上海廿一当代艺术博览会
参展艺术家 | ARTISTS
郭发展 Guo Fazhan
李喷泉 Li Penquan
李仲实 Li Zhongshi
罗然 Luo Ran
冉宇宵 Ran Yuxiao
松郎 Song Long
王一 Wang Yi
邢万里 Xing Wanli
杨玥琪 Yang Yueqi
张文强 Zhang Wenqiang
可以画廊参加第十二届 ART021上海廿一当代艺术博览会，在W05展位呈现了艺术家郭发展、李喷泉、李仲实、罗然、冉宇宵、松郎、王一、邢万里、杨玥琪、张文强十位艺术家的新作。展览将持续至11月10日，欢迎大家莅临W05展位参观。
KeYi Gallery participates in the 12th ART021 Shanghai Contemporary Art Fair, presenting new works by ten artists, Guo Fazhan, Li Penquan, Li Zhongshi, Luo Ran, Ran Yuyao, Song Long, Wang Yi, Xing Wanli, Yang Yueqi, and Zhang Wenqiang, at Booth W05. The exhibition will last until November 10th, welcome to visit Booth W05!
展位现场
Booth views
2024
绢本设色 / Ink and colour on silk
147 × 147 cm
2023
布面油画 / Oil on canvas
200 × 300 cm
2024
布面丙烯 、石膏 / Acrylic on canvas，Gypsum
150 × 200 cm
2023 — 2024
布面丙烯 / Acrylic on canvas
175 × 195 cm
2023
布面油画 / Oil on canvas
46 × 55 cm
2024
人造革、环氧树枝、铝塑板、铝合金
Synthetic leather，Epoxy resin，Aluminum-plastic panel，Aluminum alloy
100 × 70 cm
2024
布面丙烯 / Acrylic on canvas
160 × 170 cm
2024
布面油画 / Oil on canvas
195 × 140 cm
2024
布面油画 / Oil on canvas
286 × 212 cm
2024
布面丙烯 / Acrylic on canvas
200 x 175cm
李喷泉，1994年出生于河南洛阳，现居洛阳。艺术家一方面敏感捕捉日常事件的超验瞬间，另一方面他也博弈于忽左忽右的意识形态。无论是宏大叙事还是日常美学，再现神秘荒诞的体验一直是他所关注的焦点，而他的弱叙事性绘画正是对此体验的朴素回应。他的作品曾被广东当代艺术中心、X 美术馆等机构收藏。
李仲实，1994 出生于辽宁沈阳，2019 毕业于鲁迅美术学院，现工作生活于沈阳和伦敦。他的作品善于捕捉精神世界中的波动，注重客观世界具象化的消解以及视觉感官的刺激，使确定性坍塌。他在对视觉图像反复破坏、重构的过程中寻找灵感和感性经验，以此进行图像研究和观念实践，试图拓展绘画的观看方式。他将叙述和表意的线性关系重组，构建出游离于感性与理性边缘的、能够被画面痕迹和色彩追溯的精神世界。他的作品曾被 X 美术馆收藏。
他的个展包括：“反光镜”，可以画廊，（合肥，2023）；“永远是春天”，可以画廊，（合肥， 2021）；“李仲实 / Li Zhongshi ”，鲁迅美术学院美术馆，（沈阳，2018）。群展包括：“无论盛开还是不盛开，花都是花”，可以画廊，（合肥，2022）；“叙事”中国重点美术院校联展，（北京，2018）；“悦色青黄——视觉跨界的延伸”，芝加哥浮世画廊，（芝加哥，2017）等。
Li Zhongshi, born in Shenyang, Liaoning in 1994, graduated from Lu Xun Academy of Fine Arts in 2019, now works and lives in Shenyang and London. His works are good at capturing the fluctuations in the spiritual world, focuses on the dissolution of the materialization in the objective world and the stimulation of the visual senses, making deterministic collapse. He sought inspiration and perceptual experience in the process of repeated destruction and reconstruction of visual images". In this way to carry out image research and conceptual practice, trying to expand the way of appreciation of painting. He reorganizes the linear relationship between narration and expression to build a spiritual world that is free from the edge of sensibility and reason and can be traced by the traces and colors of the picture. His works have been collected by X Museum.
