西岸艺术与设计博览会
West Bund Art Design
参展艺术家 | ARTIST
展期 | Exhibition Period
可以画廊参加第十一届西岸艺术与设计博览会，于 B303 展位呈现代理艺术家李关帅个展「回音厅」。此次展会呈现了李关帅近一年来的一系列最新创作。展览将持续至11月10日。欢迎大家莅临B303展位参观。
KeYi Gallery participates in the 11th West Bund Art Design, presenting the solo exhibition “Echo Hall” by represented artist Li Guanshuai at Booth B303. The exhibition presents a series of Li Guanshuai's latest creations in the past year. The exhibition will last until November 10th. Welcome everyone to visit booth B303.
Selected works
奇异学识 / Strange knowledge
2024
布面油画 / Oil on canvas
250 × 200 cm
神曲写实版 3 / Realistic version of divine comedy 3
2024
布面油画 / Oil on canvas
60 × 100 cm
鹦鹉赋 / Parrots Ode
2024
布面油画 / Oil on canvas
120 × 100 cm
神曲写实版 4 / Realistic version of divine comedy 4
2024
布面油画 / Oil on canvas
60 × 100 cm
你我边缘的缪斯 / You and my marginal muse
2023-2024
布面油画 / Oil on canvas
160 × 120 cm
关于艺术家 / About Artist
李关帅，1997 年生于山东东营，2019 年毕业于四川美术学院版画系，2022 年研究生毕业于四川美术学院造型艺术学院，曾在四川美术学院驻留，现工作生活于重庆。李关帅将人内心的神圣和人与神性中细微的情感视为一种未知与神秘。整个过程表现为从自信到纠结，再到发现自身认知的缝合，转到失望再到接受并参与博弈，这些环节无序地出现在他的生活态度和作品中。细微的情感附着于巨大的、形象化的人的意志；附着于具体文本中人性部分的想象延伸上，包括人对仪式感的具体化和信仰的形象化。但这些都起于他在信仰中个人的想象力与求知欲的私心。李关帅的绘画中具有当下人们对未知、神性、仪式的新的个人的认知与情感判断。这古与新的意志和私心在他生活和画中交替，注定是个难题。他的作品曾被白兔当代艺术基金，广东当代艺术基金会，罗中立美术馆，鲸美术馆，X 美术馆等机构收藏。
他参与的个展有：“赞歌”，可以画廊，（合肥，2023）。他参与的群展包括 : “筒仓，算力，垂直之梦”，可以画廊，（合肥，2024）；“离谱”，三远当代艺术，（北京，2024）；“记忆 Memories”，Blank 画廊，（上海，2024）；“驿驿其达”，龙美术馆，（重庆，2023）；“在动物园散步才是正经事”，可以画廊（合肥，2023）；“动态刷新”，罗中立美术馆（重庆，2023）；“向前的前一步”，赛麟空间（上海，2022）；“固体与偏差”，重庆星汇当代美术馆 （ 重庆，2022）；“无论盛开还是不盛开，花都是花” ，可以画廊（合肥，2022）；" 礼物提名奖 " 作品展，并获得提名奖，罗中立美术馆（重庆，2022）；明日视线奖，（杭州，2021）； 作品《我为什么在这里》，中国美术馆（北京，2018）等。
Li Guanshuai born in 1997 in Dongying, Shandong Province, graduated from the Printmaking Department of the Sichuan Fine Arts Institute in 2019, and graduated from the School of Plastic Arts of the Sichuan Fine Arts Institute as a postgraduate student in 2022. Li Guanshuai regards the inner sanctity of human beings and the subtle emotions in human and divine nature as unknown and mysterious. The whole process is manifested in his attitude towards life and works, from selfconfidence to entanglement, to finding the suture of his own cognition, to disappointment, to acceptance and participation in the game. Small emotions attached to the great, visual human will; Attached to the imagination extension of the human part in the concrete text, including the embodiment of the sense of ritual and the visualization of faith. But it all stems from his personal imagination and curiosity in his faith. Li Guanshuai's paintings have people's new personal cognition and emotional judgment on the unknown, divinity and ritual. This old and new will and selfishness alternating in his life and paintings is bound to be a difficult problem.His works are collected in the White Rabbit Art Museum, Sydney, Australia, Guangdong Contemporary Art Foundation, Luo Zhongli Art Museum, etc.
His solo exhibitions include: "Paean", Keyi Gallery, (Hefei , 2023) , and major group exhibitions include: "Silo Dreams", Keyi Gallery, (Hefei , 2024); "Off the beaten path", N3 Contemporary Art , (BeiJing, 2024); "Memories", Blank Gallery, (Shanghai, 2024); "Sprouting", Dragon Art Museum, (Chongqing, 2023); "Walking in the Zoo is the most Serious Thing", KeYi Gallery, (Hefei, 2023); "Dynamic refresh", Luo Zhongli Art Museum, (Chongqing, 2023); "Look Before You Leap", Sailing Space, (Shanghai, 2022); "Solids and De viation", Galaxy Museum of Contemporary Art, (Chongqing, 2022); "Whether in Full Bloom or not, All Flowers are Flowers", KeYi Gallery, (Hefei, 2022) ; "The 4th Gift Nomination Award" and won the nominated award, Luo Zhongli Art Museum, (Chongqing, 2022); "Hyper Youth Award", (Hanghou, 2021); The Work: "Why I am Here", NAMOG, (Beijing, 2018), etc.
可以画廊 KeYi Gallery 是一间成立于2019年的当代新星空间，旨在为艺术家打造一个开放性的具有学术实验性的平台，致力推广多元独特的展览项目和艺术家作品，挖掘和培育年轻艺术家。可以画廊前身以私人收藏为主，20年间不断收藏那些具有一定学术价值的当代作品，并始终关注艺术当下及未来的发展趋势。
