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Crisp3r
展览现场
Exhibition View
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首尔弗里兹艺博会线上展厅
Frieze Seoul Online Viewing Room首尔弗里兹艺术博览会线上展厅将于中国时间2024年8月28日上午11点 KST至9月13日下午6点KST向VIP及公众开放预览。
请复制下方链接至浏览器或点击文章末尾原文链接跳转至线上展厅:
https://www.frieze.com/fairs/frieze-viewing-room
Frieze Seoul Viewing Room will be accessible to the VIPs and the public from Wednesday, August 28 at 11am KST to Friday, September 13 at 6pm KST.
Please copy the link below to your browser or click on Read More for Frieze Viewing Room:
https://www.frieze.com/fairs/frieze-viewing-room
关于艺术家
茹特・莫尔克，1991年出生于立陶宛，现生活工作于柏林。莫尔克2013年于维尔纽斯艺术学院获得绘画学士学位，2020年毕业于慕尼黑视觉艺术学院。莫尔克以源自于学院绘画的传统技法，拟彷了物体由物质世界再现于数字景观中所生成的隔阂与误差，意在审视个体身份在网路算法经济系统中被激活的异化与整合。作品中的人物与物件通常以悬停的方式暂歇地被搁置在画布中央，摆荡在背景所描绘的无垠虚空之中。个体的差异性由此被消解，在同质化的共鸣中彼此呼应又相互孤立。平滑诱人的图像表面在艺术家的精心编造下，重建并检视图像在数字世界中广泛流通的审美形式，其中繁复劳作下的笔触痕迹被隐匿在几近无暇、去人格化的完美中。历史文化的传统影响与人为介入的技术变革在她的画布上并存，勾勒了当下日常经验中科技导向的工程化崇高，以及随之而来注定为时代所汰换的焦虑与隐忧。劳动与闲暇的界线逐渐模煳、靠拢与交错，提示了现代生活相互连结却又无法逃逸的孤独，在身体逐渐退位的非物质转向间不断地游移在虚拟与真实的光谱之中。个展包括：“Promises”，National Gallery of Art，维尔纽斯，2024；“Moments”，beacon，慕尼黑，2023；“XP”，Tara Downs，纽约，2023；“f(x)”，Gallery Vacancy，上海，2022；“Стрiлецька”，WT基金会，基辅，2021；“SS20”，Downs & Ross，纽约，2020；“单手接龙”，Gallery Vacancy，上海，2020。部分群展于：Green Family Art Foundation，达拉斯；Kunstverein München，慕尼黑；Margburger Kunstverein，马尔堡；Rupert，维尔纽斯；及当代艺术中心，维尔纽斯。莫尔克的作品于Green Family Art Foundation，达拉斯、迈阿密ICA、香港M Art Foundation、北京木木美术馆、维尔纽斯MO Museum、日内瓦现当代美术馆、南京四方当代美术馆、及北京X Museum收藏。Rūtė Merk, born in 1991 in Lithuania, now lives and works in Berlin. She received her BA in Painting from Vilnius Academy of Arts in 2013 and acquired her painting diploma from Akademie der Bildenden Künste in Munich, 2020. Exploring the essence of human condition, Merk employs academic painting tradition to simulate the glitch generated from physical representations in the mediated world and the integration of identities under the conditions of cognitive capitalism. Figures and objects are usually depicted and suspended in the center of her composition in a homogenized manner, unified and isolated against the backdrop rendered in an alienating vastness and hollowness. The intriguing smoothness of her fabricated surface imitates and re-assesses the prevailing visual aesthetics in the digital sphere, concealing brushworks, the laborious endeavor, into dehumanized perfection. Meeting both the traditional and the artificial on her canvas, Merk contours both engineered sublime and concomitant anxieties of planned obsolescence in our technology conditioned life. The boundary between work and leisure is blurred, merged, and interlaced, illuminating the networked loneliness perpetuated and embodied in the immateriality shifting between the virtual and the realistic spectrum. Her solo exhibitions include: Promises, National Gallery of Art, Vilnius, 2024; Moments, beacon, Munich, 2023; XP, Tara Downs, New York, 2023; f(x), Gallery Vacancy, Shanghai, 2022; Стрiлецька, WT Foundation, Kyiv, 2021; SS20, Downs & Ross, New York, 2020; and Solitaire, Gallery Vacancy, Shanghai, 2020. Her works have been featured in exhibitions at: Green Family Art Foundation, Dallas; National Gallery of Art, Vilnius; Kunstverein München, Munich; Margburger Kunstverein, Margburger; Rupert, Vilnius; Contemporary Art Centre, Vilnius. Merk’s works are in the collections of Green Family Art Foundation, Dallas; Institute of Contemporary Art, Miami; M Art Foundation, Hong Kong; M Woods Museum, Beijing; MO Museum, Vilnius; Musée d’Art Moderne et Contemporain, Geneva; Sifang Art Museum, Nanjing; and X Museum, Beijing.![]()
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周二–周六
Tuesday to Saturday | 13:00–18:00
200021 上海市黄浦区云南南路261号6楼
6F, No.261 S. Yunnan Rd., Shanghai 200021
+86-(0)21-62411239
info@galleryvacancy.com
www.galleryvacancy.com
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