视频 Video | 斯蒂芬妮・蒂玛・海尔 : 无尽回廊 CORRIDORS

文摘   2024-08-15 21:10   上海  

斯蒂芬妮·蒂玛·海尔,“无尽回廊”个展,展览视频
Stephanie Temma Hier, solo exhibition CORRIDORS, exhibition video


Gallery Vacancy非常荣幸地呈现艺术家斯蒂芬妮·蒂玛·海尔就5月个展“无尽回廊”的展览回顾与艺术家导说。本展览将会收录于2024年9月份艺术刊物《Art in America》中New Talents的单元,并将于8月底全球出刊。

Gallery Vacancy is pleased to present a video walkthrough of Stephanie Temma Hier' s solo exhibition CORRIDORS, held this past May in Shanghai, with narration by the artist herself. The exhibition will be featured in the "New Talents" section of Art in America's September 2024 issue, available worldwide at the end of August.


往期展览回顾

Previous Exhibition




关于艺术家

About the Artist


斯蒂芬妮・蒂玛・海尔,1992年生于加拿大多伦多,2014年毕业于安大略艺术设计大学,现生活和工作于纽约布鲁克林。海尔的绘画映射了21世纪信息时代个人在数字图像世界中穿梭的经历。她的作品用一种倒错的视觉方式,模拟了爱丽丝梦游仙境中的经典桥段“兔子洞”,以此来探寻当代图像消费及视觉文化。其中图像的意义借由看似不偏颇的大数据算法或是文化价值中的权力结构,在图像与图像之间临时的建立和解散中不断游移。不断地跨越于诱人与怪诞之间的微妙界限,海尔的写实绘画与生动的陶瓷外框挑战了图像的边界,同时将视线重新投向被注入于日常物品之中的个人记忆和情感依托,意在探讨当代社会对于物质文化的狂热痴迷;无处不在的生活物件塑造了个体的身份认知,也成为了人类存在的一种见证。

近期个展包括:”双个展“,Lyles & King,纽约,2024;“无尽回廊”,Gallery Vacancy,上海,2024;“Roadside Picnic”,Galerie Bradley Ertaskiran,蒙特利尔,2023;“This must be the place”,Nino Mier Gallery,布鲁塞尔,2023;“Palate Cleanser”,Nino Mier Gallery,洛杉矶,2021;“Soft Options, Hard Edges”,Galerie Bradley Ertaskiran,蒙特利尔,2021;“吞一千根针”,Gallery Vacancy,上海,2020 ;“Spring Now Comes Unheralded”,Franz Kaka,多伦多,2020;“Gridded and Girdled”,Y2K group,纽约,2019。她的作品曾展于:Kotaro Nukaga,东京;德基艺术空间,南京;Jeffrey Deitch,洛杉矶;Bradley Ertaskiran,蒙特利尔;Kasmin Gallery,纽约;Galerie Hussenot,巴黎;Jack Hanley Gallery,纽约;Liberal Arts Roxbury,罗克斯伯里;Arsenal Contemporary,纽约;Fisher Parrish Gallery,布鲁克林;JOHANNES VOGT,东汉普顿;Galerie Antoine Ertaskiran,蒙特利尔;PLUS-ONE Gallery,安特卫普;IQECO,马赛。海尔的获奖及驻留包括: Salon Nino Mier Cologne驻留项目,科隆;Canada Council for the Arts,加拿大; The Elizabeth Greenshields Foundation grant,蒙特利尔;Shandaken:Storm King驻留项目,纽约; The Residency Programme at Hospitalfield,阿布罗斯。

Stephanie Temma Hier, born in 1992 in Toronto, now lives and works in Brooklyn. She received her BFA from the Ontario College of Art and Design in 2014. Her painting reflects the experience of traversing digital space in the 21st Century, mimicking the adage “falling down the rabbit hole” to describe the contemporary imagery consumption and visual culture, in which meanings fluctuate as images are brought together temporarily by seemingly indifferent big data algorithm to hierarchies of high and low culture values. Constantly straddling the fine line between alluring and grotesque, Hier’s photorealistic paintings and their sculptural pairings examine the personal mementos and sentimentality imbued into familiar daily objects, speaking to our obsession with material culture, and how objects shape and represent us as a form for humanity.

Recent solo exhibitions include: Duo exhibition, Lyles & King, New York, 2024; CORRIDORS, Gallery Vacancy, Shanghai, 2024; Roadside Picnic, Galerie Bradley Ertaskiran, Montreal, 2023; This must be the place, Nino Mier Gallery, Brussels, 2023; Palate Cleanser, Nino Mier Gallery, Los Angeles, 2021; Soft Options, Hard Edges, Galerie Bradley Ertaskiran, Montreal, 2021; Swallowing the Pit, Gallery Vacancy, Shanghai, 2020; Spring Now Comes Unheralded, Franz Kaka, Toronto, 2020; and Gridded and Girdled, Y2K group, New York, 2019. Hier’s works have been featured in exhibitions at: Kotaro Nukaga, Tokyo; Deji Art+Action, Nanjing; Jeffrey Deitch, Los Angeles; Bradley Ertaskiran, Montreal; Kasmin Gallery, New York; Galerie Hussenot, Paris; Jack Hanley Gallery, New York; Liberal Arts Roxbury, Roxbury; Arsenal Contemporary, New York; Fisher Parrish Gallery, New York; JOHANNES VOGT, East Hampton; Galerie Antoine Ertaskiran, Montreal; PLUS-ONE Gallery, Antwrep; IQECO, Marseille. Hier was the recipient of multiple grants from Canada Council for the Arts, the Elizabeth Greenshields Foundation, and participated in residency programs at Salon Nino Mier Cologne; Storm King Art Center, New York; and Hospitalfield, Arbroath.



更多关于艺术家

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