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Percy John Heawood Conjecture Double torus cast in Polyurethane, painted in eight synthetic resin colors, the number of colors sufficient for map coloring on the surface of a double torus is given by the Heawood conjecture, all eight colors share a common border with each other 10 5/8 × 6 1/4 × 1 3/4 in | 27 × 15.9 × 4.4 cm 2005
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Composition Drypoint on Arches paper 8 3/10 × 15 7/10 in | 21 × 40 cm 2009
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Shevi Acrylic and resin on canvas 88 5/8×114 1/8 in | 225.1×289.9 cm 2024
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Raste Acrylic and resin on canvas 47 1/5 × 47 1/5 in | 120 × 120 cm 2024
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Etom Acrylic and resin on canvas 74 3/4 × 65 in | 189.9 × 165.1 cm 2024
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Meix Acrylic and resin on canvas 59 1/10 × 51 1/5 in | 150 × 130 cm 2022
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Vagi Acrylic and resin on canvas 70 9/10 × 63 in | 180 × 160 cm 2022
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Les replacements Acrylic and resin on canvas 37 × 29 in | 94 × 73.7 cm 2006
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Leine Acrylic and resin on canvas 59 1/10 × 51 1/5 in | 150 × 130 cm 2023
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Janvier 06 Tempera and lacquer on glass 13 4/5 × 11 4/5 in | 35 × 30 cm 2007
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French, b. 1949
伯纳德·弗里兹（Bernard Frize）的实验画布结合了极简主义，抽象表现主义和彩色场绘画的各个方面，通常具有生动的，互锁的形式。弗里兹（Frize）用严格的近机械过程和调色板接近他的绘画。艺术家对刚性系统的交集和机会的入侵感兴趣。一些作品是由一群齐声绘画的精心编排的助手制作的，而另一些则是从开放式涂料上涂上剥皮的皮肤的层。弗里兹（Frize）在纽约，东京，伦敦，巴黎，维也纳和洛杉矶展出。他的作品在拍卖会上以六位数的价格出售，属于泰特（Tate）的收藏，昆斯特穆斯·巴塞尔（Kunstmuseum Basel），博物馆雷纳·索菲（ReinaSofía） 。Uniting aspects of Minimalism, Abstract Expressionism, and color field painting, Bernard Frize’s experimental canvases often feature vivid, interlocking forms. Frize approaches his paintings with strict, near-mechanical processes and palettes; the artist is interested in the intersection of rigid systems and intrusions of chance. Some works are made by groups of choreographed assistants who paint in unison, while others feature layers of peeled skins from open pots of paint. Frize has exhibited in New York, Tokyo, London, Paris, Vienna, and Los Angeles. His work has sold for six-figure prices at auction and belongs in the collections of the Tate, the Kunstmuseum Basel, the Museo Reina Sofía, the Centre Pompidou, the National Museum of Art in Osaka, and the Museum of Contemporary Art, Los Angeles.
©Bernard Frize
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