有样艺术展览
致敬我们那艘，被江浪冲走一去不返的小船。
In honor of the little boat that was
swept away by the river, never to return.
小时候，我们渴望成⻓，想要与未知的新奇世界产生联接。那时的期望，如同一艘艘承载着美好的小船，带着我们游往成人世界的彼岸。
As we grew up and looked back, we found ourselves standing on the shore, asking, "Where is that little boat now? Will it ever return? Can we ever board it again?"
这次展览通过天浩导演的三部作品尝试给我们一个作答。
This exhibition, through three films directed by Tian Hao, attempts to offer an answer.
I first became acquainted with Tian Hao through his short film "Drunk Solo." In it, a slightly tipsy security guard (played by Tian Hao) sings a Sichuan opera while speaking in dialect about his absurd and helpless life as a security guard. His performance in a long take is wildly free-spirited, subtly conveying emotions without distancing the audience from traditional culture. Tian Hao's works are always steeped in the flavor of the local and folk life. He often sets his films in the city of Chongqing and focuses on characters rooted in local themes. With a solid foundation from studying in the United States, Tian Hao has developed a keen sense of storytelling and a natural visual intuition. His ability to tell deep stories without them feeling tedious has created a profound connection with me. Beyond the stories set in Chongqing's mountains and rivers, when characters speak in their familiar dialect, it feels both intimate and fitting for the audience.
《醉隶》 剧照
作为重庆人的我，也在用一个熟悉却又相对独立的（他的）视角，在观察自己的家乡，理解自己家乡的人物。他们，都在丰富重庆山水的故事与文化。
展览现场布置中
The concept of this exhibition revolves around the idea of "Exhibition in the Office." We aimed to break away from the traditional "white box" display method and genuinely bring viewers closer to the artworks, fostering a new aesthetic experience. Although RY+P Architecture Design is an office, it also served as the origin for this exhibition's concept and planning. Naturally, it became the physical venue for this exhibition. Rather than isolating a specific exhibition area, the exhibition is interwoven into the office space itself, creating new connections with its original elements.
- 有样建筑设计办公室阳台视角 -
比如，我们将其中一个日常办公的工位转化成了一个放映的观影位置，又例如我们将一个原本连接上下楼的悬空楼梯，改造成了亲密的主放映空间等。他们让观看者在嵌入环境里去体验内容，使得本次展览为大众提供了一场独特又先锋的展览体验。这次工·土·生展览分为屋顶的画面故事区，悬梯主放映区，办公位一人观展区以及录音反馈装置区四个区域部分。
- 有样建筑设计办公室室内工作区视角 -
有样建筑设计办公室屋顶主展览区域平面图（左）/ 办公室平层展览区域平面图（右）
《上岸》讲述了一位老人试图通过自己的努力和向家人筹款，去打捞被江水冲走的船，最终不得不放弃的故事。它寓言般地没有出现船只的影像，而是用画面描述了老人与亲人联系时的失落无奈，将那艘无法看见的船永远的沉没在影片最后的长长的阶梯之上。
"On Shore" tells the story of an elderly man trying to retrieve a boat swept away by the river by raising funds from his family, only to ultimately give up. The film is allegorical in that it never shows the boat; instead, it portrays the man's frustration and helplessness when communicating with his family, leaving the unseen boat forever submerged on the long steps at the film's end.
《上岸》 剧照
《致晚春》记录了一位来自四川泸州的打工者，在重庆被生活折腾之后又返回老家的故事。影片一开始他那句略带执拗的 ‘我觉得重庆不适合我生活’，让观众带着主观的疑问去阅读主角的勤奋、迷茫、踌躇与决绝。这些我们会在生活里时常经历的摇摆，不断地提醒着我们，我们谁不是被这些看似不重要的每一个决定和遭遇影响着的呢？
"To the Late Spring" follows the story of a worker from Luzhou, Sichuan, who returns to his hometown after being worn out by life in Chongqing. At the beginning of the film, his stubborn declaration, "I don't think Chongqing is suitable for me," invites the audience to explore his diligence, confusion, hesitation, and determination. These are the moments we often encounter in life, constantly reminding us that every seemingly insignificant decision and experience shapes who we are.
《致晚春》 剧照
《工土生》不是一部寻常的人物纪录片。画面里都是主角看似平淡的木工工作与家庭生活，天浩通过对于主角形象的深度刻画，让自己与观众在影片中得到了某种情绪的平和。通过带着深切情感的近距离地观察，他试图让观众理解这种平和，理解我们的生活不在别处，也许就在我们当下。
"Voyage to Mundane" is not a typical character documentary. The film's footage mostly features the protagonist's seemingly mundane carpentry work and family life. Through a close and heartfelt observation, Tian Hao attempts to let the audience understand a sense of peace — that our lives are not elsewhere, but perhaps right here, in the present.
《工土生》 剧照
希望通过这样一个完整的先锋观展体验，让观众思考，寻找自己关于那艘“小船”的答案。
end
开幕活动时间于2024年8月31日 下午17 :30分
展览
信息
《工·土·生 独立影像展》
开幕时间：2024.08.31（周六）17：30
展览周期：2024.8.31 — 2024.11.30
开放阶段：工作日 10:30 - 18:00
节假日 11:00 - 16:00
展览地点：重庆有样建筑·艺术设计（大坪江屿朗廷B区8栋4楼）
官方网站：www.yoya-art.com
艺术家：天浩
策展人：任洋
执行：刘津
视觉：BiuBiu
统筹：谭政
外宣：张雨青
视频：柯西嘉
出品: 有样建筑艺术设计
●
艺术家介绍
导演简介
独立导演 / 2020至今
商业纪录片/故事片、广告导演
坚持原创电影内容输出，每年至少一部的专注创作，先后创作拍摄了《上岸》、《致晚春》、《工土生》等作品。系列作品在多个国际电影节中斩获佳绩。
有样建筑设计
官方网站：
www.renyang-partners.com
新浪微博：
@有样建筑设计事务所
