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郭盈光
Guo Yingguang
Exhibition: Annie Ernaux & PhotographyDuration: 2024.2.28 - 2024.5.26Location: Maison Européenne de la Photographie, Paris, France艺术家郭盈光的作品正在法国巴黎欧洲摄影之家(MEP)开幕的重要收藏展「外部—安妮·埃尔诺和摄影」中展出，这是她自2019年在MEP举办个展以来最新一次在MEP的展览。
「外部——安妮·埃尔诺和摄影」颂扬了摄影与安妮·埃尔诺文字之间的动态关系。诺贝尔文学奖获得者安妮·埃尔诺因对年轻一代出众地社会和女性主义影响，以及她探索记忆、身份和人类状况等普世主题的作品而闻名。洗练的文笔和充沛的感情使她成为当代文学的重要人物。展览结合了埃尔诺1993年出版的《外部》（外部日记）一书 —— 书中记录了1985年至1992年间塞尔吉蓬图瓦兹及其周边地区火车上、商店里和街道上发上的事情 —— 和MEP馆藏的150多张来自哈里·卡拉汉、克罗德·蒂提翁、多洛雷斯·马拉、森山大道、珍妮·涅普斯、须田一政、亨利·韦塞尔、伯纳德·皮埃尔·沃尔夫等艺术家的作品。展出作品涵盖20世纪下半叶拍摄于法国、英国、日本、美国等多地。展览之际，Éditions MACK将与MEP联合出版法文版与英文版展览图录。
Artist Guo Yingguang's works are featured in MEP's recent major collection exhibition Annie Ernaux & Photography. This is Guo Yingguang's latest exhibition with MEP since her solo exhibition there in 2019.“Exteriors — Annie Ernaux and Photography” celebrates the dynamic relationship between photography and the writing of Annie Ernaux. Winner of the Nobel Prize of Literature, Annie Ernaux is known for her social and feminist commitment, particularly to the younger generation, and for her ability to explore universal themes such as memory, identity and the human condition. Her precise style and emotional analysis have made her a major figure in contemporary literature. It combines texts from Ernaux’s book Exteriors (Journal du dehors), 1993 – a record of happenings on trains, shops and streets in-and-around Cergy-Pontoise between 1985 and 1992 – with more than one hundred and fifty images from the MEP collection by major photographers such as Harry Callahan, Claude Dityvon, Dolorès Marat, Daido Moriyama, Janine Niepce, Issei Suda, Henry Wessel and Bernard Pierre Wolff, amongst others. The image selection covers the second half of 20th century and includes photographs mostly taken in France but also in England, Japan, USA and other countries. To coincide with the exhibition, a catalogue will be published in French and in English by Éditions MACK in partnership with the MEP.
无题
2016
33.5 x 45.9 cm
MEP 2020.004
Guo Yingguang
Untitled
2016
33.5 x 45.9 cm
MEP 2020.004
郭盈光
无题
2016
33.5 x 45.9 cm
MEP 2020. 005
Guo Yingguang
Untitled
2016
33.5 x 45.9 cm
MEP 2020. 005
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伊夫·舍雷尔
Yves Scherer
Duration: 2024.3.14 - 2024.5.5Location: Peres Projects, Seoul, Korea
Peres Projects首尔正在展出瑞士艺术家伊夫·舍雷尔个展「想象」。这是他在Peres Project画廊的首次个展，也是艺术家在韩国的首次个展。舍雷尔的创作是跨学科且多样化的，包括使用铝和粉缟玛瑙制成的塑像、风格绘画和多媒体作品。身份、人物及其表现形态是他创作的焦点，展览「想象」中描绘的典型人物对此进行了拓展延伸，区别于他早期作品中常见的名人像。
Peres Projects is now presenting “Imagine” by Yves Scherer the artist’s first solo exhibition with the gallery, and his first in Seoul. Scherer’s practice is multidisciplinary and diverse, encompassing figurative sculptures in aluminum and pink onyx, stylized paintings, and mixed-media works. Identity, as well as the human figure and its representation, are focal points in his practice, which he expands on in “Imagine” by depicting archetypical human figures, marking a distinct shift away from the celebrity images that are common to his earlier work.
伊夫·舍雷尔个展《想象》展览现场, Peres Projects, 2024,首尔
Installation View of Yves Scherer's solo "Imagine", Peres Project,2024, Seoul
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艺术家书书评 ｜ Yves Scherer <Soft Pop>
策展人说 | Abaseh Mirvali谈Yves Scherer：身份，现实与景观
Yves Scherer｜瑞士格伦兴美术馆个展
BP 艺术家 | 伊夫·舍雷尔 Yves Scherer
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劳伦·李·麦卡锡
Lauren Lee McCarthy
地点：Mandeville Art Gallery, 圣地亚哥，美国Exhibition: Bodily Autonomy
Duration: 2024.3.2 - 2024.5.25
Location: Mandeville Art Gallery, San Diego, USA
劳伦·李·麦卡锡在过去十五年一直致力于通过表演、视频、装置、软件、人工智能和其它媒体来诠释一个由算法主导的世界是如何影响人际关系和社会生活的。「身体自主权」是劳伦·李·麦卡锡迄今为止在美国最大的个展。本次展览汇集了两部主要作品——「代理」和「唾液」——旨在研究生物监测，并鼓励在技术快速发展、企业和政府加强管控的时代，就身体自主权进行有效而及时的对话。
For the past fifteen years, Lauren Lee McCarthy has worked in performance, video, installation, software, artificial intelligence, and other media to address how an algorithmically determined world impacts human relationships and social life."Bodily Autonomy" is McCarthy’s largest solo exhibition in the United States to date. The show brings together two major works —Surrogate and Saliva—to examine bio-surveillance and encourage a potent and timely dialogue regarding bodily autonomy in times of rapid technological development and increased corporate and government surveillance.
