可以画廊代理艺术家王一荣幸参与三角洲GODOWN群展“每个人都会有自己的马桶”。展览以影像、装置、绘画等多种形式，呈现艺术家在其生涯或命运之中面临寻找自己“马桶”的境遇——这个“马桶”或是美术馆中的金制马桶，也有可能是洗搅冲走自己生产物的公寓马桶，甚至可能是重新恢复其“物权”的马桶。在这些故事之中，寻找自己的“马桶”不仅是对个人信念与坚持的考验，更是穿越历史迷雾的过程。即便未来各异，每个人终将能找到属于自己的“马桶”。此次参展艺术家有陈迅超、 陈欣 、杜劲风 、杜可言、傅抱一 、李多、李科 、吕晓凯、李欣遥 、罗心紫、井二、林珈亦 、尚龙、盛元俊、魏翰林、王一 、修能 、项启昊 、杨罡 、于果 、叶斯、姚桢 、章灵杰 、周聪颀 、庄睿哲 、张听 、张誉骞 。
展览现场 Exhibition site
“每个人都会有自己的马桶”展出的王一作品
Wang Yi's works exhibited in "Everyone Has Their Own Toilet"
图片由“三角洲GODOWN"提供
Image provided by the Delta INST + GODOW
Wang Yi aims to create a form of painting art that is unique to the information age, heralding a revolution in visual art that will transform the relationship between reality and the virtual in painting. He believes that the value of art lies in its ability to document the times. Although one might not always clearly grasp the pulse of the era while immersed in its currents, it is important to believe that new technologies, inventions, and energies are tools for dismantling the old order.
His work often draws from classic paintings in art history, video games, and old films. He treats painting as both a medium for storing information and an output channel, where the non-textual readable space within the painting becomes the forefront of information. The artist’s inspiration and creative motives become the terminal for processing and transmitting this information, turning painting into a medium that simulates computer data. By using his sensory experiences and philosophical ideas as a foundation, he quantifies and processes visual information and elements from both the real and virtual worlds in a manner akin to information entropy. This approach constructs an information model mediated through painting, exploring the identity and significance of art in the information age.
公平交易/Fair trade
布面丙烯/Acrylic on canvas
120 x100cm
2024
关于艺术家 / About Artist
王一 ，1995年出生于江苏徐州，分别于2020年、2023年本科、硕士毕业于中国美术学院油画系，现居杭州。王一希望成就一种属于信息时代的绘画艺术，这是一场视觉艺术的革命，它将改变绘画中真实与虚拟的关系。他认为艺术的价值在于其参与记录了时代，置身于时代的浪潮中，或许不能明确把握时代的脉搏，但应该相信新技术、新发明、新能源这些都是破坏旧秩序的武器。他在对于经典绘画、老电影、电子游戏模型的转译过程中，探寻属于信息时代的新造型艺术。他的作品曾多次被星美术馆、X美术馆、北京时代美术馆、中国美术学院美术馆、广东当代艺术基金会等收藏。
他的个展有：“信息的形状”，可以画廊，（北京，2024）；“图形猎手”，三角洲The Delta INST，（杭州，2023）；“模拟矩阵”，可以画廊，（合肥，2023）;“明日浪潮”，出入艺术空间，（宁波，2022）；“了不起的一修”，运气画廊，（杭州 ， 2022）;“生活剧场”，TasteRoom，（杭州，2018）。主要群展包括：“每个人都会有自己的马桶”，三角洲The Delta INST，（杭州，2024）;新动能—全国青年油画学术邀请展”； 四川美术学院美术馆，（重庆，2024）；“第五届Inter-Youth国际青年绘画展”，西岸艺术中心，（上海，2023）；“拟象”，湖州美术馆，（湖州，2023）；“中国艺术万花筒”，阿韦利诺博物馆，（意大利，2023）；“花园化境”，温州美术馆，（温州，2023）；“洛德世界Ⅱ敌友大会”，野松画廊，（深圳，2022）;“失真”，小杉画廊，（北京，2022）;“潮流玩家”，北京时代美术馆，（北京，2021）；“Ambition! Award”，西岸穹顶艺术中心，（上海，2021）;“潮流玩家”，北京时代美术馆，（北京，2021）等。
Wang Yi, born in Xuzhou, Jiangsu Province in 1995, graduated from the Oil Painting of China Academy of Art in 2020 and 2023 respectively with a bachelor's degree and a master's degree, and now lives in Hangzhou. Wang Yi hopes to achieve a kind of painting art belonging to the information age, which is a revolution in visual art, which will change the relationship between the real and the virtual in painting. He believes that the value of art lies in its participation in recording The Times, in the tide of The Times, perhaps can not clearly grasp the pulse of The Times, but should believe that new technology, new inventions, new energy, these are weapons to destroy the old order. In the process of translating classic paintings, old movies and video game models, he explores new plastic arts belonging to the information age. His works have been collected many times by Star Museum, X Museum, Beijing Times Museum, Museum of China Academy of Art, Guangdong Contemporary Art Foundation, etc.
