖砌体和灰色预制件，从材质及色调上与周围街道的中性色相协调，彰显出建筑既独立又属于周围的环境。
© Nick Kane
泰晤士基督教学校校长斯蒂芬·霍尔斯格罗夫表示：“通过外部走道进入的创意S形布局，让上层所有空间互相连接，发扬了学校温馨的关系之核，这在远离走廊的教室分布中是不可能的。学生们喜欢空中的多层庭院及渴求的户外休闲空间。这座建筑给人的视觉体积更大，模糊了其位于市中心的占地规模。艺术、戏剧、音乐、设计、计算机和科学等专业领域与普通教室相得益彰，图书馆、学习中心和公共休息室为学生提供了静思空间。
© Nick Kane
S形布局还弱化了外部尤其是Clapham Junction火车的噪音，在车站最繁忙的情况下降低了15dB，实现了55dbB的室外噪音水平，使教室能够自然通风，并显著减少了主动冷却措施带来的碳排放和运行碳排放。
© Henley Halebrown
Simon Henley表示， “除了自然通风，我们针对该项目的环境策略还采用了织物优先的遮阳和防高温方法：宽敞的外部走廊通道为朝南、朝西和朝东的教室遮阳。在最近记录的夏季高温期间，学校报告显示所有教室都能够被舒适地使用，没有出现过热的情况。”
© Nick Kane
此外，将动线系统外部化的决定提高了建筑物的净总面积，有效地减少了内部的调节空间及所需的内部分区数量。这些措施等，使项目荣获了BREEAM卓越认证。
© David Grandorge
重要的是，泰晤士基督教学校和巴特西教堂项目的设计方式挑战了将建筑的使用者与外界隔离的高度工程化的密闭环境。在这里，Henley Halebrown通过具有露天循环和自然通风的渗透式设计实现了与自然大气条件的接近，让学生和教职员工能够感知到天气、时间和季节的变化。这鼓励了对气候敏感的行为，并且对心理健康和幸福感也有积极作用，使居住者能够舒适地融入周围环境。
© Nick Kane
© Henley Halebrown
The Thames Christian School and Battersea Chapel project in South London underscores Henley Halebrown's continued interest in exploring buildings that create both small spaces for people to interact and a concentric focal space to which we can gravitate intuitively and, by implication, recede from. This type of space can be a courtyard or a central hall as at Thames Christian School where it has also helped to eliminate the need for corridors.
Sited next to Clapham Junction railway station the project brings together the Battersea Chapel Baptist Church and Thames Christian School, an independent coeducational secondary school, under one roof.
© Nick Kane
© Henley Halebrown
The new 6-storey 5,000㎡ building provides the church with a new community hall and sanctuary, and allows the school to expand to 400 pupils, of which nearly half are on the special educational needs register, whilst enabling the regeneration of the inner city Winstanley & York Road Estate.
© Henley Halebrown
The chapel and school share a rectilinear, two-storey plinth that gives the project the gravitas of a public building. Within, the chapel's congregation gather in the hall and sanctuary that can be combined into a larger space for baptisms and other big events. Meanwhile the school hall facilitates performance, dining, physical education and assembly, and is shared with the community for events outside of school hours. For Henley Halebrown this is about making spaces that configure the way people gather; spaces that can democratise and create hierarchies and spaces that can atomise or unite us.
© Henley Halebrown
© Henley Halebrown
The project is bound by railway tracks and residential streets overlooked by 11-storey point blocks and 5-storey terraces. In this context, the building creates a sanctuary for its pupils, with classrooms elevated above ground in a four-storey S-shaped plan. These upper floors are planned around east and west-facing open-air courtyards that become worlds in microcosm, negotiating between the inner life of the school and that of the surrounding city. They incorporate gallery circulation that shades classrooms allowing them to be day-lit and naturally ventilated, creating a comfortable learning environment without relying on mechanical cooling. Specialist teaching spaces are dispersed among general classrooms, bringing students into contact with the school's diverse curriculum.
