©李关帅 Li Guanshuai
鼎 / Ding
2024
布面油画 / Oil on canvas
200 × 170cm
©李涛 Li Tao
彩虹2 / Rainbow2
2024
铁、防火布、黑石膏、网片、UV、银色涂料
Iron, Fireproof cloth, Black gypsum, Mesh, UV, Silver paint
101 × 100 × 37cm
乐园IV / Paradise IV
2024
布面油画 / oil on canvas
162 × 114 cm
©李昕頔 Xindi Li
形式上稳定的状态 / The Statusof Formal Stability
2024
合成木板，五金件，标记，丙烯颜料丝网印，外卖箱支架，其他由艺术家收集的物品
Composite wood, hardware, markings, screen-printed acrylic paint, delivery bag rack, other objectscollected by the artist
小 / S:160 × 70 × 95cm
陈拍岸，1988 年生于中国广州，现居广州。本科毕业于中国广州美术学院雕塑系，后从事艺术实践至今。他放弃了与抽象表现主义相关的学术内涵，转而着眼于广告的应用逻辑，将商品作为形式、符号和材料带到绘画的前沿。他以幽默和机智的方式在不同的媒体中工作，在符号和内容之间摇摆，在自然和人工景观中找到崇高的感觉。
他参与的个展有：“那你要不要做艺术家?”，弥金画廊，（上海，2021）；“开什么玩笑”，广州画廊，（广州，2019）；“滋生在尾房的”，1a Space，（香港，2018）。他参与的群展有：“ASPHALT”，弥金画廊，（上海，2024）；“从叠影中穿过”，弥金画廊，（上海，2022）；“吾辈”，SNAP 艺术中心，（上海，2022）；“60169019”，Brownie Project，（上海,2019）；“前置未来”，东莞市文化馆，（东莞，2019）；“From Its Course Into Channels”，Hessel Museum of Art，（纽约，2019）；“大健身”，南京艺术学院美术馆，（南京 2018）；“陈拍岸，黃永生，伍思波”，TABULA RASA，（北京，2018）。
Chen Pai'an, born in 1988 in Guangzhou, China, now based in Guangzhou. Chen studied sculpture at the Guangzhou Academy of Fine Arts and has since engaged in artistic practice. He abandoned the academic connotations associated with Abstract Expressionism, in favor of the applied logic of advertising, bringing the commodity as form, symbol and material to the forefront of painting. He works in a variety of media with humor and wit, oscillating between symbol and content, finding the sublime in natural and man-made landscapes.
龚斌，1992年生于的中国益阳，于 2014 年获得湖北美术学院版画系插画专业文学学士学位。他的创作寻求一种避世之思，以此为心灵带来慰藉。他充满活力和趣味的绘画作品融合了富有表现力的色彩和半抽象的图形，描绘那些只存在于幻想里的场景和景观。龚斌拥有插画和版画的教育背景，热衷探索图像之间可能的叙事联系，而这也将他的作品变成一个充满着浪漫谜题的视觉迷宫。他经常用诗歌、人物和虚构的地点来命名作品，在他的画布上，坐落在广阔的环境中的物件和物体被赋予了生命、活力以及不同的角色，拥有了爱与被爱的能力。
His solo exhibitions include:"Bright Daylight", MOU Art, (Beijing,2023);"The Love That Moves the Sun and All the Stars" , MOU PROJECTS, (Hong Kong,2022);"You Were the Green in Our Barren Land, and the Blue in Our Dark Air", MOU Art, (Beijing,2019);His group exhibitionsinclude : " Beijing Dangdai Art Fair" , Mou Art, (Beijing,2024);"West Bund Art & Design", MOU PROJECT, (Shanghai,2023);"West Bund Art & Design", Mou Art, (Shanghai,2023);"ART021 Shanghai Contemporary Art Fair", Nothing Happened gallery, ( Shanghai , 2023 ) ; "Youth’s Dream" , HWA’S, (Shanghai,2023);"Painting Tiny Times", 33ml off space,(Shanghai,2023);"I Waited For You", Nothing Happened gallery, (Shanghai,2023);"Seoul Modern Art Show", Nothing Happened gallery, "Seoul,2023";"In and Out", MINE PROJECT, (Hong Kong,2022);"Born in 1992–Chinese and South Korean Emerging Artists Joint Exhibition", Bund 18 Jiushi Art Gallery, (Shanghai,2022).
