BP艺术家新闻｜妮可·卢里耶将参加第60届威尼斯双年展
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文化
2024-03-20 16:03
上海
展览： 第60届威尼斯双年展德国馆“阈”
策展人：卡格拉·伊尔克
艺术家：雅埃尔·巴塔纳、艾桑·蒙塔格、迈克尔·阿克斯塔勒、妮可·卢里耶、罗伯特·利波克、扬·圣维尔纳
展期：2024.4.20 - 2024.11.24
地点：德国馆和拉塞托萨，意大利威尼斯
Exhibition: 60th International Art Exhibition, La Biennale di Venezia
Curator：Çağla Ilk
Artists：Yael Bartana, Ersan Mondtag, Michael Akstaller, Nicole L'Huillier, Robert Lippok, Jan St. Werner
Duration: 2024.4.20 - 2024.11.24
Location: German Pavilion & La Certosa, Venice, Italy
艺术家妮可·卢里耶成为受邀参展第六十届威尼斯双年展德国馆的6位艺术家之一，她的作品将于2024年4月展出。2024年德国馆的作品以“阈”为题，从不同的艺术立场阐述历史和未来。阈是任何人都不能停留的地方——只有一件事已发生而另一件事待发生时才存在。阈是地点和时间的交叉、界限。阈有待被超越。参展艺术家通过三个情境接近阈值、步骤和边界：前两个情境——由雅埃尔·巴塔纳和艾桑·蒙塔格创作——将在双年展花园主展区Giardini的德国馆展出。第三个情境——由迈克尔·阿克斯塔勒、妮可·卢里耶、罗伯特·利波克和扬·圣维尔纳创作——搭造了一座通往主展区Giardini外另一地点的的桥梁：拉塞托萨岛。Nicole L'huilier is invited to be part of the artistic team that will be presenting the German Pavilion at the Venice Biennale from April. Under the title THRESHOLDS, the contribution to the German Pavilion 2024 narrates history and the future from various artistic positions.THRESHOLDS are places where no one can stay – places that only exists because one thing has occurred and another still awaits. THRESHOLDS are crossings, lines between places and times. THRESHOLDS are there to be transcended.The artistic contribution approaches thresholds, steps, and boundaries through three scenarios: The first two scenarios—by Yael Bartana and Ersan Mondtag—will be shown in the German Pavilion of the Giardini della Biennale. The third scenario—by Michael Akstaller, Nicole L'Huillier, Robert Lippok, and Jan St. Werner—builds a bridge to another location outside the Giardini: the island of La Certosa.
双个展“共鸣”展览现场，ifa Gallery
Installation view of "RESONACIONES" at ifa Gallery
群展“无声之后”展览现场，McaM明当代美术馆
Installation view of "Postscript of Silence" at McaM
群展“TGIF”展览现场, BROWNIE Project
Installation view of "TGIF" at BROWNIE Project
妮可·卢里耶（1985年出生于智利圣地亚哥），跨学科艺术家和研究者。妮可的创作围绕研究振动和声音作为空间和身份的建筑材料展开，深入探讨能动性、身份、集体性以及激发对于振动的想象等问题。她的创作形式包括装置、声音/振动雕塑、定制（听觉和/或发声）设备、表演、实验性作曲、膜结构诗和写作。妮可获得了麻省理工学院媒体艺术与科学博士。她的作品近期在Transmediale、Sonic Acts艺术节、巴登巴登美术馆、乌拉尔工业双年展、MAC当代艺术馆（Museo de Arte Contemporáneo）、圣地亚哥媒体艺术双年展、威尼斯建筑双年展和林茨电子艺术节等展出。
Nicole L’Huillier (b. 1985) is a transdisciplinary artist and researcher from Santiago, Chile. Her practice centers on exploring sounds and vibrations as construction materials to delve into questions of agency, identity, collectivity, and the activation of a vibrational imagination. Her work materializes through installations, sonic/vibrational sculptures, custom-made (listening and/or sounding) apparatuses, performances, experimental compositions, membranal poems, and writing. She holds a Ph.D. in Media Arts & Sciences from MIT (2022). Her work has been recently shown at Transmediale, Sonic Acts, Kunsthalle Baden Baden, Ural Industrial Biennial, Museo de Arte Contemporáneo MAC, Bienal de Artes Mediales, Venice Architecture Biennale, and Ars Electronica, among others.
