Culture 菌整理编辑，版权为艺术家本人所有
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Against the blade of honour - Guru(Level 2) Sculpture, 3D printing of photosensitive resin, painting 100 x 55 x 68 cm 2020
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Against the blade of honour - Disciple Sculpture, 3D printing of photosensitive resin, painting 64 x 81 x 36 cm 2020
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Against the blade of honour - Disciple (Level 2)Sculpture, 3D printing of photosensitive resin, painting 97 x 69 x 86cm 2020
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Against the blade of honour - Guru,Sculpture, 3D printing of photosensitive resin, painting 56 x 67 x 40 cm 2020
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Against the blade of honour - Nomadist Sculpture, 3D printing of photosensitive resin, painting 27 x 54 x 36 cm 2020
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The Fall Sculpture, Brass, 3D printing of nylon 700 x 200 x 150 cm 2019
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野餐 neon light, installation 136 x 136 cm 2014
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Recollection Pierces the Heart: Little SixPaintings, MDF carving, painting, oil painting stick 160 x 120 x 10 cm 2020
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陈天卓，1985年生，现居中国北京。从伦敦中央圣艺术与设计学院毕业后，他在伦敦切尔西艺术与设计院获得了美术硕士学位。作为一名年轻一代的艺术家，陈天硕在装置艺术、表演艺术、录像艺术、纸上绘画艺术和摄影艺术之间游刃有余。他的许多艺术作品需要他人或观众的参与，以“发生”的形式呈现，如地下派对、舞台表演，或者更概念化的是，一个建造的仪式场所，最终将现实转化为幻想。在他的艺术作品中，陈融合了他对宗教（如佛教、印度教、基督教和萨满教等）、亚文化（如邪教文化、变装和狂欢等）、流行文化（如漫画、嘻哈和电子音乐等）和舞蹈（如日本武道和Vogueing）中元素和符号的深入了解，以并置氛围，使观众/参与者超越身体和精神的表面状态。最终，达到了艺术家自己所说的“疯狂状态”。陈天硕强烈的艺术目的使他能够更自由地收集和利用各种各样的媒体。除了雕塑、录像、装置和绘画，他还综合了服装、音乐、派对和表演等流行文化形式。陈天硕的重要个展包括陈天硕（东京宫，巴黎，2015年）、《野餐帕拉迪婊子》（BANK，上海，2014年）和《酸俱乐部》（Star Gallery，北京，2013年）。他还参加了群展，如《观察者的创造者：通过中国青年艺术再现现实》（中央美术学院美术馆，北京，2015年）、《明天的派对》（尤伦斯当代艺术中心，北京，2014年）和《装饰：艺术家的地毯和挂毯》（艺术发电站，上海，2014）以及《存在：青年艺术家群展》（上海现代美术馆，上海，2013年）。Born in 1985, Tianzhuo Chen currently lives and works in Beijing, China. After graduating from Central St. Martins College of Art and Design in London, he received his Master’s in Fine Arts degree from the Chelsea College of Art and Design, London. As a young generation artist, Tianzhuo Chen skillfully works between the artistic disciplines of installation, performance, video, drawing on paper and photography. Many of his artworks require others’ participation or that of the audience so to take the form of a “happening”, such as an underground party, staged performance, or more conceptually, a constructed ritual site, and ultimately transforming reality into fantasy. Within his artworks, Chen mixes his well versed knowledge of elements and symbols found in religion (like Buddhism, Hinduism, Christianity and Shamanism, etc.), subculture (like cult cultures, drag and rave, etc.), popular culture (such as cartoons, hip hop and electronic music, etc.) and dance (like Japanese Butoh and Vogueing) in order to juxtapose the atmosphere and cause the audience/participants to transcend both superficial sates of the body and spirit. Ultimately, arriving at, what the artist himself has referred to, as a “state of madness”. Tianzhuo Chen’s strong artistic purpose allows him to more freely gather and utilize a diverse range of media. In addition to sculpture, video, installation and drawing, he synthesizes work by including forms of popular culture, such as clothing, music, parties and performance. Tianzhuo Chen’s important solo exhibitions include Tianzhuo Chen (Palais de Tokyo, Paris, 2015), Picnic Paradi$e Bitch (BANK, Shanghai, 2014) and Tianzhuo’s Acid Club (Star Gallery, Beijing, 2013). He has also participated in group exhibitions, such as Observer-Creator: The Representation of Reality through Young Chinese Art (Central Academy of Fine Art Museum, Beijing, 2015), Tomorrow’s Party (Ullens Center for Contemporary Art, Beijing, 2014) and Decorum: Carpets and Tapestries by Artists (Power Station of Art, Shanghai, 2014) and Existence: Group Exhibition on Young Artists (Shanghai MoCA, Shanghai, 2013).
©陈天卓
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