His solo exhibitions include: "Reflector", KeYi Gallery, (Hefei, 2023); "Always spring", KeYi Gallery, (Hefei, 2021); "Li Zhongshi", Art Museum of Luxun Academyof Fine Arts, (Shenyang, 2018). and group exhibitions include: "Whether in full bloom or not, all flowers are flowers", KeYi Gallery, (Hefei, 2022); "Narrative", Joint Exhibition of China's Key Fine Arts Colleges, (Beijing, 2018); "Blue&Yellow an Extention of visual Crossover", Floating World Gallery, (Chicago, 2017), etc.
罗然，1992 年出生于甘肃兰州，2014 年本科毕业于中国美术学院漆艺专业，2018 年研究生毕业于中国美 术学院漆艺专业。他的工作内容是关注当下视觉图景以及生成种种图景背后的逻辑。他把这种关注和探索理解为一场游戏，艺术家可以同时成为游戏的体验者和制作者，其中的趣味意在不断发现和制造隐秘且复杂的彩蛋。在类似于匀速直线运动的语境中，他将现在虚拟软件中对物的介入方式，以不同工具特性的轨迹， 转化成为绘画可以进行的工作逻辑，重新编辑不同维度之间的界限，尝试讨论一种在现实中悬空的节奏、 运动、关联、边界和秩序。他的作品曾被 X 美术馆、四方当代美术馆等机构收藏。
他的个展包括：“副词 Adverb”， 北京当代·艺术博览会 ，( 北京，2023)；“所有念头在窗口中浮动，Loading…taste good ! ”，可以画廊 ，（合肥，2021）。主要参加的群展包括："An Average Comet"，Harkawik 群 展，（Manhattan, New York City，2024）；“娜拉出走之后”，悠艺术中心，（北京，2024）；“智能秩序”，69 Art Campus，（北京，2023）；“植物神经紊乱”，可以画廊，（北京，2023）；“少女的收藏 101”，X 美术馆，（北京，2023）；“遇见预见——当代艺术藏家推荐展”，博乐得，（北京，2022）；“一米之内”，抽象绘画艺术群展，BLANK Gallery，（上海，2022）“返场：ART021 X 衡山路 8 号”，ART021 上海廿一当代艺术博览会，( 上海，2022）；“ARTO21 上海当代艺术博览会”，上海展览中心，（上海，2022）等。
Luo Ran, born in Lanzhou, Gansu Province in 1992, graduated from the Lacquer Art Major of China Academy of Fine Arts in 2014, and graduated from the Lacquer Art Major of China Academy of Fine Arts in 2018. His work content is to focus on the current visual scene and the logic behind the generation of various scenes. He regards this kind of attention and exploration as a game, in which the artist can become both an experienced player and a producer of the game. The interest is to constantly discover and create secret and complex colored eggs. In the context similar to the uniform linear motion, he transformed the way in which things are intervened in the virtual software into the working logic that can be carried out in painting with different tool characteristics, reedited the boundaries between different dimensions, and tried to discuss a kind of rhythm, movement, association, boundary and order suspended in reality. His works have been collected by X Museum, Sifang Art Museum and other institutions.
His recent exhibitions include: "Adverb,"Beijing Contemporary Expo, (Beijing, 2023); "All Thoughts Floating in the Window, Loading...taste good!" , KeYi Gallery, (Heifei, 2021). Major group exhibitions include: "An Average Comet," Harkawik Group Exhibition, (Manhattan, New York City, 2024); "Nora's Departure," You Art Center, (Beijing, 2024); "Intelligent Order," 69 ART CAMPUS, (Beijing, 2023); "Autonomic Disorder," KeYi Gallery, (Beijing, 2023); "Girl's Collection 101," X Museum, (Beijing, 2023); "Encounter & Forseeing - A Contemporary Art Exhibiton Recommended By Collectors", Bolide, (Beijing, 2022); "Within One Meter", Abstract Painting Art Group Exhibition, BLANK Gallery, (Shanghai, 2022); "Encore: ART021 X Hengshan Road No. 8," ART021 Shanghai Contemporary Art Fair, (Shanghai, 2022); "ARTO21 Shanghai Contemporary Art Fair," Shanghai Exhibition Center, (Shanghai, 2022), etc.
