極——时间的切⽚和标本

極——时间的切片与标本

Infinity: Slices and Specimens of Time

上海市松江区茸阳路69号溯空间

Su Space, 69 Rongyang Rd, Songjiang District, Shanghai

参展艺术家

卜金，卜天，陈清勇，陈蜀，翟轩弘，杜海军，高洁，高胜男，高树杰，葛强，龚新如，海铨，韩春阳，韩绍光，郝方圆，黄赛峰，姜丹丹，豹纹猪®️，李木子，罗威，梅雨璐，孟阳阳，普鹏，亓文章，任雪梅，耍惹石主，涂歆漫，王威，王小双，汪新民，肖颖，徐晨，许华荣，许鹏，姚虹宾，余威，战兴隆，张俊民，张宁，张少博，钟康君，朱泓彦，朱敬一，祝青

Bu Jin, Bu Tian, Chen Qingyong, Chen Shu , Zhai Xuanhong, Du Haijun, Gao Jie, Gao Shengnan, Gao Shujie, GE Qiang, Gong Xinru, Hai Quan, Han Chunyang, Han Shaoguang, Hao Fangyuan, Huang Saifeng, Jiang Dandan, Baowenzhu®️, Moses Li, Luo Wei, Mei Yulu, Meng Yangyang, Pu Peng, Qi Wenzhang, Ren Xuemei, Shuareshizhu, Tu Xinman, Wang Wei, Wang Xiaoshuang, Wang Xinmin, Xiao Ying, Xu Chen, Xu Huarong, Xu Peng, Yao Hongbing, Yu Wei, Zhan Xinglong, Zhang Junmin, Zhang Ning, Zhang Shaobo, Zhong Kangjun, Zhu Hongyan, Zhu Jingyi, Zhu Qing

*排名不分先后

極—时间的切⽚和标本‍‍‍‍‍‍‍

文/惠书文

Trace back to the origin of art, human sincerity has been mobilized or stimulated since long time ago, and the extension of time left a unique highlight on each creator, just like the genes carried by individuals naturally. The differences and similarities in chromosomes "from the Greek words χ ρῶμ alpha (chromaticity," color ") and σ ῶμ alpha (somatic cells," body ")" naturally strengthen people's psychological judgment and memory slices in their daily life. When it reflected in artistic creation, the specific language and morphological practice formed an advanced system and specimen that transcends the "infinite" limits of living individuals.

The word 'infinity' first appeared in the 'Stone Drum Inscription' and was extended from its original meaning to mean 'no boundaries, reaching the extreme'. As the exhibition theme of the Su Art Space opening exhibition, exploring the first meaning of "infinity" is a response to the space name "Su". The original meaning of "Su" is to go straight upstream, and to some extent, it also has the meaning of returning to the source and being firm; The second level's' infinity 'lies in exploring the richness and multidimensionality of the white box space and the exhibition of artists' works; And the third level of 'infinity' means to trace back to the heterogeneous creators themselves, which not only includes the language symbols between artists and works, but also includes their own 'infinity' expressed at this time.

Returning to daily talks, we often hear phrases such as' this is my limit ', which reflect the individual's basic judgment and cognition of things, including hypothetical' common sense and intelligence ', and thus transform into the maximum load and carrying capacity of our physical body, and then output the psychological state of' approaching infinitely but never reaching '. From this semantic perspective, 'Infinity' is more of a framework we give to ourselves. Once we set our scope and abilities, our bodily functions will naturally decline. However, if we break through our daily psychological assumptions and subjective expressions of body and mind, we may reach another level, that is, reach a new 'extreme'.

Among the 44 invited artists, each artist is searching for or has established their own best state of creation. While this series of works may represent the ideal state of personal creation, there seems to be room for improvement, upward spacing... or elements that need to be weakened downward. Whether in the upper and lower stages or in the middle stage, I believe that each of them is hovering and contemplating at this stage: the clarity of direction, the misplaced loss, and the expectations for the next time are all clearly expressed in the appearance of the work.

Infinity is the twisting and tearing of the body and mind, as well as the free game of individuals in time and space. It is also a reflection of the reality of self-reflection on the soul.

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