经傲，1993年出生，现生活工作于北京，先后毕业于伦敦大学金史密斯学院和英国皇家艺术学院当代艺术实践公共研究方向。经傲探索各种质材在不同环境中成为雕塑、行为、影像的发生方式，在非二元对立的语境中，探索“物质”与“非物质 "、 “意识”与“无意识”间的暧昧关系。相较于当下以辩证思维为主导的艺术生产模式，经傲的创作更偏向于叙事性文学，通过不断地提出问题并在疑问中游走，将自身对生命所有的态度与抉择，均诚实地呈现于作品中。
李关帅，1997 年生于山东东营，2019 年本科毕业于四川美术学院版画系，2022 年研究生毕业于四川美术学院造型艺术学院，曾在四川美术学院驻留，现工作生活于重庆。亘古的未知与当下的未知给李关帅的作品带来隐形的博弈。他将人内心的神圣和人与神性中细微的情感视为一种未知与神秘。整个过程表现为从自信到纠结，再发现自身认知的缝合，转到失望再到接受并参与博弈，这些环节无序地出现在他的生活态度和作品中。细微的情感附着于巨大的、形象化的人的意志;附着于具体文本中人性部分的想象延伸上，包括人对仪式感的具体化和信仰的形象化。但这些都起于他在信仰中个人的想象力与求知欲的私心。李关帅的绘画中具有当下人们对未知、神性、仪式的新的个人的认知与情感判断。这古与新的意志和私心在他生活和画中交替注定是个难题。他的作品曾被白兔当代艺术基金，广东当代艺术基金会，罗中立美术馆，鲸美术馆，X 美术馆等机构收藏。
他参与的个展有：“赞歌”，可以画廊，（合肥，2023）；他参与的群展包括 :“ 离 谱”， 三 远 当 代 艺 术，（ 北 京，2024）；“记忆”，BLANKgallery，（上海，2024）；“驿驿其达”，龙美术馆，（重庆，2023）；“在动物园散步才是正经事”，可以画廊（合肥，2023）；“动态刷新”，罗中立美术馆（重庆，2023）；“罗中立奖学金作品展”，芒果美术馆（长沙，2023）；“向前的前一步”，赛麟空间（上海，2022）；“折叠·覆盖”，鸿坤美术馆 （北京，2022）；“固体与偏差”，重庆星汇当代美术馆 （ 重庆，2022）；“信息捕捉器、超未来、启示、友爱共生”，北京妙有艺术（北京，2022）；“无论盛开还是不盛开，花都是花” ，可以画廊（合肥，2022）；" 礼物提名奖 " 作品展，并获得提名奖，罗中立美术馆（重庆，2022）；明日视线奖，（杭州，2021）；作品《我为什么在这里》，中国美术馆（北京，2018）等。
李喷泉，1994 年出生于河南洛阳，现居洛阳。艺术家一方面敏感捕捉日常事件的超验瞬间，另一方面他也博弈于忽左忽右的意识形态。无论是宏大叙事还是日常美学，再现神秘荒诞的体验一直是他所关注的焦点，而他的弱叙事性绘画正是对此体验的朴素回应。他的作品曾被广东当代艺术中心、X 美术馆等机构收藏。
他参加的个展有：“我在中国很想你”，可以画廊，（北京，2024）“中国许愿池”，可以画廊（合肥，2022），他参加的的群展有：“作为意志和表象的世界”，可以画廊，（北京，2023）;“2021 迎春画展”，站台中国，（北京，2021）；“mineplus”，MOU PROJECT，（香港，2020）;“夹山改梁”，夹山改梁，（北京，2018）等。
李涛， 1971 年出生于河南郑州，1995 年毕业于河南大学美术系油画专业取得学士学位，1998 毕业于湖北美术学院版画系取得硕士学位。现工作生活于北京。
他参加的个展有：“椅子 \ BANK”，TABULA RASA，（北京，2024）；“椅子 \ BANK”，AYE 画廊，（北京，2024）；伦敦菜园，Tabula Rasa 画廊，（伦敦，2023）；“一周”，恬泽园，（新加坡，2023）；“彭州泡沫”AYE 画廊，（北京，2020）；“次生”，金杜艺术中心，（北京，2019）；“宇宙”，TABULA RASA，（北京，2019）；“八面玲珑：李涛作品展”，塔奥艺术中心，（北京，2010）；“中产阶级的魅力”，F5 艺术中心，（北京，2007）；“个人展览”，湖北省美术院，（武汉，1998）。他参加的群展有：“提醒：有可用更新版本”，魔金石空间，（北京，2024）；“TERRA” ，（法国勃艮第，2023）；“爱丽丝梦游奇境” 69 ART CAMPUS 艺术中心，（北京，2022）；“记忆术”+“记忆的宫殿” OCAT 深圳馆 X 华·美术馆，（ 深圳，2021）；“生生与共——数字时代的艺术与设计”，今日美术馆，（北京，2021）；“奇妙的旅行” OCAT 深圳馆，（深圳，2021）；“中国当代艺术年鉴展”，坪山美术馆，（深圳，2020）。
