1995年5月生于山西，2020年研究生毕业于四川音乐学院油画系。
Yi Wenbing was born in Shanxi Province in May 1995 and graduated with a postgraduate degree from the Oil Painting Department of Sichuan Conservatory of Music in 2020.
创作概述：
创作方式大概源于记忆中闪烁不定的符号。而对面记忆，消耗不可避免，经验的堆砌也无法弥补已经褪散和将要失去的。在创作中我刻意削弱了叙事性，通过线条和色块不断覆盖挤压形成抽象的肌理以及空间关系，这种生长是有机的，在具象涌现时消退。遮蔽与失控都是记忆存在的暗示，反复的叠加消解亦是作品本身代谢的痕迹。
我期望的画面是一种从内部生发，在不同维度，按照各自的生长逻辑，展现出物质形态以及生命精神的同源性，并处在各自流动的关系中。作品的推进是从无到有的过程，我也把它理解为关系建立的过程。从一个点或者一道笔触出发，放弃形象和空间的预设，这些基础的点、线以及机理会牵引画面不断生长，并与创作时的一些情绪，记忆片段不断融合碰撞。更多的时候，我无法预知画面会走向何处，在失控边缘反复拉扯，直至平衡。我希望画面的氛围是统一且充满张力的，并在这种有机的关系中不断接近真实。
The creative approach approximately stems from the flickering symbols in the memory. Confronting memory, consumption is inevitable, and the accumulation of experience cannot compensate for what has already dissipated and what is about to be lost. In the creative process, I deliberately weakened the narrativity and continuously formed abstract textures and spatial relations through the repeated covering and squeezing of lines and color blocks. This growth is organic and fades when the figurative emerges. Both obscurity and loss of control are indications of the existence of memory. The repeated superposition and dissolution are also the traces of the metabolism of the work itself.
The picture I anticipate is one that develops from within, revealing the homology of material forms and the spirit of life in different dimensions and following their respective growth logics, while remaining in their respective fluid relationships. The advancement of the work is a process from nothingness to existence, which I also interpret as the process of establishing relationships. Starting from a point or a brushstroke, by abandoning the presuppositions of image and space, these fundamental points, lines, and textures will lead the picture to continuously grow and constantly merge and collide with certain emotions and memory fragments during the creative process. More often, I am unable to predict which way the picture will head, repeatedly struggling at the verge of losing control until a balance is achieved. I hope that the atmosphere of the picture is unified and full of tension, and that it continuously approaches reality within this organic relationship.
部分展览：
2023《山川而川，生生不息》九零青年作品展，娄底
2023《远征阿尔戈》郑州市美术馆，郑州
2022《同纬度》当代绘画艺术展，上海
2021《2x6=12》新锐艺术家推荐展 观空间，⼴州
2021 《欲上.合囤》何多苓美术馆，成都
2021《知⻥知乐》 喝墨⽔艺术空间，成都
2020《⽣势》吴冠中艺术馆，⽆锡
2019《艺起艺藏》 许燎源美术馆，成都
2019《深圳国际艺术博览会》深圳会展中⼼，深圳
2019 《Art 成都国际当代艺术博览会》成都
2019《37°2》 虚室和舍，北京
2018《衍⾏》成都⼀尔空间个展，成都
2023 "Rivers and Mountains, Ever-Changing" Exhibition of Works by the 1990s Youth, Loudi
2023 "The Expedition to Argos" Exhibition, Zhengzhou Museum of Art, Zhengzhou
2022 "The Same Latitude" Contemporary Painting Art Exhibition, Shanghai
2021 "2x6=12" Recommended Exhibition of New Talent, Guan Space, Guangzhou
2021 "Want to Climb. Combine Piles" Exhibition, He Duoling Art Museum, Chengdu
2021 "Know Fish and Know Joy" Drink Ink Art Space, Chengdu
2020 "Life's Momentum" Wu Guanzhong Art Museum, Wuxi
2019 "Art Together, Art Treasure" Xu Liayuan Art Museum, Chengdu
2019 "Shenzhen International Art Fair" Shenzhen Convention and Exhibition Center, Shenzhen
2019 "Art Chengdu International Contemporary Art Fair" Chengdu
2019 "37°2" Xu Shi He Shi, Beijing
2018 "Evolution" Solo Exhibition at Yi'er Space, Chengdu
