Rotation of Space Production
论坛嘉宾 Forum Guests:
陈鋆尧 Chen Junyao
经傲 Jing Ao
李关帅 Li Guanshuai
李昕𬱖 Li Xindi
邢万里 Xing Wanli
尤洋 You Yang
张乃千 Zhang Naiqian
15# Building, New Grain Warehouse, Shushan District, Hefei.
兴建于世纪末的筒仓由存放储备粮转向关注当代文化内容生产，空间的建筑改造与情景轮替象征着社会生产关系的重心转移，也为当代艺术作为社会生产实践的形式提供了新的诠释可能。
Built at the end of the century, the silos have shifted from storing grain reserves to producing contemporary cultural content. The architectural transformation of the space and the alternation of scenarios symbolize the shifted focus of social production relations and provide possibilities for new interpretations of contemporary art as a form of social production practice.
本次开幕论坛邀请画廊主张乃千、策展人陈鋆尧、特邀嘉宾尤洋、艺术家经傲、李关帅、李昕頔、邢万里共同探讨艺术作为生产实践与空间性的关系。几位在当代艺术场域中扮演的不同角色共同构成了艺术生产的生态网络。在当下的现实中，以生产关系的动态客观审视不同人物的视角，将为当下的艺术实践提供新的启发。
This opening forum invites gallery owner Zhang Naiqian, curator Junyao Chen, special guest You Yang, artists Jing Ao, Li Guanshuai, Li Xindi, and Xing Wanli to discuss the relationship between spatiality and art as a production practice. The distinct roles they play in contemporary art form together an ecological network of art production. In the current reality, an objective observation of different stakeholders’ perspectives through the dynamics of production relations will provide new inspiration for current art practice.
关于论坛嘉宾 / About Forum Guests
尤洋
You Yang
Director of X Museum
Mr. You Yang is dedicated to observing the development and integration of urban and consumer cultures. He is enthusiastic about exploring collaborative research projects, public art initiatives, and government cooperation across various cultural domains. He has published over a hundred specialized articles, columns in publications, and authored works.
Currently, Mr. You Yang serves as a member of the Innovation Development Committee of the Beijing Municipal Committee of the China Democratic National Construction Association. He is also a committee member of the Art Committee of the 798 Art Zone in Beijing, a visiting researcher at the New Art Museum Research Center of the Guangzhou Academy of Fine Arts, and a cultural project consultant for government and corporate entities. He actively supports and participates in art public welfare projects across China.
李关帅，1997 年生于山东东营，2019 年本科毕业于四川美术学院版画系，2022 年研究生毕业于四川美术学院造型艺术学院，曾在四川美术学院驻留，现工作生活于重庆。亘古的未知与当下的未知给李关帅的作品带来隐形的博弈。他将人内心的神圣和人与神性中细微的情感视为一种未知与神秘。整个过程表现为从自信到纠结，再发现自身认知的缝合，转到失望再到接受并参与博弈，这些环节无序地出现在他的生活态度和作品中。细微的情感附着于巨大的、形象化的人的意志;附着于具体文本中人性部分的想象延伸上，包括人对仪式感的具体化和信仰的形象化。但这些都起于他在信仰中个人的想象力与求知欲的私心。李关帅的绘画中具有当下人们对未知、神性、仪式的新的个人的认知与情感判断。这古与新的意志和私心在他生活和画中交替注定是个难题。他的作品曾被白兔当代艺术基金，广东当代艺术基金会，罗中立美术馆，鲸美术馆，X 美术馆等机构收藏。
他参与的个展有：“赞歌”，可以画廊，（合肥，2023）；他参与的群展包括 :“ 离 谱”， 三 远 当 代 艺 术，（ 北 京，2024）；“记忆”，BLANKgallery，（上海，2024）；“驿驿其达”，龙美术馆，（重庆，2023）；“在动物园散步才是正经事”，可以画廊（合肥，2023）；“动态刷新”，罗中立美术馆（重庆，2023）；“罗中立奖学金作品展”，芒果美术馆（长沙，2023）；“向前的前一步”，赛麟空间（上海，2022）；“折叠·覆盖”，鸿坤美术馆 （北京，2022）；“固体与偏差”，重庆星汇当代美术馆 （ 重庆，2022）；“信息捕捉器、超未来、启示、友爱共生”，北京妙有艺术（北京，2022）；“无论盛开还是不盛开，花都是花” ，可以画廊（合肥，2022）；" 礼物提名奖 " 作品展，并获得提名奖，罗中立美术馆（重庆，2022）；明日视线奖，（杭州，2021）；作品《我为什么在这里》，中国美术馆（北京，2018）等。
Xing Wanli, born in Chengde, Hebei in 1992, studied at Sichuan Fine Arts Institute and Xi'an Academy of Fine Arts, and now lives and works in Chengdu.His works point to the non-linear narrative structure of literary works and invoke the semiotic image processing of the relationship between the materiality of the referent and the mental representation of the referent. He uses real-life experiences to reorganize and transform these words into scenes with "memory" as the main theme. His images emphasize the echoing of words and sensual experience, and the fragmented elements correspond to the inspirations in life, constructing a series of open-ended schemas that transform from reality to preconception and then record the transformation process. His works have been collected by X Museum and other institutions，his work "Assassinating the Chief of the Knights" was selected into the "Cultural City of East Asia 2019 Toshima Award".