Li Tao, born in 1971 in Zhengzhou, Henan. He graduated with a bachelor's degree in oil painting from the Fine Arts Department of Henan University in 1995 and obtained a master's degree from the Printmaking Department of Hubei Academy of Fine Arts in 1998. He currently lives and works in Beijing.
His recent solo exhibitions include :" 椅子\BANK",Tabula Rasa Gallery,(Beijing,2024);" 椅子\BANK",AYE GALLERY,(Beijing,2024);"London Allotments",Tabula Rasa Gallery,(London,2023); "A Week", 98 Emerald Hill, (Singapore, 2023);"Pengzhou Bubble",AYE Gallery,(Beijing, 2020),"Universe·Secondary",Tabula Rasa Gallery and KWM artcenter, (Beijing, 2019);"Broken Surface and Line: Li Tao Solo Exhibition", Taao Arts Center, (Beijing,2010);"The Discreet Charm of the Bourgeoisie", F5 Art Space, (Beijing,2007); "Solo Exhibitions", Hubei Provincial Academy of Fine Arts,(Wuhan,1998).He has participated in group exhibitions at various venues, including Shenzhen OCAT Museum, Beijing Times Art Museum, Chengdu Biennale, Art Basel Hong Kong, Art 021 Art Fair and West Bund Art Fair in Shanghai,"Reminder: Version Update Available", Magician Space's group exhibition,(Beijing,2024);“TERRA”, Domaine Chandon de Briailles, Savigny-lès-Beaune;Couvent des Jacobins & L’Ancien Théâtre Beaune; La Maisonde Pommard,Pommard(Burgundy,2023);“Alice in Wonderland”,69 ART CAMPUS Art Center,(Beijing,2022);"Conviviald--Art and Design in the Digital Age", Today Art Museum, (Beijing,2021); "Wonderful Journey", OCAT Shenzhen Pavilion, (Shenzhen,2021); " The Exhibition of Annual of Contemporary Art of China 2020", Pingshan Art Museum, (Shenzhen,2020).
