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Black Yellow Lithograph 34 × 39 3/4 in | 86.4 × 101 cm 1970-1972
Untitled (Red State I) Lithograph on Arches 88 paper 44 4/5 × 40 3/4 in | 113.8 × 103.5 cm 1988
White Curve Lithograph on Rives BFK white paper 16 5/8 × 16 1/2 in | 42.2 × 41.9 cm 1998
Colored Paper Image XVI (Blue/Yellow/Red) Colored and pressed paper pulp 32 1/8 × 31 1/8 in | 81.6 × 79.1 cm 1976
Colored Paper Image XX (Brown Square with Blue), from Colored Paper Images Colored and pressed paper pulp, the full sheet 32 1/4 × 31 1/8 in | 81.9 × 79.1 cm 1976
Blue/Red-Orange Lithograph 36 1/4 × 36 1/2 in | 92.1 × 92.7 cm 1972
Red 1-color lithograph on Rives BFK white paper 29 × 22 2/5 in | 73.7 × 56.8 cm 2003
Blue with Black I Lithograph on Special Arjomari paper 42 1/2 × 37 5/8 in | 108 × 95.6 cm 1972-74
画家埃尔斯沃斯·凯利(Ellsworth Kelly)强调纯粹的形式、色彩和空间统一,这一实践主要影响了波普艺术、极简主义、硬边和彩色领域绘画,以及美国抽象艺术的发展。在他最著名的画作中,如《大墙的颜色》(1951),凯利避开了笔触,转而采用简洁的线条和几何形状,用鲜艳的色彩平淡地绘制。他设想美术是对现代建筑的赞美。自1973年在现代艺术博物馆举办第一次回顾展以来,凯利一直是古根海姆美术馆、泰特美术馆和蓬皮杜中心等机构举办的一系列高调个展的主题。在他的一生中,他还四次出现在文献展上,并两次在威尼斯双年展的美国馆展出。在拍卖会上,凯利的作品经常以七位数的价格售出。Painter Ellsworth Kelly emphasized pure form, color, and spatial unity in a practice that majorly influenced Pop art, Minimalism, and hard-edge and color field painting—along with the development of American abstraction at large. His spare, often irregularly shaped canvases offered a crucial departure from the gestural abstraction that dominated American painting in the middle of the 20th century. In his best-known paintings, such as Colors for a Large Wall (1951), Kelly eschewed brushy flourishes in favor of spare lines and geometries, flatly painted in vivid color. He envisioned fine art as a compliment to modern architecture. Since his first retrospective in 1973, at the Museum of Modern Art, Kelly has been the subject of a number of high-profile solo shows at institutions including the Guggenheim, the Tate, and the Centre Pompidou. During his lifetime, he also featured at Documenta on four occasions and exhibited twice in the U.S. pavilion at the Venice Biennale. At auction, Kelly’s pieces regularly sell for seven figures.
©Ellsworth Kelly
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