BP 新闻 丨 BROWNIE Project 画廊宣布代理艺术家约翰内斯 · 博西西奥
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文化
2023-12-21 18:01
上海
BROWNIE Project 画廊荣幸宣布于中国地区（包括香港和台湾）独家代理艺术家约翰内斯·博西西奥。他的中国首次个展《无以归尘》将于2024年1月13日在 BROWNIE Project 画廊上海空间开幕。
BROWNIE Project 画廊将与意大利画廊 Galleria Doris Ghetta 联合代理艺术家约翰内斯·博西西奥，后者在意大利设有画廊空间，管理艺术家约翰内斯·博西西奥于欧洲地区（不包括英国）的代理事宜。
BROWNIE Project Gallery is honored to announce its representation of artist Johannes Bosisio in China (including Hong Kong and Taiwan). BROWNIE Project will present the artist's first solo exhibition in China “It is not made of mud and cannot dream of returning to dust" at its Shanghai space on view from January 13 2024. BROWNIE Project's representation of Johannes Bosisio is joint with Galleria Doris Ghetta, which has gallery space in Itally and manages the artist's representation in Europe (excluding UK).
"我试图在创作中探索人与机器之间的关系，融合其二元形式来创造新的混合体，并超越二元论的限制——有关于人与土地、身体与心灵、物质与非物质、有机与无机、动物与机器。"
—— 约翰内斯·博西西奥
"In my paintings I am trying to explore the relationships between mankind and machine and the transgressions of dualism such as the separation of: figure and ground, body and mind, material and Immaterial, organic and inorganic, animals and machines. I fuse binary forms in order to create hybrids."
—— Johannes Bosisio
约翰内斯·博西西奥1994年生于意大利卡瓦莱塞，现居伦敦。他的创作实践涵盖绘画和雕塑装置，作品通过描绘与技术无机体相融合的有机体来构建两者之间的变形与混合情境，及其所投射出的对于自由、欲望的最终想象。博西西奥将光滑闪亮的金属镀铬材料表面转变成破裂的、粗粝的、也更有生命原始冲动的形态，以重新思考我们与技术的依存关系，及其对人类生存和个体身份所产生的影响。受到作家唐娜·哈拉维和安迪·克拉克的影响，博西西奥的艺术创作质询人与技术、人与机器间的传统分界，并以将两者相融合的多元形式来创造新的可能。
博西西奥的作品在全球范围内展出，并以其独特的艺术风格和创作观念赢得了赞誉。近期主要个展包括：“欢迎来到我的忧郁(与金相佑的双人展)”, 斯帕玛奇画廊 (东京, 2023)；“灵魂来自物体来自灵魂来自物体来自灵魂”, ZÉRUÌ Gallery (伦敦, 2022)；“锋利 混合 碰撞”, Doris Gehtta 画廊 (奥蒂塞伊, 2022)；“混合”, Project room Cineast (柏林, 2018)。近期主要群展包括: “另一面曾是”, Guts Gallery Projects (伦敦, 2023)；“载玻片”, 万一空间 (深圳, 2023)；“我的母亲曾是一台电脑”, Indigo+Madder Gallery (伦敦, 2022)； “群展”, 104 Gallery (东京, 2021)；“租赁第一辑”, Project room Autohaus (卡塞尔, 2021)；“这是一件好事”, Judith Andrae Gallery (波恩, 2021)。近期奖学金和驻留包括：柏林 Artist Inside 奖学金（柏林, 2021）、Spazio Speciale 驻留项目（巴勒莫, 2019）。他曾在柏林白湖艺术学院（2014-2019）和皇家艺术与设计学院学习纯艺绘画（2020-2022）。
Johannes Bosisio (b. 1994) is an Italian-born artist based in London whose practice spans painting and sculptural installation. His work celebrates transformation, freedom, desire, and hybridization by depicting organic bodies fused with technological prostheses. Through his use of once-smooth and shiny chrome surfaces that are now scratched, rough, and alive, Bosisio reconsiders our relationship with technology and its impact on our lives and identities. His approach is informed by the work of authors Donna Haraway and Andy Clark, and his art challenges traditional boundaries and creates new possibilities by merging organic and technological forms.Bosisio has exhibited his work internationally and has garnered critical acclaim for his unique style and perspective. His recent solo exhibitions include (Duo-show w/ Sang Woo Kim) Welcome to my Melancholy, Supermarkt Gallery (Tokyo,2023), Souls from Objects from Souls from Objects From Souls, Zerui Gallery (London, 2022); SHARP HYBRID CRASH, Doris Gehtta Gallery (St. Ulrich, 2022); Hybrids, Project room Cineast (Berlin, 2018). His recent group exhibitions include on the flip side was Guts Gallery Projects (London,2023); Slides Trio Exhibition, W.ONESPACE (Shenzhen, 2023); Detox Retox, Kali Gallery (Lucerne,2022); MY MOTHER WAS A COMPUTER, Indigo+Madder Gallery (London, 2022); Groupshow, 104 Gallery (Tokyo, 2021); LEASING VOL.1, Project room Autohaus (Kassel, 2021); Und das Ist auch gut so, Judith Andrae Gallery (Bonn, 2021). Recent scholarships and residencies include: Artist Inside scholarship (Berlin, 2021) and Spazio Speciale residency Program (Palermo, 2019). He studied DIPLOMA Fine Art Painting at Weissensee School of Art Berlin (2014-2019) and MA Fine Art Painting at the Royal College of Art and Design (2020-2022).
“尽管当代社会对技术的日益依赖产生了令人不安的影响，博西西奥仍将这些想法作为实现内心自由的基石。他在意大利的乡村长大，之后搬到德国柏林。尽管没有语言障碍，但这两个地方都没有赋予他归属感，以及根深蒂固的民族认同感。在成长过程中，他每年夏天都会花两个月的时间去连接自然，去摆脱城市生活的水泥风景和物理约束。正是这种不明确的身份定位在他的创作中发挥了关键作用。通过人与土地，思想与身体，动物与机器，博西西奥驾驭着材料和图像的融合。相互切换的二元美学和情境呈现于每幅作品当中，无论是报废汽车的一块零件切片还是从抽象的破裂结构中显影出来的有机体，每个元素都跳脱出它原本的语境限制。仔细观察，每件作品都隐藏着意想不到的私密性，自然与人类情感在相互对话中找到各自的定位。博西西奥将自己从传统结构和二元论的限制中解放出来，像哈拉维的赛博格一样，他完全拥抱了流动和变革。"“Though there are disturbing implications for contemporary society’s increasing dependency on technology, Bosisio converses with these ideas as grounds to inhabit his own inner freedoms. Raised in a rural village in Italy, he later moved to Berlin, Germany, and despite his fluency, neither place provided him with a sense of belonging or rooted national identity. Growing up, he would spend two months every Summer to connect with nature, thus removing himself from the concrete landscapes and physical constraints of city life. It is this lack of definitive placement which plays a key role in his work. Through figure and ground, mind and body, and animals and machines, Bosisio navigates his own assemblage of material and image. The dualistic aesthetics and environments are at play within each painting, be it a piece of scrapped car or an organic material seeping out from within the abstracted destruction. Each element is leaping out from its own contextual restraints. Under close examination, there is an unexpected intimacy within each work, where both nature and human qualities find their place in the dialogue. By detaching himself from traditional constructs and freeing himself of binaries, much like Haraway’s cyborg, Bosisio is able to fully embrace fluidity and transformation. "—— Jodie Hill, deputy editor of Marfa