李昕頔，出生于 1996 年，现生活和工作于北京。2019 年毕业于芝加哥艺术学院，主修雕塑。他的艺术实践受到汉斯·哈克 (Hans Haacke)和 安 德 里 亚· 弗 雷 泽 (Andrea Fraser) 等 在 机 构 批 评 (Institutional Critique) 领域起到推动性作用的艺术家的影响。他的装置作品经常以无厘头的幽默以及对现实事物出其不意的戏仿，向文化机构在生产当代文化与定义社会审美方面的作用发出质疑。除了个人艺术实践外，李昕頔还以雇员的身份参与着公共艺术机构的日常运行。其职业经历促进了他对艺术机构运转方式的理解，启发了他对相关制度体系内所谓的“惯例”进行自省式的反思。
他的主要个展包括：“高空设施”，C5CNM，（北京，2023）；“R.D. 结构三”，盘子空间，（北京，2020）。他的主要群展包括：“隐藏的创作”，香格纳画廊 & 苏河皓司，（上海，2024）；“永昼”，美成空间，（深圳，2024）；“智能秩序”，69Art Campus，（北京，2023）；“示范：做决定技术的艺术”，复星艺术中心，（上海；2023）；“昨天是新的一天”，今格空间，（北京，2022）；“目及处，彼方物”，作者画廊，（北京，2022）；“GREEN GO HOME：隔离、断线与四海为家”，户尔空间，（北京，2021）；“合作，为了污染，不为完善：解放”，户尔空间，（北京，2021）；“八仙过海”，postpost，（北京，2020）；“在各处”，工作室画廊，（上海，2020）；"Within Receding Horizon", Sullivan Gallery, （芝加哥，2018）等。
Xindi Li, born in 1996 , lives and works in Beijing. Li holds a BFA in Sculpture from The School of the Art Institute of Chicago. Following the paths of pivotal artists who work in the realm of Institutional Critique, such as Hans Haacke and Andrea Fraser, Xindi Li’s installation works pose questions and critically comments on the nature of art institutions and their role in producing culture and defining aesthetics in contemporary society with unexpected parody and non-sequitur humor. Aside from his individual art practice, Li has also worked in private and public art museums professionally; these professional experiences have significantly contributed to his understanding of the functioning of art institutions and initiated his constant introspective examining of the norms within the institutional system.
任莉莉 1986 年出生于黑龙江，现生活、工作于伦敦。她先后获得中央圣马丁艺术与设计学院纯艺专业学士学位（2010 年）和英国皇家艺术学院雕塑专业硕士学位（2017 年）。在任莉莉的实践里，她探索物体与空间不断变化的关系，经常通过生物学诠释和高度幻想，寻找形状、内容和环境的内部通道，从而逃离现实空间的物理框架。在建构这个世界的过程中，任莉莉寻找流通在人类世、海洋、生物学、变化体和母性之间的内容，强调人和非人之物的共性混淆或回避它们原本的内涵，瓦解传统人文主义的稳定性。她的近期作品延续了对记忆机制的思考——碎片如何被遗忘，物质联系如何建立，历史如何分层。这些都成为她在视觉语言中构建叙事的重要工具。
Li Li Ren, born in 1986 in Heilongjiang Province, China, lives and works in London, where she gained her BA in Fine Art from Central Saint Martins, University of the Arts London, in 2010, and her MA in Sculpture from the Royal College of Art, London, in 2017. Across her practice, Ren negotiates the constantly morphing relationships between objects in space. In her built environments, which expand beyond the physical exhibition space into imagined realms situated between the biologically understood or plausible, and the highly-fantastical, she approximates certain shapes, subjects and environments, while also subverting them through unexpected material applications and abstractions — for example, hard glass cosplaying as soft jelly. In this worldbuilding exercise, the artist often incorporates forms associated with the Anthropocene, the ocean, biology, altered states and maternity, ultimately desiring to queer and elude those connotations to flatten and destabilise humanism through an amplification of the similarities, as well as the strangeness, of human and non-human existence.Her recent works continue her interest in the formation and application of memory;how fragments are forgotten, material associations are formed, and histories are layered. These become vital tools for building narrative within her visual language.
Solo exhibitions include: The World Forgetting, by the World Forgot, Sherbet Green,London, UK (2024); Sunset as Burning Bruise, Magician Space, Beijing, CN (2022) andFrantumaglia, Qimu Space, Beijing, CN (2021).
