项目坐落于千年瓷都景德镇，几言受私人业主委托，为其在自己的办公园区内打造一个私人珍藏器皿的小型博物馆，作为收藏展示及贵宾接待茶歇宴客的一个安静场所。Located in Jingdezhen, the millennium-old capital of porcelain, this project was commissioned by a private owner to create a small museum within their office park, showcasing their personal collection of ceramics. It serves as a serene venue for displaying collections and hosting tea receptions for esteemed guests.![]()
设计的场地是业主的办公园区内部，场地对外进入的交通方式是一部外挂电梯，同时内部空间梁柱交错，窗户大开大合，在一个尺度不大的单层空间，进入感受一览无余。在面积受限，大开大合园区空间中，我们思考如何将其转译成安静内敛兼具丰富层次的展览及接待功能，同时兼顾茶器皿的文化属性。希望未来的空间能满足丰富的场景体验，可游，可展，可接待的综合性场所。Situated within the owner's office park, access to the site is through an external elevator. Inside, the space features interlacing beams and columns, with large windows that open widely, offering a comprehensive view in a compact single-level space. Given the spatial constraints of the expansive park area, our challenge was to transform it into a tranquil yet multifaceted exhibition and reception space, while honoring the cultural attributes of the tea vessels. The aim is for this future space to provide rich experiential scenarios – a place for exploration, exhibitions, and receptions.通过对景德镇的大量走访、调研。我们看到了大量器皿背后的故事，这种千年的文化积淀是高于器皿本身的价值。设计师希望以瓷器制作的工艺为思考，将制瓷工艺场景抽取原型。将物与空间关联，传递出微妙的精神与感受。Through extensive visits and research in Jingdezhen, we uncovered numerous stories behind these vessels, revealing a cultural heritage spanning millennia, surpassing the vessels' intrinsic value. Desinger inspiration from the craftsmanship of porcelain making, the designers extracted prototypes from ceramic production scenes. They sought to connect objects with space, conveying subtle spirits and sensations.![]()
这个小博物馆不仅是单一的器皿展览空间，希望延续一个瓷器精神的场域，一个将传统与现代美学结合的完整空间，如同一个精巧瓷器工坊小村落。通过丰富的变化的路径，将外廊，窑口，工坊，庭院，凉亭等多种形态的空间原型串联起来，不同的场景对着不同的心里感受，一步一景，一景一感受。这是一个微缩的瓷器“小村落”，我们将项目取名为“瓷村” 。This small museum is not just a space for exhibiting ceramics; it aims to embody the spirit of ceramics, blending traditional and modern aesthetics into a cohesive space akin to a refined porcelain workshop village. Various spatial prototypes – such as corridors, kilns, workshops, courtyards, and pavilions – are interconnected through diverse pathways, each offering different emotional experiences. This is a miniature "Ceramic Village," aptly named "Ceramic Village".Objects and Space Convey Spirit and Sensation首先进入空间，我们建立一个恰巧遮盖视野的半墙，既化解进入一览无余的不利同时营造一个如同进入工坊的外廊体验，是进入的序厅，行走在窄长的廊道中，踏过听步，当阳光透过朦胧的纱帘，光影洒落在墙面上，心也就安静下了。Upon entering, visitors encounter a partially obscured wall that veils their view, resolving the disadvantage of full visibility while creating an experience akin to entering a workshop. It serves as an antechamber, where walking through the narrow corridor, stepping over thresholds, and sunlight filtering through gauzy curtains calm the mind.![]()
廊的端头连接一个巨大漂浮的方形空间，是整个展厅的重要中枢。进入内部却是巨大反差的，我们营造一个如同窑的腔体空间，同时腔体内部有不同角度的细小洞口，可以隐约窥见其它功能区，在内部是惊喜的让人好奇，腔体的上方结合星空灯光，加之未来不同年份的瓷片收藏会环绕腔体一一展现，定制的透明压力圆盘，瓷片如同漂浮半空，是神秘的感知开始。At the end of the corridor, a large floating square space serves as the central hub of the entire exhibition hall. Contrary to its external appearance, the interior resembles a kiln chamber, with small openings at various angles offering glimpses into other functional areas. Inside, surprises await, sparking curiosity. Above the chamber, starry lights combine with custom transparent pressure discs, creating an illusion of floating ceramic pieces, evoking a sense of mystery.![]()