© Stale Eriksen
These open-air spaces also play on the recurring theme of liminality that continues to inform Henley Halebrown's work. By embracing the elements in this way, the boundary between the inside and outside is broken. This literally breathes life into what might otherwise be a simple barrier, making the wall feel like an inhabited space that further contextualises the built fabric with its environment both practically and culturally as well by treating buildings not as isolated objects but instead as urban extensions of their surroundings. This is very much about experiencing architecture in a visceral way and, as the architects say, about creating "landscapes inside buildings" where their public and private realms continuously interplay with one another.
© Stale Eriksen
At Thames Christian School and Battersea Chapel, the building's unfamiliar scale, form and façade composition establish a civic presence for the chapel and school. This has a welcoming landmark effect in the neighbourhood that sees the culture of the school and congregation reflected in their building. Meanwhile, the material palette of cream brickwork and grey precast harmonises with the neutral tones of the surrounding streets, suggesting the building is both part of and apart from its context.
© Stale Eriksen
Stephen Holsgrove, Head of Thames Christian School says,
'The creative S shape design with access via external walkways allows connection to be maintained between all spaces on the upper levels enabling the warm relational ethos of the school to flourish in ways that would not be possible in a traditional setup with classrooms off corridors. Pupils love the multilevel courtyards in the sky which provide much needed outdoor recreational space. The building has the feel of something much larger and belies its inner-city footprint. Specialist areas for Art, Drama, Music, Design, Computing and Science complement the general classrooms and a library, study centre and common room provide reflective spaces for pupils.'
© Henley Halebrown
The S-shaped plan also reduces external noise levels, and particularly the acoustic challenge presented by Clapham Junction railway station – by 15dB in the most onerous instance – achieving external noise levels of 55dbB allowing classrooms to be naturally ventilated and significantly reducing the embodied and operational carbon associated with active cooling measures.
© Henley Halebrown
Simon Henley says, 'In addition to natural ventilation, our environmental strategy for this project is supported by a fabric first approach to solar shading and overheating prevention, whereby a generous external access gallery shades south, west and east-facing classrooms. During the high temperatures recorded in recent summers, the school reported that all classrooms were comfortably occupied and did not overheat.'
© Henley Halebrown
Moreover, the decision to externalise circulation improves the building's net to gross, effectively building less internal, tempered space and reducing the amount of internal partitioning required. These and other measures have led the scheme to be certified BREEAM Excellent.
© Henley Halebrown
Importantly, the Thames Christian School and Battersea Chapel project has been designed in a way that challenges hermetic and highly engineered environments that divorce building occupants from the outside world. Here the proximity of the atmospheric conditions achieved by Henley Halebrown through a permeable design with open-air circulation and natural ventilation engages pupils and staff with the weather, time of day and seasons. This encourages climate-responsive behaviours and is also positive in terms of mental health and well-being, grounding occupants comfortably in their surroundings.
© Henley Halebrown
Appointment: 2017
Construction start: April 2019
Completion: 2023
Area: 5,132 ㎡
Client: Winstanley & York Road LLP
Architect: Henley Halebrown
Project architects: Noel Cash, Jack Hawthorne (Henley Halebrown)
Project team: Lea Daniel, Gavin Hale-Brown, Simon Henley, Craig Linnell, Michael Mee (Henley Halebrown)
Executive architect: HLM
Masterplanning: HTA
Structural engineer: Pell Frischman
Services engineer: Desco
Cost consultant: Martin Arnold
Planning consultant: Montagu Evans
Landscape architect: Farrer Huxley
Acoustic engineer: AF Acoustics
Building control: MLM
Project manager: Taylor Wimpey
Main contractor: Midgard
Energy in use: 72.5 kWh/㎡/yr
Upfront carbon: 532.2 kgCO2eq/㎡
Embodied carbon: 690.6 kgCO2eq/㎡
Certification: BREEAM Excellent
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