青年风格艺术中的超越与内在
Transcendence and Immanence in Jugendstil Art
塞巴斯蒂安·拉拉教授
Prof. Dr. Sebastian Lalla
学术主持 施茜教授
策划 张晓明教授
2024年11月7日（星期四）15:30-17:00
南京师范大学仙林校区 原美楼501室
内容提要
Abstract
自艺术诞生以来，超验世界及其在物质存在中的反映，这二者的关系一直是艺术领域的话题。在古代和中世纪的艺术传统中，宗教动机一直占据主导地位，随着历史主义的发展和艺术中自然主义的复兴，超验与艺术内在表达之间的结合形式更加多样化。尽管不同的文化传统为我们提供了艺术解读的多面性，但艺术的重要方式之一即是通过象征去展示所隐藏的内涵。
本次讲座，Dr. Sebastian Lalla教授将会揭示：新艺术是一种非常不同的艺术方式，它秉持着将超验与艺术内在二者相融合的认知态度，而不仅仅是将超验作为艺术内涵的参照，其认为超验与艺术内在具有同一性。Dr. Sebastian Lalla教授将会对上世界末的一些重要艺术家进行分析，表明超验的永恒性是如何与当下的物质表现相结合的，其观点基于尼采哲学中所提出的“时间的相对性”，认为超验与艺术内在之间的区别正在变得越来越抽象。
The relation between the transcendent world and its reflection in the material existence has been a topic of arts ever since art was created. While in ancient and medieval traditions the dominance of religious motives has been obvious, with the later development in historicism and the revival of a purely immanent art in naturalistic styles, the combination of transcendent and immanent topics has become more manifold. Despite different traditions offered an interpretation of reading one side through the other, the main strategy in arts has been to show the hidden part in symbolic ways as the resemblance of the invisible.
Jugendstil art, in this lecture, is a very divergent approach insofar as it resembles a tendency to integrate the transcendent into the immanent and vice versa: but not as symbolic reference but as the very identity of itself as the other. With reference to some major artists of the Fin de Siècle it should be shown how the intertwined connection of a transcendent eternity has become the very presence of a trembling moment of materiality. The background for this is - among others - the philosophy of Nietzsche and an early anticipation of the relativity of time - where the concept of a definite limitation and sharp distinction between the transcendent and the immanent is becoming more and more abstract.
塞巴斯蒂安·拉拉教授
Prof. Dr. Sebastian Lalla
自2008年以来，Dr. Sebastian Lalla教授一直在德国柏林自由大学（FU Berlin）、蒙古国立大学和蒙古国立艺术文化大学（MUIS和MNUAC）工作。
Dr. Sebastian Lalla教授于1999年毕业于帕绍大学，并于2002年获得柏林自由大学的哲学博士学位，此后在柏林自由大学担任了六年助理教授。2009年，他成为哲学教授，并于2008-2011年，在哲学系担任哲学史主席、媒体与艺术哲学主席等职位。自2012年以来，Dr. Sebastian Lalla教授一直是乌兰巴托蒙古国立大学的客座教授。2021年，他还被聘为蒙古国立文化艺术大学的荣誉教授，并教授艺术哲学。
Dr. Sebastian Lalla教授的主要研究领域为哲学史、宗教哲学、艺术哲学。当前研究项目包括“新艺术哲学”，也包括政治哲学和形而上学。Dr. Sebastian Lalla教授特别关注20世纪初这段时间，他出版了《1875-1915年奥地利哲学中的伦理学》、《中世纪唯名论哲学》和《非存在理论》等作品。
Prof. Dr. Sebastian Lalla has been working at universities in Germany (FU Berlin) and Mongolia (MUIS and MNUAC) since 2008.
After graduating from University of Passau in 1999 and receiving his PhD (Dr. phil.) from FU Berlin in 2002, he has been teaching there as Assistant Professor for six years. In 2009 he became professor (Sc.Dr.) in philosophy. From 2008-2011 he has held several positions at the Department of Philosophy (chair of history of philosophy, chair of philosophy of media and arts) and since 2012 he is Guest Professor at the National University of Mongolia in Ulaanbaatar.
In 2021 Prof. Lalla became also Honorary Professor at the Mongolian National University of Arts and Culture (MNUAC) and has been teaching philosophy of art there. The main fields of research lie in the history of philosophy, philosophy of religion, philosophy of art. Current projects include next to a “Philosophy of Jugendstil” also political philosophy and metaphysics. Prof. Lalla has a special focus on the early 20th century and main publications cover “Ethics in Austrian Philosophy from 1875-1915”, “Medieval Nominalistic Philosophy” and a “Theory of Nonbeing”.
