2024 ART021 Shanghai Contemporary Art Fair
《男人和女人》Man and Woman，2021
铝 Aluminium
210 x 220 x 100 cm
Ed. 9/9+2AP
塔玛拉·克维西塔泽的《男人与女人》（又称《Ali and Nino》）是一件感人至深的移动雕塑，探讨了爱情、分离和和解的主题。位于格鲁吉亚海滨城市巴统，这件作品展示了两个人物，男人和女人，缓慢靠近，交织在一起，然后各自朝相反方向继续前行。这一迷人的循环不断重复，象征着关系的短暂性——人们深刻相连，却常常渐行渐远。受一段悲剧爱情故事的启发，《男人与女人》激发了强烈的情感反应，反映了团结与失落之间的微妙平衡。
Tamara Kvesitadze's Man and Woman (aka Ali and Nino) is a deeply emotional sculpture that resonates with themes of longing and heartache. Much like the famous song it is named after, the work reflects the sorrow and desperation tied to the fear of losing someone. The kinetic sculpture depicts two figures who come together and then part, symbolizing the fragile and fleeting nature of love. Their movements evoke the pain of separation and the yearning for connection, capturing the essence of a plea to stay, as expressed in the song. Through its graceful motion, the sculpture becomes a poignant visual metaphor for love, loss, and the human desire to hold on.
《洞穴讲述者》Cave Tellers，2023
多种媒介 Mix Media
250 x 180 x 15 cm
《洞穴讲述者》深入探讨了记忆、故事讲述和人类经验的叙事力量。这件复杂的雕塑展示了从洞穴结构中浮现或嵌入的人物，象征着代代相传故事和知识的永恒行为。洞穴本身是潜意识的隐喻，承载着人类历史、神话和个人记忆。通过这件作品，克维西塔泽探讨了个人和社会如何被他们讲述的故事以及他们保守的秘密所塑造。《洞穴讲述者》邀请观众思考人类身份的深度以及定义我们存在的故事层次。
Cave Tellers delves into the narrative power of memory, storytelling, and the human experience. This intricate sculpture features figures emerging from or embedded within a cave-like structure, symbolizing the timeless act of passing down stories and knowledge from generation to generation. The cave itself is a metaphor for the subconscious, a repository of human history, myths, and personal memories. Through this work, Kvesitadze explores how individuals and societies are shaped by the tales they tell and the secrets they keep. Cave Tellers invites viewers to consider the depth of human identity and the layers of stories that define our existence.
《洞穴讲述者》Red Wall，2016
聚酯纤维、PU泡沫、聚氯乙烯、丙烯
Polyester, PU foam, PVC, Acrylic
178 x 200 x 20 cm
《红墙》是一件引人深思的雕塑，探讨了人们之间存在的障碍和分隔。这面鲜艳的红墙既是字面意义上的障碍，也是象征性的障碍，代表着情感、心理和社会界限，隔开个体或群体。雕塑中的人物试图跨越这面墙进行连接，强调了尽管面临障碍，但仍渴望理解和团结。凭借其大胆的设计和深刻的信息，《红墙》引发了对我们在弥合差距和克服分隔过程中所面临斗争的反思，无论是在个人关系还是更广泛的社会环境中。
Red Wall is a thought-provoking sculpture that explores the barriers and divisions that exist between people. The vibrant red wall serves as both a literal and symbolic obstacle, representing emotional, psychological, and societal boundaries that separate individuals or groups. The figures in the sculpture attempt to connect across the wall, emphasizing the yearning for understanding and unity despite the obstacles in their path. With its bold design and poignant message, Red Wall invites reflection on the struggles we face in bridging gaps and overcoming divides, whether in personal relationships or the broader social landscape.
《不要离开我》 Ne me quitte pas ，2017
青铜 Bronze
70 x 66 x 90 cm
Ed. 15+2AP
《不要离开我》是一件深情的雕塑，触及渴望和心痛的主题。正如它所命名的著名歌曲一样，这件作品反映了与失去某人相关的悲伤和绝望。动感雕塑描绘了两个相聚又分开的身影，象征着爱情的脆弱和瞬息万变。他们的动作唤起了分离的痛苦和对联系的渴望，捕捉到了歌曲中表达的请求留住的本质。通过优雅的动作，这件雕塑成为了爱、失去和人类对紧握的渴望的深刻视觉隐喻。
Ne Me Quitte Pas is a deeply emotional sculpture that resonates with themes of longing and heartache. Much like the famous song it is named after, the work reflects the sorrow and desperation tied to the fear of losing someone. The kinetic sculpture depicts two figures who come together and then part, symbolizing the fragile and fleeting nature of love. Their movements evoke the pain of separation and the yearning for connection, capturing the essence of a plea to stay, as expressed in the song. Through its graceful motion, the sculpture becomes a poignant visual metaphor for love, loss, and the human desire to hold on.
关于艺术家｜About the Artist
塔玛拉·科维斯塔泽
即将展出 Upcoming Exhibition
上海 Shanghai
正在展出 Current Exhibition
香港 Hong Kong