冉宇宵，1996 年出生于四川成都，2020 年学士毕业于马里兰艺术学院，2023 年硕士毕业于英国皇家艺术学院油画系，现工作生活于伦敦。他于 2021 年参与 NY20+ 国际驻地项目，其作品曾被 69 Art Campus 收藏。
他 参 加 的 个 展 有：“ 寓 言 大 道”，Gallery Rosenfeld，（ 伦 敦，2024）；“此地无知”，可以画廊，（北京，2024）。他参与的群展有：“吉尔福德客厅”，It’s A Local Collective，（伦敦，2024）；“ 囤积者”，The Shophouse，（香港，2023）；“音乐与艺术的疗愈力量”， Mandy Zhang Art,（ 伦敦 , 2023）；“发光 - 线上展”，Tapiial Virtual，（圣地亚哥，2023）；“在动物园散步才是正经事”，可 以 画 廊，（ 合 肥，2023）；“ 印 象”，Subtitle Labs，（ 伦 敦，2023）；“待办事项”，Latitude Gallery，（纽约，2021）；“新冠时期的艺术”，OCA Mocha，（巴尔的摩，2020）；“学生版画展”，大阪艺术学院，（大阪，2019）；“MIC 审评展”，马里兰艺术学院，（巴尔的摩，2019）；“中国青年艺术家群展”，马里兰艺术学院，（巴尔的摩，2018）等。
Ran Yuxiao, born in Chengdu, Sichuan Province in 1996, graduated from the Maryland Institute College of Art in 2020 with a bachelor's degree in Fine Arts, and graduated from the Royal College of Art in 2023 with a master's degree in Painting. Now he lives and works in London. He participated in the NY20+ international residency program in 2021, and his work has been collected by 69 Art Campus.
The solo exhibition he participated in: "Fable Boulevard", Gallery Rosenfeld, (London, 2024); "Ignorance Buried Here", KeYi Gallery, (Beijing, 2023). The group exhibition he participated in: "Guilford's Parlour", It's A Local Collective, (London, 2024); "The Hoarders", The Shophouse, (Hong Kong, 2023); "The Healing Power of Art and Music", Mandy Zhang Art, (London, 2023); "Glowing -online exhibition", Tapiial Virtual, (Santiago, 2023); "Walking in The Zoo is The Most Serious Thing", KeYi Gallery, (Hefei, 2023); "Impressions", Subtitle Labs, (London, 2023); "It's Time to Reduce the Backlog", Latitude Gallery, (New York, 2021); "Art During the Time of COVID", OCA Mocha, (Baltimore, 2020); "Student Hanga Exhibition",Osaka University of Art, (Osaka, 2019); "Juried Undergraduate Exhibition", Maryland Institute College of Art, (Baltimore, 2019); "Chinese Young Artists Group Exhibition", Maryland Institute College of Art, (Baltimore, 2018), etc.
松郎，1998 年出生于江苏省徐州市，2020 年本科毕业于西安美术学院实验艺术系，现生活工作于江苏。她的创作关注人与其生存空间的关系。她切身进入多种现实场景，通过对生活末枝的的异化来撬动惯常经验，打乱并重组日常规制，以精心营造的间离感或戏谑、或诗意地形成观念输出。其作品曾获 2021 年西戏 / 想象力学 / 马丁·戈雅生意“明日视线”第二名、2020 年绘画艺术坏蛋店第一届“新鬼”不得不服第一名。
她参与的个展有：“纯良流域”，可以画廊（合肥，2024）；“选择用力”个人驻地项目，华侨城盒子美术馆，（佛山，2021）；她参加的群展有：“中国当代影像艺术年鉴展”，多伦美术馆，（上海，2024）；“狂喜”，想象力学实验室，（杭州，2024）；“步行指南”，长征独立空间，（北京，2023）；“活成行为艺术家”，没顶美术馆，（上海，2023）；“不可思议的行动”，A4 美术馆，（成都，2022）；“存在与重复”，春美术馆，（上海，2022）；“说我们的 100 种方式”, 新市剧院 & 歌德学院，（德国，2021）等。
Song Long, born in Xuzhou, Jiangsu Province 1998, graduated from the Experimental Art of Xi'an Academy of Fine Arts in 2020. Now she lives and works in Jiangsu. Her work focuses on therelationship between people and their living spaces. She enters into various realistic scenes, leverages customary experience through alienation of the last branches of life, disrupts andreorganises daily regulations, and forms conceptual output with the carefully constructed sense ofseparation, playfully or poetically. Her works won second place in the 2021 XIXI Live/ Imagokinetics/ Martin Goya business "Hyper Youth Award" and first in the Painting Art badass shop "New Soul" in 2020.
