DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ
ASIA NOW Paris Asian Art Fair
杜梦堂 DUMONTEIL Contemporary
展位 BOOTH M13
DUMONTEIL Contemporary is pleased to participate in the 10th edition of ASIA NOW Paris Asia Art Fair, booth M13, featuring enchanting works by two Chinese artists: Liane CHU's surrealist landscape paintings and WENG Jijun's mixed-media work centred on lacquer.
ASIA NOW Paris Asia Art Fair is devoted to showcasing the diversity of Asia’s contemporary art scene. This edition takes place at Monnaie de Paris, a short walk across the river from the Louvre and the Bourse de Commerce - Pinault collection.
展览现场
DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ
DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ
DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ
DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ
DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ
DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ
DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ
臻选作品
WENG Jijun
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Constellation 2021-17 | 集聚 2021-17
2021
Diptych, Chinese lacquer on wood, ramie fabric
双联幅,大漆,木板,苎麻
左:122 x 60 x 7 cm; 右:122 x 82 x 7 cm
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左右滑动
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翁纪军(1955年出生)以大漆为媒介,从大漆自身特性和传统漆艺中汲取灵感,以见微知著的方式将不同维度的世界相互连结。近年来,翁纪军开始更多地关注人对未知世界探索的渴求,用作品折射出科学棱镜之外宏观与微观世界之间的联系。对漆艺的精通则让他能够将所谓的传统“图案”、“纹样”转化为对生命起源的探寻和宇宙形态的描绘。
Drawing inspiration from lacquer, its characteristics, and its tradition, WENG Jijun (b.1955) provides an alternative for us to re-examine our connection with the world in a way that bridges its different dimensions.
In recent years, Weng Jijun has begun to focus more on the human desire to explore the unknown, using his works to reflect the connections between the macro and micro worlds beyond the prism of science. His mastery of lacquer art has enabled him to transform the traditional 'patterns' and 'motifs' into a search for the origins of life and a depiction of cosmic forms.
Liane CHU | 朱丽晴
Liane CHU | 朱丽晴
朱丽晴的作品不仅是反映她与抽动症经历的个人叙事,同时也是挑战社会对“正常”和“异常”界限的图景。每一笔都成为一种宣泄,体现了她对自我疗愈和自我表达的信念。在她的超现实主义风景中,朱丽晴探讨了人类对养分的依赖如同树木。同时,她强调了媒体在都市生活中的普遍影响,探索了我们与电子科技的互动如何潜移默化地塑造着我们的存在。
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联系我们,洽购作品。
Feel free to contact us
via shanghai@dumonteil.com
or the WeChat contact at the bottom right
for artwork inquiries.