松郎，1998 年出生于江苏省徐州市，2020 年本科毕业于西安美术学院实验艺术系，现生活工作于江苏。她的创作关注人与其生存空间的关系。她切身进入多种现实场景，通过对生活末枝的的异化来撬动惯常经验，打乱并重组日常规制，以精心营造的间离感或戏谑、或诗意地形成观念输出。其作品曾获 2021 年西戏 / 想象力学 / 马丁·戈雅生意“明日视线”第二名、2020 年绘画艺术坏蛋店第一届“新鬼”不得不服第一名。
Song Long, born in Xuzhou, Jiangsu Province 1998, graduated from the Experimental Art of Xi'an Academy of Fine Arts in 2020. Now she lives and works in Jiangsu. Her work focuses on therelationship between people and their living spaces. She enters into various realistic scenes,leverages customar y experience through alienation of the last branches of life, disrupts andreorganises daily regulations, and forms conceptual output with the carefully constructed sense ofseparation, playfully or poetically. Her works won second place in the 2021 XIXI Live/Imagokinetics/Martin Goya business "Hyper Youth Award" and first in the Painting Art badass shop "New Soul" in2020.
The solo exhibition she participated in:"Innocent basin",Keyi Gallery , (Heifei,2024) ;"Choose Force" Solo Residency Project, Boxes ArtMuseum, (Foshan, 2021);The group exhibition she participated in:“Song Lang x Zhang Ke: TravelGuide”two-person group show, Imagokinetics,(Hangzhou, 2022);“In Other Words”, PrototypeGallery, (Luoyang, 2023);“Waling Guides”, LongMarch gallery, (Beijing, 2023);“Living aperformance Artist’s Life”, MAM, (Shanghai, 2023);“Incredible Action”, A4 Art Museum, (Chengdu,2022);“Existence and Repetition”, Chun Art Museum, (Shanghai, 2022);“Endless Insight”, XIXILice, (Hangzhou, 2022);“Whether in Full Bloom or not, All Flowers Are Flowers”, keYi Gallery,(Hefei, 2022);“Right Time”, Trealm Culture, (Guiyang, 2021);“Non-Accelerating M o d e ” , U p A r t S p a c e , ( G u i y a n g , 2 0 2 1 ) ; “ 1 0 0 Ways to Say We”, Theater Neumarkt & GoetheInstitu,(german,2021);“Dagger Humming”, RCM, (Nanjing, 2020),etc.
宛超前， 1995 年⽣于河北省廊坊市。2017 年毕业于英国格拉斯哥艺术学院油画与版画系。现⼯作⽣活于北京。宛超前通过对互联⽹、视觉⽂化和⽣活中碎⽚式图像的收集与再创作，以多样绘画⽅法开拓出⼀⽚荒诞与悖论兼容的图像地景。抽象与具象、随机与既定、创造与破坏、共情与冷漠、诙谐与严肃在宛超前的作品中发⽣对撞，以丰富的层次探讨当代社会令⼈乐此不疲⼜倦怠⽆⽐的控制机制与⽣存⾯貌。
他的个展包括：“皆⼤欢喜”BROWNIE project，( 上海，2022) ; 主要群展包括：“异化景观”, 壹Art 艺术机构，( 合肥 ,2024);" 狂喜 " 想象⼒学实验室 x 23 号楼，（杭州，2024），“娜拉出⾛之后”，悠艺术中⼼，（北京，2024）；“提醒：有可⽤更新版本”，魔⾦⽯空间，（北京，2024）。
Wan Chaoqian, born in 1995 in Langfang City, Hebei Province. Graduated from The Glasgow School of Art in 2017. Now lives and works in Beijing.Through the collection and re-creation of fragmentary images from the internet, visual culture and everyday life, the diverse painting approaches within my works aim to create a pictorial landscape of absurdity and paradox. Abstract and figurative, random and established, creation and destruction, empathy and indifference, wit and seriousness collide in my works, exploring the overwhelmingly enjoyable and wearisome mechanisms of control and existence in contemporary society in a richly layered way.
His solo exhibitions include:“As You Like It”, BROWNIE project,（Shanghai，2022）; And major group exhibitions include："Alienated landscapes", YI Art Institute, (Hefei, 2024),"L’extase" , Imagokinetics x Building 23 , (Hangzhou , 2024) ; "What happened after Nora left?", United Art Centre, (Beijing , 2024) ; "Reminder: Version Update Available"，Magician Space，（Beijing，2024).