The solo exhibition she participated in: "Innocent basin", KeYi Gallery, (Heifei, 2024); "Choose Force" Solo Residency Project, Boxes Art Museum, (Foshan, 2021); The group exhibition she participated in: "The First Annual Exhibition of Chinese Contemporary Photography and Video Arts", Shanghai Duolun Muse um of Modern Art, (Shanghai, 2024 ); "L'EXTASE", lmago Kinetics, (Hangzhou, 2024); "Walking Guides", LongMarch gallery, (Beijing, 2023); "Living aperformance Artist's Life", MAM, (Shanghai, 2023); "Incredible Action", A4 Art Museum, (Chengdu, 2022); "Existence and Repetition", Chun Art Museum, (Shanghai, 2022); "100 Ways to Say We", Theater Neumarkt & GoetheInstitu, (German, 2021), etc.
王一 ，1995 年出生于江苏徐州，分别于 2020 年、2023 年本科、硕士毕业于中国美术学院油画系，现居杭州。王一希望成就一种属于信息时代的绘画艺术，这是一场视觉艺术的革命，它将改变绘画中真实与虚拟的关系。他认为艺术的价值在于其参与记录了时代，置身于时代的浪潮中，或许不能明确把握时代的脉搏，但应该相信新技术、新发明、新能源这些都是破坏旧秩序的武器。他在对于经典绘画、老电影、电子游戏模型的转译过程中，探寻属于信息时代的新造型艺术。他的作品曾多次被星美术馆、X 美术馆、北京时代美术馆、中国美术学院美术馆、广东当代艺术基金会等收藏。
他的个展有：“信息的形状”，可以画廊，（北京，2024）；“图形猎手”，三角洲 The Delta INST，（杭州，2023）；“模拟矩阵”，可以画廊，（合肥，2023）；明日浪潮”，出入艺术空间，（宁波，2022）；“了不起的一修”，运气画廊，（杭州 ， 2022）；“生活剧场”，TasteRoom，（杭州，2018），主要群展包括：“新动能—全国青年油画学术邀请展”； 四川美术学院美术馆，（重庆，2024）；第十一届 ART021 上海廿一当代艺术博览会， 上海展览中心， （上海 ， 2023）；“第五届 Inter-Youth 国际青年绘画展”，西岸艺术中心，（上海，2023）；“拟象”，湖州美术馆，（湖州，2023）；“中国艺术万花筒”，阿韦利诺博物馆，（意大利，2023）；“花园化境”，温州美术馆，（温州，2023）；“洛德世界Ⅱ敌友大会”，野松画廊，（深圳，2022）；“失真”，小杉画廊，（北京，2022）；“潮流玩家”，北京时代美术馆，（北京，2021）； “Ambition! Award”，西岸穹顶艺术中心，（上海，2021）等。
Wang Yi, born in Xuzhou, Jiangsu Province in 1995, graduated from the Oil Painting of China Academy of Art in 2020 and 2023 respectively with a bachelor's degree and a master's degree, and now lives in Hangzhou. Wang Yi hopes to achieve a kind of painting art belonging to the information age, which is a revolution in visual art, which will change the relationship between the real and the virtual in painting. He believes that the value of art lies in its participation in recording The Times, in the tide of The Times, perhaps can not clearly grasp the pulse of The Times, but should believe that new technology, new inventions, new energy, these are weapons to destroy the old order. In the process of translating classic paintings, old movies and video game models, he explores new plastic arts belonging to the information age. His works have been collected many times by Star Museum, X Museum, Beijing Times Museum, Museum of China Academy of Art, Guangdong Contemporary Art Foundation, etc.