《身体自主权》展览现场,Mandeville Art Gallery,圣地亚哥, 2024
Installation View of "Bodily Autonomy", Mandeville Art Gallery, San Diego, 2024
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展览预告 | 劳伦·李·麦卡锡个展 你可以说：“重置房间。”
展览现场 | 劳伦·李·麦卡锡 你可以说：“重置房间。”
BP 艺术家 | 劳伦·李·麦卡锡 Lauren Lee McCarthy
郭盈光的艺术实践围绕公共性议题，将个人经验向公共性敞开，再将外部的反馈与冲击收束至个体反思和作品延展，渗透着公共性与私密性的互博状态。她擅于用跨媒介艺术实践，结合装置、摄影、雕塑、绘画、影像、行为等，与外部结构进行相互构建，并传达出细腻而丰富的现场情绪，常以细腻利落的视觉语言与具有争议性的创作主题于艺术世界和社会视野中引发思辨与讨论。
郭盈光，1983年生于中国辽宁，伦敦艺术大学传媒学院摄影硕士，中国传媒大学艺术摄影专业学士，现居住工作于北京与华欣。
郭盈光在艺术家生涯伊始即凭借《顺从的幸福》系列作品获得2017年集美·阿尔勒Madame Figaro女性摄影师奖，受到法国阿尔勒国际摄影节官方展览邀请及Sophie Calle（苏菲·卡尔）、Paul Graham（保罗·格雷厄姆）等国际艺术家的推荐。2019年，应Simon Baker（西蒙·贝克，原泰特首席摄影策展人；现巴黎欧洲摄影馆总监及策展人）之邀，郭盈光首个个展”郭盈光：顺从的幸福”于巴黎欧洲摄影馆（Maison Européenne de la Photographie）开幕，郭盈光也是首位在该艺术机构举办个展的中国女性艺术家。
经过持续数年的自反与创作推翻，以应对外部舆论冲击，2022年郭盈光带来第二个同名个展，以更为抽象、立体与机敏的创作形式，延续她与外部公共/社会结构进行双向批判性接纳与嵌合的艺术实践，个体身份与个人经验开始以新的立场出现。
Guo Yingguang’s artistic practice revolves around public issues, opening up personal experiences to the public, then incorporating external feedbacks and impacts into individual reflection and extension on works, suffused a tug between publicity and privacy. She is adept at multi-media practice, combing installation, videography, sculpture, painting, photography, happening as well as external composition to convey abundant yet delicate emotions. She often adopts intricate and concise visual language, controversial themes, to lead reflection and spark discussion in both the art world as well as in society. Guo Yingguang, born in 1983 in Liaoning, China, holds a Master’s degree in Photography from London College of Communication (UAL), a Bachelor’s degree in Photography Communication University of China. She currently lives and works in Beijing and Huaxin. Guo Yingguang has won Jimei ARLES 2017 Madame Figaro Women Photography Festival with the series “The Bliss of Conformity” at the start of her career and was invited to exhibit at Rencontres d’Arles International Photography Festival in France. She was recommended by international artists such as Sophie Calle and Paul Graham. In 2019, at the invitation of Simon Baker (former chief photography curator at Tate), Guo Yingguang’s first solo exhibition “Guo Yingguang: The Bliss of Happiness” opened at Maison Européenne de la Photographie, making her the first Chinese female artist to hold a solo exhibition at MEP.After years of reflexivity and creative overthrow to cope with public voices, Guo Yingguang’s second solo exhibition realized in 2022 with a more abstract, integrate and agile method to experiment her practice, continuing her path of two-way critical acceptance on external public/social structure and chimeric art, illustrating individual identity and personal experiences in new perspectives.