谢林佑， 1993 年出生于南京，现从事视觉艺术家、导演及动画师。2018 年至 2020年就读于英国皇家艺术学院，2015 年至 2018 年就读于德国魏玛包豪斯大学。他获得的奖项有：2023 年入围英国 CIRCA Prize；2023 年获得美国Denver Digerati - 提名；2021 年获得 瑞士 Fantoche 动画电影节 - 提名；2021 年获得日本新千岁空港国际动画节 - 提名；2021 年获得 Anima布鲁塞尔国际动画电影节 - 提名；2021 年获得爱丁堡独立电影奖 - 最佳学生影片；2021 年获得丹佛 Supernova 数字动画节 - 提名；2020年获得 柏林音乐录像奖 - 提名；2019 年入围 Nowness 中国天才计划 。
Xie Linyou, born in 1993 in Nanjing and is currently a visual artist, director, and animator. He studied at the Royal Academy of Arts in the UK from 2018 to 2020 and at the Bauhaus University in Weimar, Germany from 2015 to 2018.His awards include: shortlisted for the UK CIRCA Prize in 2023; 2023 Nominated by Denver Digerati, USA; 2021 Fantoche Animation Film Festival in Switzerland - nominated; In 2021, it was nominated by the New Chitose Airport International Animation Festival in Japan. 2021 Anima Brussels International Animation Film Festival - Nominated; 2021 Edinburgh Independent Film Award - Best Student Film Nominated for Denver Supernova Digital Animation Festival in 2021; 2020 Berlin Music Video Award - nominated; 2019 Shortlisted for Nowness China Talent Program.
His exhibitions include:Latent Place, Subjective Gallery, （New York, 2023）;CIRCA Prize, Piccadilly Circus,(London, 2023);Ultra Community，Tank Shanghai，(Shanghai，2022);Site of Transitivity, 69 Art Campus，(Beijing，2021);Holiday, Madein Gallery，(Shanghai，2021);Intermediate, OCT Art Center，(Zibo，2020);RCA2020, Royal College of Art，(London，2020);Territory, Slime Engine，(Online,2020);WIP Show, Royal College of Art，(London，2020);Nowness China New Talent, K11, (Shanghai，2019);Summer Exhibition, Elephant West Gallery, (London，2019);"Where We Met"，Art Expo Beijing，(Beijing，2019);"The other domain", Safehouse, (London，2019);"Backwards Reading", 508 Gallery, (London，2019);Ocean，Slime Engine，(online，2018);Club de Normie, Reizueberflutung Artspace，(Weimar，2018).
邢万里，1992 出生于河北承德，曾就读于四川美术学院、西安美术学院，现工作生活于成都。他的作品指向文学作品中的非线性叙事结构，并引用符号学中对能指的物质性和所指的心理表象之间的关系进行图像处理。他借由现实生活中的体验将这些文字重组转换成以“记忆”为母题的场景。其画面注重对文字的呼应与感性的体验，碎片化的元素和生活中的灵感一一对应，构建出一系列从现实到预设再记录转化过程的开放性图式。他的作品曾 被 X 美术馆等机构收藏，作品《刺杀骑士团长》入选“Cultural Cityof East Asia 2019 Toshima Award”。
Xing Wanli, born in Chengde, Hebei in 1992, studied at Sichuan Fine Arts Institute and Xi'an Academy of Fine Arts, and now lives and works in Chengdu.His works point to the non-linear narrative structure of literary works and invoke the semiotic image processing of the relationship between the materiality of the referent and the mental representation of the referent. He uses real-life experiences to reorganize and transform these words into scenes with "memory" as the main theme. His images emphasize the echoing of words and sensual experience, and the fragmented elements correspond to the inspirations in life, constructing a series of open-ended schemas that transform from reality to preconception and then record the transformation process. His works have been collected by X Museum and other institutions，his work "Assassinating the Chief of the Knights" was selected into the "Cultural City of East Asia 2019 Toshima Award".
