木雕中的原材料从收藏上来讲,高端材质要比一般材质更有价值,更有收藏意义,比如说海黄、紫檀、老山檀、黄杨木等这类材质价值更高端一些,但是这类材质也有限制,因本身的生长特性限制,原材比较偏小,导致很少有大料。所以,这些材质的木雕作品,一般都是小件居多,像手把件,或者小件摆件比较多,几乎没有中等或者大件摆件。
当然,不论高端的材质或者是一般的材质都需要好的雕工,否则就是暴殄天物,人物摆件重在开脸,脸开的不好就严重掉价,若是脸开的好,就具有画龙点睛的效果,所以说有的脸开的好的话,我们就说是“神开脸”,足以说明开脸的重要性。
In terms of collection, high-end materials are more valuable and meaningful than general materials. For example, the materials like Haihuang, red sandalwood, old sandalwood and boxwood are more valuable. However, there are also restrictions on these materials. Due to their limited growth characteristics, the raw materials are relatively small, resulting in few large materials. Therefore, most of these wood carvings are made of small pieces, such as handlebars or small ornaments. There are almost no medium or large ornaments.
Of course, no matter the high-end material or the general material, good sculptors are needed. Otherwise, it's a monstrous thing. People's decorations focus on the face opening. If the face opening is not good, the price will fall seriously. If the face opening is good, it has the finishing effect. So if some faces are good, we say "God opens the face", which is enough to explain the importance of face opening.
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