The building is the first museum dedicated to the famous World War II hero Witold Pilecki and his family. It is one of the last places to commemorate him, as his family home near Lida was demolished after the war and the traces of its surroundings were obliterated. The design is a result of balancing three elements: a historic house, a new pavilion and a garden.
该建筑是第一座专门纪念著名的二战英雄 Witold Pilecki 及其家人的博物馆。这是纪念他的最后地方之一，因为他在利达附近的家在战后被拆除，周围的痕迹也被抹去。该设计是平衡三个元素的结果：一座历史悠久的房子、一个新的凉亭和一个花园。
Pilecki's wife family house, visited by our protagonist many times, is the central element of the museum. A thorough restoration and reconstruction brought back simple and elegant form of the house. Based on archival photos, all details, cornices and window frames have also been reconstructed. So as not to interfere with the external structure, wall insulation was added from the inside. The cellars were deepened and the attic was rebuilt. The entire house was dedicated to the permanent exhibition.
Pilecki 的妻子家是博物馆的核心元素，我们的主人公曾多次参观过。经过彻底的修复和重建，房子恢复了简单而优雅的形式。根据档案照片，所有细节、飞檐和窗框也都已重建。为了不干扰外部结构，从内部增加了墙体绝缘材料。地窖被加深，阁楼被重建。整个房子都专门用于常设展览。
The new building accentuates the garden by placing the house in the foreground and being separated from it with a long glass connector. The pavilion’s form refers to the basic architectural elements such as material, rhythm and the interpenetration of interior and exterior spaces. On the southern side, it is surrounded by a columned arcade. An entrance hall on the ground floor has a cafe open to the garden, a meeting room and an office. Spacious stairs connect the storey with the underground part, which hosts a technical area with a cloakroom and the first exhibition room, combined with the exhibition in the house basement. Introducing the new structure in a harmonious way was the main challenge of the design, achieved thanks to the glass connector and adjusting pavilion height to the house cornice. The new building combines elements of monumental architecture with the advantages of a light park pavilion. It is also evident in the selected materials: concrete combined with oak wood.
新建筑将房子放在前景中，并通过长长的玻璃连接器与它隔开，从而突出了花园。亭子的形式是指材料、节奏和室内外空间的相互渗透等基本建筑元素。在南侧，它被一个柱状拱廊所包围。一楼的入口大厅设有通向花园的咖啡厅、会议室和办公室。宽敞的楼梯将楼层与地下部分连接起来，地下部分设有带衣帽间的技术区和第一个展览室，与房屋地下室的展览相结合。以和谐的方式引入新结构是设计的主要挑战，这要归功于玻璃连接件和调整亭部高度以适应房屋檐口。新建筑结合了纪念性建筑的元素和灯光公园凉亭的优势。这在选择的材料中也很明显：混凝土与橡木相结合。
Merging the historical house with the new pavilion required creating an environment combining features of a homely, small-town ornamental garden with forms corresponding to modern architecture. The regulated garden located in the front part resembles the kitchen and decorative garden preserved only in archival photos. It respects the division of crops into flowers, ornamental plants and the kitchen part with fruit and vegetables. The remaining space, framed by the garden facade of the house and the pavilion, forms an intimate interior surrounded by greenery, places to sit and a centrally located square for outdoor events. We put special emphasis on ensuring that future museum events are accompanied by an atmosphere of harmony and openness. We also suggested going outside the plot and connected one of the paths from the adjacent park with the pavilion's door.
将历史悠久的房子与新亭子合并需要创造一个环境，将温馨的小镇观赏花园的特点与现代建筑的形式相结合。位于前部的规范花园类似于仅在档案照片中保存的厨房和装饰花园。它尊重将农作物分为花卉、观赏植物和厨房部分的水果和蔬菜。其余空间由房屋的花园立面和凉亭构成，形成一个私密的内部空间，周围环绕着绿树成荫、坐下的地方和位于户外活动的中心广场。我们特别强调确保未来的博物馆活动伴随着和谐与开放的氛围。我们还建议走到地块外面，将相邻公园的一条小路与凉亭的门连接起来。
We wanted the garden, the renovated house and the pavilion with its bright interiors to make positive impression, devoid of a heavy museum narrative. It seems that thanks to the proposed solutions the difficult history of the Pilecki family presented at the exhibition will reverberate even stronger.
我们希望花园、翻新的房子和拥有明亮内饰的凉亭给人留下积极的印象，没有沉重的博物馆叙述。似乎多亏了提出的解决方案，展览中展示的 Pilecki 家族的艰难历史将产生更强烈的影响。
编排：蚂蚁工兵