陈鋆尧（b.1995），独立策展人，目前工作、生活于上海和北京。2018年毕业于北京师范大学数字媒体系，并于2020年获得英国皇家艺术学院当代艺术策展硕士学位。他的策展研究和实践内容关注于剧烈社会转型下的空间政治、数字媒体的公共性和公共环境中的人文景观。
他曾作为主要发起人组织筹办首届未来策展人论坛（西岸美术馆，上海，2023）；入选国际现代艺术博物馆和收藏委员会（CIMAM）年度委员会成员（2022）；作为策展人组织筹办上海交大文创学院艺术创意谷艺术家驻留项目（2022-2023）；策展方案入围2022年集美·阿尔勒“影像策展人奖”（三影堂摄影艺术中心，厦门，2022）；其论文和研究项目《产业转型与策展思路介入下的城市再生——以深圳大芬村为例（Urban Regeneration with the Intervention of Industrial Transformation and Curatorial Ideas, A Case Study of Dafen Village, Shenzhen）》入选全球文化创意产业与发展国际会议（2021）并发表于跨学科期刊Telematics and Informatics Reports；他曾与国内外多家当代艺术机构和画廊合作，并为媒体和艺术家撰写评论文章。
近期主要策划展览/项目包括：“跨级社区”，上海油罐艺术中心，上海（2024）；“失神在三向度”，chi K11美术馆，上海（2023）；“无人时，可以翩翩起舞”，香格纳画廊M50空间，上海（2023）；“对照组：在棱镜般的视线中”，CLC Gallery Venture, 北京（2023）；“永恒与一日”，HdM Gallery, 北京（2023）；“雷电公寓”，雷电所，上海/CryptoVoxels（2022）；“大地边缘的人，狂醉中空想”，弥金画廊，上海（2022）；“Beyond”，CADAF，巴黎（2021）；“所及之处”，69 Art Campus，北京（2021）；“稍息”，OCAT淄博华侨城艺术中心，淄博（2021）；“100 Carat Diamond”，巴比肯艺术集团基金会，伦敦（2020）。
Junyao Chen(b.1995), Independent curator, his curatorial practice and research focus on the politics of space, the publicness of digital media, and human landscapes in public environments within the interdisciplinary context of design and communication.
Junyao Chen was the lead organizer of the first Future Curators Symposium (West Bund Museum, 2023); he was awarded the annual academic conference grant by the International Committee for Museums and Collections of Modern Art (CIMAM) (2022); his curatorial proposal was selected as a finalist for the Jimei-Arles "Curatorial Award for Photography and Moving Image” in 2022 (Three Shadows Photography Art Centre); he has participated as a curator in the organization of the ICCI ART VALLEY PROGRAM at the Institute of Cultural and Creative Industry (ICCI), Shanghai Jiaotong University (2022-2023); his thesis and research project “Urban Regeneration with the Intervention of Industrial Transformation and Curatorial Ideas, A Case Study of Dafen Village, Shenzhen” was selected for the International Conference on Global Cultural and Creative Industries and Development (2021) and published in the interdisciplinary journal Telematics and Informatics Reports (2022); He was awarded a full scholarship grant for the Special Programme for Artistic Talents by the China Scholarship Council (2018-2020); in addition, he has worked with contemporary art institutions and galleries at home and abroad, and has written critical articles for various media and artists.
Supercrowds/Supercommunity, Tank Shanghai, Shanghai, July, 2024; The Lost Fourth Wall, K11 Art Foundation, Shanghai, July 2023; When No One Is Around, Dance Gracefully, ShanghART Gallery, July 2023; Control group: In a prism-like sight, Curator, CLC Gallery Venture, Beijing, March 2023; Eternity and a day, Curator, HdM Gallery, Beijing, January 2023; Fantasy, on the edge of the earth, Curator, Gene Gallery, Shanghai, June 2022; Site of Transitivity, Curator, 69Campus Art Centre, Beijing, April 2021; Intermediate, Curator, OCT Art Centre, Zibo, November 2020;100 Carat Diamond, Co-curator, Barbican Art Group Trust, London, March 2020;