他的主要个展包括：“高空设施”，C5CNM，（北京，2023）；“R.D. 结构三”，盘子空间，（北京，2020）。他的主要群展包括：“隐藏的创作”，香格纳画廊 & 苏河皓司，（上海，2024）；“永昼”，美成空间，（深圳，2024）；“智能秩序”，69Art Campus，（北京，2023）；“示范：做决定技术的艺术”，复星艺术中心，（上海；2023）；“昨天是新的一天”，今格空间，（北京，2022）；“目及处，彼方物”，作者画廊，（北京，2022）；“GREEN GO HOME：隔离、断线与四海为家”，户尔空间，（北京，2021）；“合作，为了污染，不为完善：解放”，户尔空间，（北京，2021）；“八仙过海”，postpost，（北京，2020）；“在各处”，工作室画廊，（上海，2020）；"Within Receding Horizon", Sullivan Gallery, （芝加哥，2018）等。
Xindi Li was born in 1996 , lives and works in Beijing. Li holds a BFA in Sculpture from The School of the Art Institute of Chicago. Following the paths of pivotal artists who work in the realm of Institutional Critique, such as Hans Haacke and Andrea Fraser, Xindi Li’s installation works pose questions and critically comments on the nature of art institutions and their role in producing culture and defining aesthetics in contemporary society with unexpected parody and non-sequitur humor. Aside from his individual art practice, Li has also worked in private and public art museums professionally; these professional experiences have significantly contributed to his understanding of the functioning of art institutions and initiated his constant introspective examining of the norms within the institutional system.
陈鋆尧（b.1995），独立策展人，目前工作、生活于上海和北京。2018年毕业于北京师范大学数字媒体系，并于2020年获得英国皇家艺术学院当代艺术策展硕士学位。他的策展研究和实践内容关注于剧烈社会转型下的空间政治、数字媒体的公共性和公共环境中的人文景观。
他曾作为主要发起人组织筹办首届未来策展人论坛（西岸美术馆，上海，2023）；入选国际现代艺术博物馆和收藏委员会（CIMAM）年度委员会成员（2022）；作为策展人组织筹办上海交大文创学院艺术创意谷艺术家驻留项目（2022-2023）；策展方案入围2022年集美·阿尔勒“影像策展人奖”（三影堂摄影艺术中心，厦门，2022）；其论文和研究项目《产业转型与策展思路介入下的城市再生——以深圳大芬村为例（Urban Regeneration with the Intervention of Industrial Transformation and Curatorial Ideas, A Case Study of Dafen Village, Shenzhen）》入选全球文化创意产业与发展国际会议（2021）并发表于跨学科期刊Telematics and Informatics Reports；他曾与国内外多家当代艺术机构和画廊合作，并为媒体和艺术家撰写评论文章。
近期主要策划展览/项目包括：“跨级社区”，上海油罐艺术中心，上海（2024）；“失神在三向度”，chi K11美术馆，上海（2023）；“无人时，可以翩翩起舞”，香格纳画廊M50空间，上海（2023）；“对照组：在棱镜般的视线中”，CLC Gallery Venture, 北京（2023）；“永恒与一日”，HdM Gallery, 北京（2023）；“雷电公寓”，雷电所，上海/CryptoVoxels（2022）；“大地边缘的人，狂醉中空想”，弥金画廊，上海（2022）；“Beyond”，CADAF，巴黎（2021）；“所及之处”，69 Art Campus，北京（2021）；“稍息”，OCAT淄博华侨城艺术中心，淄博（2021）；“100 Carat Diamond”，巴比肯艺术集团基金会，伦敦（2020）。
Junyao Chen(b.1995), Independent curator, his curatorial practice and research focus on the politics of space, the publicness of digital media, and human landscapes in public environments within the interdisciplinary context of design and communication.
