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本项目是一间设计师自宅。设计师与用户的身份重叠，在设计上受到的限制小了很多。我们希望拥有一个接纳变化、开放包容的居所。
This project is a designer's own residence. The overlapping identities of designers and users have reduced the restrictions on design. We hope to have a place that accepts change, is open and inclusive.
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房子的原始结构是一个常规的四房户型，我们选择打开空间，拆除了阳台和与客厅相连的一间卧室，打造了大宽厅。高自由度的空间，可以包容更多的爱好和活动，生活状态可因此而更加流动。我们选择了介于胡桃木与柚木之间的色调作为空间主要材质，希望能营造沉静深邃的空间气质。同时我们选择了蓝色作为主色调，来强化和烘托这种气质。
The original structure of the house was a conventional four bedroom layout. We chose to open up the space, removed the balcony and a bedroom connected to the living room, and created a spacious living room. A high degree of freedom space can accommodate more hobbies and activities, making life more fluid. We have chosen a color tone between walnut and teak as the main material for the space, hoping to create a calm and profound atmosphere. At the same time, we chose blue as the main color tone to enhance and enhance this temperament.
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光的设计中，我们选择了无主灯设计，为了补充照明增加了很多隐藏式灯带以及不同高度的点光源，我们希望灯光以不被察觉的方式为空间服务。光是氛围的灵魂，相比较单纯的明亮通透，我们更希望光的存在富有层次。
In the design of lighting, we have chosen a design without a main light. In order to supplement the lighting, we have added many hidden light strips and point light sources of different heights. We hope that the lighting can serve the space in an imperceptible way. Light is the soul of atmosphere, and compared to pure brightness and transparency, we prefer the existence of light to be rich in layers.
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我们试图探讨与物品的关系。现代社会物质的丰沛给予我们数不胜数的选择，但物品不应成为生活的负担。我们接纳拥有物品时的欣喜，也接纳和欢迎物品逐渐陈旧的过程。追逐、拥有、体验、舍弃，让物品在生活中缓慢的代谢，这是我们所追求的长期主义。我们选择了不被当下流行所定义的风格、以及尽可能开放的空间格局，即是希望给予空间以这样的时间概念。
We are trying to explore the relationship with objects. The abundance of material resources in modern society provides us with countless choices, but goods should not become a burden on our lives. We embrace the joy of owning items, as well as the process of gradually aging items. Chasing, owning, experiencing, and giving up, allowing items to slowly metabolize in life, is the long-term philosophy we pursue. We have chosen a style that is not defined by current trends and a spatial pattern that is as open as possible, in order to give space such a concept of time.
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住宅是生活的容器，住宅如何被塑造某种层面上决定了生活如何被塑造。我们认为，对于住宅来说，去风格化才是是谈论风格的开始。住宅应当体现居住者的个人情趣、审美爱好、风格特征等等，因此无论如何精心设计，完工的那一刻空间仍属于未完成。“装扮房子”与我们的生活一样，因为会变化而更富有生命力。
Housing is the container of life, and how it is shaped to some extent determines how life is shaped. We believe that for residential buildings, de stylization is the beginning of discussing style. Residential buildings should reflect the personal interests, aesthetic preferences, style characteristics, and so on of the residents. Therefore, no matter how carefully designed, the space at the moment of completion is still considered unfinished. Dressing up a house is like our life, it is more vibrant because it will change.
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原建筑图（左），平面布置图（右） ©纸水设计
纸水空间设计有限公司位于中国扬州。主要提供空间设计、视觉设计两大板块服务。空间设计板块从事建筑设计，室内外设计，景观设计，产品设计。视觉设计板块从事品牌设计，包装设计，vi设计，原创手绘等一系列平面类相关设计。
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D+S® ARCHITECT STUDIO | 黔舞流光![]()
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