艺博会|杜梦堂参展2024 ASIA NOW 巴黎亚洲艺术博览会 | 展位号 M13

文摘   文化   2024-10-17 11:01   上海  

杜梦堂“Asia Now 巴黎亚洲艺术博览会”展览现场,2024

DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ



ASIA NOW Paris Asian Art Fair


杜梦堂 DUMONTEIL Contemporary

展位 BOOTH M13


2024.10.17 - 10.20
Monnaie de Paris 巴黎


参展艺术家 | ARTISTS 

Liane CHU 朱丽晴

WENG Jijun 翁纪军


杜梦堂欣然参展第10届「ASIA NOW 巴黎亚洲艺术博览会」展位号M13呈现两位不同代际的中国艺术家的近期创作,包括:翁纪军以大漆为核心的综合材料创作,以及朱丽晴以风景为叙事手法的油画作品。

ASIA NOW专注于向欧洲藏家展示亚洲当代艺术领域的多样性,近年来在巴黎钱币博物馆 (Monnaie de Paris) 举办,与卢浮宫和皮诺当代艺术收藏中心隔河相望。

DUMONTEIL Contemporary is pleased to participate in the 10th edition of ASIA NOW Paris Asia Art Fair, booth M13, featuring enchanting works by two Chinese artists: Liane CHU's surrealist landscape paintings and WENG Jijun's mixed-media work centred on lacquer.

ASIA NOW Paris Asia Art Fair is devoted to showcasing the diversity of Asia’s contemporary art scene. This edition takes place at Monnaie de Paris, a short walk across the river from the Louvre and the Bourse de Commerce - Pinault collection. 



展览现场

ON-SITE


杜梦堂“Asia Now 巴黎亚洲艺术博览会”展览现场,2024

DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ


杜梦堂“Asia Now 巴黎亚洲艺术博览会”展览现场,2024

DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ


杜梦堂“Asia Now 巴黎亚洲艺术博览会”展览现场,2024

DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ


杜梦堂“Asia Now 巴黎亚洲艺术博览会”展览现场,2024

DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ


杜梦堂“Asia Now 巴黎亚洲艺术博览会”展览现场,2024

DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ


杜梦堂“Asia Now 巴黎亚洲艺术博览会”展览现场,2024

DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ


杜梦堂“Asia Now 巴黎亚洲艺术博览会”展览现场,2024

DUMONTEIL booth installation view at Asia Now, 2024, photo ©YXZ




臻选作品

HIGHLIGHTS


WENG Jijun

翁纪军 (b. 1955)


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WENG Jijun | 翁纪军

Constellation 2021-17 | 集聚 2021-17


2021

Diptych, Chinese lacquer on wood,  ramie fabric

双联幅,大漆,木板,苎麻

左:122 x 60 x 7 cm; 右:122 x 82 x 7 cm


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WENG Jijun | 翁纪军

Glimmer of the Stars 2024-7 | 集聚系列之循迹 2024-7


2024

Chinese lacquer,  ramie fabric

大漆,苎麻

30 x 18 cm


WENG Jijun | 翁纪军

Untitled | 无题


2022

Chinese lacquer,  ramie fabric

大漆,苎麻

20 x 15.5 x 2 cm




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WENG Jijun | 翁纪军

Glimmer of the Stars 2024-6 | 集聚系列之循迹 2024-6


2024

Chinese lacquer,  ramie fabric

大漆,苎麻

30 x 18 cm


WENG Jijun | 翁纪军

Glimmer of the Stars 2024-5 | 集聚系列之循迹 2024-5


2024

Chinese lacquer,  ramie fabric

大漆,苎麻

34 x 19 cm



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WENG Jijun | 翁纪军

Glimmer of the Stars 2024-1 | 集聚系列之循迹 2024-1


2024

Chinese lacquer,  ramie fabric, gold leaves

大漆,苎麻,金箔

19 x 16 cm


WENG Jijun | 翁纪军

Glimmer of the Stars 2024-2 | 集聚系列之循迹 2024-2


2024

Chinese lacquer,  ramie fabric, gold leaves

大漆,苎麻,金箔

19 x 16 cm



翁纪军(1955年出生)以大漆为媒介,从大漆自身特性和传统漆艺中汲取灵感,以见微知著的方式将不同维度的世界相互连结。近年来,翁纪军开始更多地关注人对未知世界探索的渴求,用作品折射出科学棱镜之外宏观与微观世界之间的联系。对漆艺的精通则让他能够将所谓的传统“图案”、“纹样”转化为对生命起源的探寻和宇宙形态的描绘。


Drawing inspiration from lacquer, its characteristics, and its tradition, WENG Jijun (b.1955) provides an alternative for us to re-examine our connection with the world in a way that bridges its different dimensions. 


In recent years, Weng Jijun has begun to focus more on the human desire to explore the unknown, using his works to reflect the connections between the macro and micro worlds beyond the prism of science. His mastery of lacquer art has enabled him to transform the traditional 'patterns' and 'motifs' into a search for the origins of life and a depiction of cosmic forms.




Liane CHU
朱丽晴 (b. 1997)

Liane CHU | 朱丽晴

Midnight Trio 午夜三重奏

2023
Oil on canvas 布面油画
152 x 173 cm 


Liane CHU | 朱丽晴
Climbing over the hills for you | 为你翻山越岭

2024
Oil on canvas 布面油画
64 x 50 cm




Liane CHU | 朱丽晴

It  Finally Flashes on Us | 终于闪到我们的身上

2023
Oil on canvas 布面油画
152 x 194 cm


朱丽晴的作品不仅是反映她与抽动症经历的个人叙事,同时也是挑战社会对“正常”和“异常”界限的图景。每一笔都成为一种宣泄,体现了她对自我疗愈和自我表达的信念。在她的超现实主义风景中,朱丽晴探讨了人类对养分的依赖如同树木。同时,她强调了媒体在都市生活中的普遍影响,探索了我们与电子科技的互动如何潜移默化地塑造着我们的存在。

Liane CHU's work is not only a personal narrative reflecting her experience with Tourette's syndrome but also a canvas challenging society's boundaries of "normal" and "abnormal." Each stroke serves as a cathartic release, embodying her belief in self-healing and self-expression. In her surrealist landscapes, Chu also explores how humans, akin to trees, are deeply influenced by their consumption. She emphasizes the pervasive influence of media in urban life, illustrating how our interactions with technology subtly shape our existence.




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