Culture 菌整理编辑，版权为艺术家本人所有
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Untitled (SF82-263) Acrylic on paper 14 × 19 1/10 in | 35.5 × 48.5 cm 1982
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Untitled, c. Color Lithograph on Rives BFK paper 30 × 22 1/4 in | 76.2 × 56.5 cm 1963
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Untitled (from Portfolio 9) Lithograph 17 × 22 in | 43.2 × 55.9 cm 1967
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Untitled (SF78-1214) Acrylic on paper 22 × 30 in | 55.9 × 76.2 cm 1978
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Untitled (SF59-561) Gouache on paper 9 7/10 × 7 9/10 in | 24.7 × 20 cm 1959
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Untitled (SF-271) Lithograph on BFK Rives vellum paper 25 1/5 ×19 2/5 in | 64.1×49.2 cm 1986
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Ohne Titel (SF90-113), ca Acrylic on paper 14 × 10 4/5 in | 35.5 × 27.5 cm 1990
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Untitled (SFE-014) Aquatint in colors, on Whatman paper 35 × 19 in | 88.9 × 48.3 cm 1984
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Untitled (SFE-029) Aquatint in colors, on Rives BFK paper 40 × 17 5/8 in | 101.6 × 44.8 cm 1983
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Untitled Oil on Canvas 54 × 25 1/8 in | 137.2 × 63.8 cm 1965
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Untitled Aquatint in colors, on Fabriano Rosaspina paper 14 1/2 × 10 7/10 in | 36.8 × 27.2 cm 1986
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Concert Hall Set I (SF-230) Original lithograph on Rives paper 22 2/5 × 18 1/10 in | 57 × 46 cm 1977
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Untitled (SFE-029) Aquatint in colors, on Rives BFK paper 40 × 17 5/8 in | 101.6 × 44.8 cm 1983
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山姆·弗朗西斯
Sam Francis
American, 1923–1994
抽象表现主义艺术家山姆·弗朗西斯在画布的部分区域涂抹了颜料，强调了他未覆盖的明亮空白。鲜艳的色调与朴素的白色斑块之间的对比强调了空间、色彩和光线的关系。弗朗西斯一生游历广泛，从克劳德·莫奈的《睡莲》到荣格心理学和日本禅宗美学等各种影响中汲取灵感。他曾在数十场主要机构举办展览，并于 1964 年在第 32 届威尼斯双年展和第三届文献展上亮相。如今，弗朗西斯的作品被蓬皮杜艺术中心、大都会艺术博物馆和巴塞尔艺术博物馆等机构永久收藏。在二级市场上，他的作品经常能卖到七位数。Abstract Expressionist artist Sam Francis saturated parts of his canvases with splashes and drips of paint, emphasizing the luminous voids he left uncovered. This contrast between vibrant color palettes and austere patches of white emphasized relationships of space, color, and light. Throughout his lifetime, Francis traveled extensively and drew inspiration from influences that ranged from Claude Monet’s “Water Lilies” to Jungian psychology and the aesthetics of Japanese Zen Buddhism. He has been the subject of dozens of exhibitions at major institutions and, in 1964, he featured at the 32nd Venice Biennale and Documenta 3. Today, Francis is represented in the permanent collections of the Centre Pompidou, the Metropolitan Museum of Art, and the Kunstmuseum Basel, among other institutions. On the secondary market, his work frequently commands seven figures.
©Sam Francis
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