BROWNIE Project 画廊荣幸宣布将于2024 年第十一届西岸艺术与设计博览会期间在 GATE M 西岸梦中心的现场单元xiàn chăng 呈现艺术家 王行云 的大幅综合材料绘画作品。

继今年年初艺术家王行云的中国首个个展在 BROWNEI Project 画廊举办后，其作品受到广泛关注，并相继作为最年轻一代的艺术家作品展出于2024年第四届新疆国际艺术双年展、上海外滩艺术中心等重要机构展览，并被纳入亚洲私人收藏。

王行云1997年出生于北京，现居纽约。通过纸上综合绘画，她的抽象作品深入探讨了女性主义、 酷儿文化和跨文化体验，提供了关于个人和心理叙事的深刻探索。王行云的艺术过程涉及将薄薄的纸张层叠起来，形成脆弱性与韧性之间交错纹理的表面，创造出反映身体与景观之间微妙互动。

“王行云的纸上作品描绘了动人的抽象地形；是既有物质性又有图像性的心理景观。从物质性来说，作品细致地阐释了将纸张粘合重叠进行打磨、擦拭、穿刺和刮擦的过程，并且在厚水彩纸基底上层层铺叠纤巧的薄纸来塑造出涟漪起伏的波纹质感。王行云将材料的物质性视为可协作的主体，创造出纸张于着色的胶水间纵横交迭的奇妙变化。她的创作过程像是一场有形的博弈，并在作品上落下了层层印迹。”

— Chie Fueki, 美国亨特学院教授

(作品细节图 Details of the work)

BROWNIE Project Gallery is honored to announce that during the 11th West Bund Art and Design Fair in 2024, we will present artist Wang Xingyun’s large-scale mixed media work in DREAM xiàn chăng section at GATE M DREAM Centre.

Following artist Wang Xingyun’s first solo exhibition in China at BROWNEI Project Gallery earlier this year, her works have received widespread attention and have been exhibited as works of the youngest generation of artists at important institutions such as 2024 the Fourth Xinjiang International Art Biennale and the Shanghai Bund Art Center, and have been included in private collections in Asia.

Xingyun Wang (b. 1997) is a New York-based Chinese artist, specializing in the transformative use of paper as her primary medium. Her abstract works delve into the realms of feminism, queerness, and intercultural experiences, offering a poignant exploration of personal and psychological narratives. Wang's artistic process involves layering thin sheets of paper, creating textured surfaces that reflect the nuanced interplay between body and landscapes; vulnerability and resilience.

“I apply pigmented glue to layer thin sheets of paper onto thick watercolor paper, crafting a textured surface. Working on the floor, pushing the paper when wet and moving the glue around, is a tactile process of drawing with bodily and material contingencies. The interplay between thin and thick papers creates a stratified texture of semi-opaque layers, conjuring images of: engulfing floods, the remnants of landscape in ruins, skin, and scars. Mounting the work on the wall, I then accumulate small marks with other materials, weaving together a narrative and psychologically charged landscape comprised of multiple viewpoints and perspectives. 

However, amid the depicted realm of powerlessness, there is the sinew of resistance. Perspectives and scales shift, revealing that a mist of color, initially a shadow of a mountain, becomes the face of a woman when viewed from a distance, patiently waiting and gazing back from this immersive scale. Here, a body or an imprint of a body dwells in the space. The scarlet marks, in their evocative presence, hint at more than mere skin-deep wounds and scars. The marks signify incisions of the eyes, where the gaze becomes the most poignant cut upon the skin. These eyes have witnessed and documented everything, the flood, the chaos, and the noise, incarnating a silent yet resilient force within the narrative. 

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王行云

Wang Xingyun

王行云 1997 年出生于北京，现居纽约。通过纸上综合绘画，她的抽象作品深入探讨了女性主义、酷儿文化和跨文化体验，提供了关于个人和心理叙事的深刻探索。王行云的艺术过程涉及将薄薄的纸张层叠起来，形成脆弱性与韧性之间交错纹理的表面，创造出反映身体与景观之间微妙互动。

王行云在多个展览中展出了她的作品，近期的展览包括：“第四届中国新疆国际艺术双年展”，新疆美术馆（乌鲁木齐，2024）；“地心之旅”，上海外滩艺术中心185空间（上海，2024）；“毛刺时间”，BROWNIE Project画廊（上海，2024）；“江湖: 中心的离散”，桉画廊（杭州，2024）；“Thank God Every Day That the Whole House Did Not Burn Down”，亨特学院（纽约，2023）；“I Want Enough Luck”，Bob’s画廊 （纽约，2023）；“Terrible Terrible”，205 哈德逊画廊（纽约，2023）；“Pulp”，Pierogi画廊（纽约，2022）；“Forbidden Fruit”，Piano Craft画廊（波士顿，2021）。王行云曾在巴德学院学习，并在纽约州立大学帕切斯学院获得了美术学士学位(2021)。她目前是亨特学院美术硕士候选人(2022-2025)。

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