His solo exhibitions include: "Shape Of Information", KeYi Gallery, (Beijing, 2024); "Graphic Hunter", TheDelta INST, (Hangzhou, 2023); "Simulation Matrix", KeYi Gallery, (Hefei, 2023); "Tomorrow Wave", In & Out Space, (Ningbo, 2022); "The Great Gatsby", Luck Galler, (Hangzhou, 2022); "Life Theatre", TasteRoom, (Hangzhou, 2018). And major group exhibitions include: "New Dynamic - National Youth Oil Painting Academic Invitation Exhibition ", Sichuan Fine Arts Institute Art Museum, (Chongqing, 2024); "The 11th ART021 Shanghai 21st Century Contemporary Art Fair", Shanghai Exhibition Center, (Shanghai, 2023); The 5th Inter-Youth International Youth Painting Exhibition Xiba Art Center, (Shanghai, 2023); "SIMULATION", Huzhou Art Museum, (Huzhou, 2023); "CINA CALEIDOSCOPIO DELL'ARTE", MUSEO IRPINO, (Italy, 2023); "When Visible Meet the Invisible", Wenzhou Museum, (Wenzhou, 2023); "Luode World II Enemy and Friend Conference", Issuing Gallery, (Shenzhen, 2022); "Distortion", FIR Gallery, (Beijing, 2022); "Trend Player", Beijing Times Art Museum, (Beijing, 2021); "Ambition! Award", West Bank Dome Art Center, ( Shanghai, 2021), etc.
邢万里，1992 出生于河北承德，曾就读于四川美术学院、西安美术学院，现工作生活于成都。邢万里通过对“文本”，“图像”与“记忆”三者关系之间的探索，给作品带来多样的画面，也给观众带来多维度的思考空间。当我们在描述记忆时，有多少是对真实事件的重述，又有多少是对逝去片段的填补与想象？正是记忆的这种混沌性给了艺术家创作的空间，试探的笔触在陌生的路径中探索着未知。他的作品指向文学作品中的非线性叙事结构，并引用符号学中对能指的物质性和所指的心理表象之间的关系进行图像处理。他借由现实生活中的体验将这些文字重组转换成以“记忆”为母题的场景。其画面注重对文字的呼应与感性的体验，碎片化的元素和生活中的灵感一一对应，构建出一系列从现实到预设再记录转化过程的开放性图式。他的作品曾被 X 美术馆等机构收藏，作品《刺杀骑士团长》入选“Cultural Cityof East Asia 2019 Toshima Award”。
他的个展包括：“事犹未了”，X 美术馆，（北京，2024）；“遥远的绿洲”，可以画廊，（合肥 ，2021）；“故事的形状”，MOMO 艺术中心，（西安市， 2019）。主要群展包括：“返场时代”，时代美术馆，（北京，2024）；“作为意志和表象的世界”，可以画廊，（北京，2023）；“多少次呵，我离开了我日常的生活”，69 Art Campus，（北京，2022）；“斯普特尼克恋人”青矜计划，( 北京， 2020) 等。
Xing Wanli, born in Chengde, Hebei in 1992, studied at Sichuan Fine Arts Institute and Xi'an Academy of Fine Arts, and now lives and works in Chengdu. His works point to the non-linear narrative structure of literary works and invoke the semiotic image processing of the relationship between the materiality of the referent and the mental representation of thereferent. By exploring 'Text', 'Image' and 'Memory', Xing brings a variety of images to his works, as well as a multi-dimensional space to contemplate. When we describe our memories, how much of it is related to the actual events, and how much is a fabrication of lost fragments? It is precisely this chaotic nature of memory that inspires the artist to explore, with tentative strokes traversing the unfamiliar paths. He usesreal - life experiencesto reorganize and transform these wordsinto scenes with "memory" as the main theme. His images emphasize the echoing of words and sensual experience, and the fragmented elements correspond to the inspirationsin life, constructing a series of open-ended schemasthat transform from reality to preconception and then record the transformation process. His works have been collected by X Museum and other institutions,his work "Assassinating the Chief of the Knights" was selected into the "Cultural City of East Asia 2019 Toshima Award".
His solo exhibitions include: "There Are More Things", X Museum, (Beijing, 2024); "Far Oasis ", KeYi Gallery, (Hefei, 2021); "The Shape of Story", MoMo Art center, (Xi'an, 2019). and major group exhibitions include: "ERA OF ENCORE", Beijing Times Art Museum, (Beijing, 2024); "The World as Will and Representation", KeYi Gallery, (Beijing, 2023); "How many times, I have left my everdaylif", 69 Art Campus, (Beijing, 2022); Qingjin Plan of "Sputnik Lovers", (Beijing, 2020), etc.
关于可以画廊 / About KeYi Gallery