伊夫·舍雷尔，1987年出生于瑞士，现居纽约。毕业于伦敦皇家艺术学院雕塑专业，他的作品曾在世界范围内的艺术机构广泛展出，舍雷尔曾获2015年瑞士艺术大奖，以及德国文化局董事会和IAAB北京旅行基金会艺术奖金。
舍雷尔的作品始终探索着现实与虚拟世界的边缘。在他看来，生活本身就是一个幻想游戏：人们在公众视野中的言行举止，试图经营的形象与人设，名人与大众之间相互影响与控制的关系...他试图用一种更加身临其境的方式去表达这种人与环境关系的浪漫与互动。他的创作往往来自真实的社会新闻和事件，性别认同、生活体验、好莱坞文化、公众媒体都是他热衷的话题，同时都一点点模糊着虚拟与真实的界限。因此，他常常通过作品中的视觉陷阱来定位和重现生活中的幻象: 通过拼接融合材料与质地、平面与立体空间、自然与数字来呈现他对于生活和虚拟文化的理解与质疑。伊夫·舍雷尔设法避免陷入涉及流行流派广泛含义的琐碎化，将其置于反思和调查的中心，在虚拟与现实之间观察社会关系的紧张感。
舍雷尔的创作媒介丰富多元，包括绘画、摄影、超现实雕塑和装置。他以创作传统摄影与数字成像拼贴而成的二维作品起步，逐渐转向更多简单和未经加工的材料。对于木、草、布、人造皮草等材料的实验性运用使他成为当代贫穷艺术的代表人物之一，以传统雕塑表现虚拟文化的手法亦是舍雷尔的重要标志。
Yves Scherer was born in Switzerland in 1987 and now lives in New York. Graduated from the Royal Academy of Arts in London, majoring in sculpture, his works have been widely exhibited in art institutions around the world. Scherer has won the 2015 Swiss Art Award, as well as the German Cultural Agency Board of Directors and the IAAB Beijing Travel Foundation Art Award.Scherer's works always explore the edges between the real and the virtual worlds. For him, life itself is a fantasy game: the way people behave in public, the images and persona they inted to have, and the reciprocal influences between celebrities and the general public... He tries to express those romantic and interactive relationships in a more immersive way. His creations often come from social news and real events. Gender identities, life experiences, Hollywood culture, and public media are all topics that he is passionate about, as they are gradually blurring the boundaries between the virtual and the real words. Therefore, in his works, he often locates and reproduces the illusions in life through visual traps: splicing and fusing materials and textures, combining two-dimensional and three-dimensional spaces, mixing nature and numbers, to present his understandings and questionings on life and virtual culture.Yves Scherer manages to avoid the trivialization that involves a broad implications on popular genre, instead, he puts it at the center of reflection and investigation, explores the tension of social relationship between the virtual and the real worlds. Scherer employs a diverse media for creation including painting, photography, sculpture and installation. He started creating mostly two-dimensional works such as traditional photography and digital imaging collage, while gradually shifting to use more simple and unprocessed materials. His use of wood, grass, cloth, artificial fur and other experimental materials make him a star of the contemporary arte povera. The way of expressing virtual culture with traditional sculpture is also an important symbol of Scherer's.
劳伦·李·麦卡锡
Lauren Lee McCarthy
劳伦·李·麦卡锡是一位研究自动化、监视和算法生活中的社会关系的艺术家。她曾获得Creative Capital、United States Artists、LACMA、Sundance、Eyebeam、 Pioneer Works、Autodesk和Ars Electronica的资助和驻留。她的作品被惠特尼美国艺术博物馆收藏。她的作品《某人》荣获电子艺术节金尼卡奖和日本媒体艺术社会影响奖，作品《劳伦》荣获IDFA DocLab沉浸式非小说奖。劳伦的作品曾在巴比肯艺术中心、温特图尔摄影博物馆、电子艺术之家、首尔艺术博物馆、新时线媒体艺术中心、SIGGRAPH、奥纳西斯文化中心、IDFA DocLab、都柏林科学画廊和日本媒体艺术节等展出。
劳伦也是开源艺术和教育平台p5.js的创始人。该平台拥有超过1000万用户，致力于拓展编码学习的普及和多样性。她在Processing Foundation董事会的任职进一步拓展了该项工作。该基金会戮力为过去无法接触到技术、代码和艺术领域的人提供学习软件和视觉素养服务。劳伦是加州大学洛杉矶分校设计媒体艺术学院的教授。她拥有加州大学洛杉矶分校的硕士学位以及麻省理工学院的计算机科学学士学位和艺术与设计学士学位。
Lauren Lee McCarthy is an artist examining social relationships in the midst of automation, surveillance, and algorithmic living. She has received grants and residencies from Creative Capital, United States Artists, LACMA, Sundance, Eyebeam, Pioneer Works, Autodesk, and Ars Electronica, and her work is in the collection of the Whitney Museum of American Art. Her work SOMEONE was awarded the Ars Electronica Golden Nica and the Japan Media Arts Social Impact Award, and her work LAUREN was awarded the IDFA DocLab Award for Immersive Non-Fiction. Lauren's work has been exhibited internationally, at places such as the Barbican Centre, Fotomuseum Winterthur, Haus der elektronischen Künste, Seoul Museum of Art, Chronus Art Center, SIGGRAPH, Onassis Cultural Center, IDFA DocLab, Science Gallery Dublin, and the Japan Media Arts Festival.Lauren is also the creator of p5.js, an open-source art and education platform that prioritizes access and diversity in learning to code, with over 10 million users. She expanded on this work in her role from 2015–21 on the Board of Directors for the Processing Foundation, whose mission is to serve those who have historically not had access to the fields of technology, code, and art in learning software and visual literacy. Lauren is a Professor at UCLA Design Media Arts. She holds an MFA from UCLA and a BS Computer Science and BS Art and Design from MIT.