Junyao Chen was the lead organizer of the first Future Curators Symposium (West Bund Museum, 2023); he was awarded the annual academic conference grant by the International Committee for Museums and Collections of Modern Art (CIMAM) (2022); his curatorial proposal was selected as a finalist for the Jimei-Arles "Curatorial Award for Photography and Moving Image” in 2022 (Three Shadows Photography Art Centre); he has participated as a curator in the organization of the ICCI ART VALLEY PROGRAM at the Institute of Cultural and Creative Industry (ICCI), Shanghai Jiaotong University (2022-2023); his thesis and research project “Urban Regeneration with the Intervention of Industrial Transformation and Curatorial Ideas, A Case Study of Dafen Village, Shenzhen” was selected for the International Conference on Global Cultural and Creative Industries and Development (2021) and published in the interdisciplinary journal Telematics and Informatics Reports (2022); He was awarded a full scholarship grant for the Special Programme for Artistic Talents by the China Scholarship Council (2018-2020); in addition, he has worked with contemporary art institutions and galleries at home and abroad, and has written critical articles for various media and artists.
Supercrowds/Supercommunity, Tank Shanghai, Shanghai, July, 2024; The Lost Fourth Wall, K11 Art Foundation, Shanghai, July 2023; When No One Is Around, Dance Gracefully, ShanghART Gallery, July 2023; Control group: In a prism-like sight, Curator, CLC Gallery Venture, Beijing, March 2023; Eternity and a day, Curator, HdM Gallery, Beijing, January 2023; Fantasy, on the edge of the earth, Curator, Gene Gallery, Shanghai, June 2022; Site of Transitivity, Curator, 69Campus Art Centre, Beijing, April 2021; Intermediate, Curator, OCT Art Centre, Zibo, November 2020;100 Carat Diamond, Co-curator, Barbican Art Group Trust, London, March 2020.
张乃千，1998 年出生于安徽合肥，2021年毕业于鲁迅美术学院。可以画廊、可以艺术书店创始人。
Zhang Naiqian, born in Hefei, Anhui Province in 1998, graduated from Lu Xun Academy of Fine Arts in 2021. He is the founder of KeYi Gallery and KeYi Art Bookstore.
关于主持人 / About Moderator
谭欣然（b. 2000），策展人及研究者，现工作生活于香港和上海。她的策展兴趣关注空间、边界与离散，探讨该语境下的跨文化经验、对抗的可见度以及个体性与机构性间的权力动态。她在上海、香港、伦敦拥有机构策展参与及独立策展经历。她于2023年获得香港中文大学文化管理文学学士学位，2024年于英国皇家艺术学院获得当代艺术策展文学硕士学位。
Sylvia Tan born in 2000,she is a curator and researcher based in Hong Kong and Shanghai. Her curatorial concerns center on space, border, and diaspora, exploring in these contexts cross-cultural experience, visibility of antagonism, and the power dynamics between individuality and structurality. She has institutional curatorial engagements and independent curatorial experiences in Shanghai, Hong Kong, and London. She received her BA in Cultural Management from the Chinese University of Hong Kong (2023) and her MA in Curating Contemporary Art from the Royal College of Art (2024).
关于线上直播 / About Online Livestream Platform
关于可以画廊 / About KeYi Gallery
可以画廊 KeYi Gallery 是一间成立于2019年的当代新星空间，旨在为艺术家打造一个开放性的具有学术实验性的平台，致力推广多元独特的展览项目和艺术家作品，挖掘和培育年轻艺术家。可以画廊前身以私人收藏为主，20年间不断收藏那些具有一定学术价值的当代作品，并始终关注艺术当下及未来的发展趋势。
KeYi Gallery is a young contemporary art space established in 2019. It aims to create an open and experimental platform for artists and dedicates to promoting diverse unique art programs and works of art, exploring and developing young artists. KeYi Gallery gave priority to private collections previously and has been insisting on collecting contemporary artworks with high academic value while concentrating on art trends in the art world.