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我们追溯制瓷工坊的本源，在空间中植入一个工坊屋舍，我们不希望是对传统建筑形式的简单复制，通用研究优化，希望它稳重又轻巧且能传递记忆感。设计选用日常较容易获得铁管进行构建，不同尺寸的钢管精确组合，加之表面锈化工艺处理，最后呈现的颜色很陶土又简洁。Rooted in the origins of porcelain production, a workshop structure is embedded within the space. Avoiding mere replication of traditional architectural forms, the design uses readily available iron pipes of varying sizes precisely combined and treated with rustication, presenting a color reminiscent of clay yet clean and simple.![]()
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屋舍提供了场域精神，同时结合多种展陈形式，值得一提的是我们将传统户外晒坯架进行转移，展架层层进退，可以满足大量小器皿的展示，未来这里将来是业主私人重要的器皿的收藏处，是充满空间感知的庇护所。This structure imbues the space with a sense of place, accommodating various exhibition forms. Notably, traditional outdoor drying racks have been relocated to accommodate the display of numerous small vessels, earmarked for the owner's private collection—a shelter rich in spatial perception.![]()
空是空间的品质，半墙和工坊之间，我们挤出一个中尺度的空旷区域，沿着墙体布置着展览物，挨着屋舍我们打造水泥浇筑的巨型长桌，长桌平日是展台，即可游亦可展。有宾客到来时，可八九好友，是品茶交流的区域，如同置身露天的院落中，松弛又宁静。Quality of space is defined by emptiness. Between the half-wall and workshop, a medium-sized open area is created, lined with exhibits along the walls. Adjacent to the workshop, a massive concrete-cast long table serves as both a display stand on regular days and a tea-drinking area for eight to nine friends when guests arrive. It resembles an open courtyard, offering a relaxed and serene ambiance.![]()
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在整个展馆的角落，安置了小凉亭，尺度不大恰到好处。提供主理人休息及两三好有密聊，做法上延续工坊的做法，希望整体空间既多元又保持一定统一性，我们运用铁钢绣化工艺结合半透的云丝板，最后营造的氛围是安静的且朦胧，小凉亭中大家席地而坐，一切都安静了。Nestled in a corner of the entire exhibition hall, a small pavilion is perfectly proportioned, offering a retreat for the host and intimate conversations with two or three close friends. Following the workshop's design philosophy, a combination of iron and steel embroidery techniques, along with semi-transparent cloud silk panels, creates a tranquil and hazy atmosphere. Seated inside, everything quiets down.
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Pathways Linking Memories空间中我们建立了精巧丰富的路径，路径串联变换的场景，路径中我们植入传统制瓷工坊的多个场景原型，场景对应物品，试图通过空间唤起记忆。一步一景化解场地尺度不大的场所感受，空间变得层次丰富，如同在小村子里游走，加强感知体验。在不大的场地中能否将空间本身融入成展览文化的一部，也是我们此次重要的思考命题。这个是一个微缩的瓷村，安静又充满感知。The space is crafted with intricate and diverse pathways, connecting scenes that vary and transform. These paths embed multiple prototypes of traditional porcelain workshops, correlating scenes with items, aiming to evoke memories through space. Each step and scene resolves the sensation of a small-scale site, enriching the spatial layers akin to wandering through a small village, enhancing perceptual experiences. Integrating the space itself into a cultural exhibition is a vital consideration in this project. This is a miniature Ceramic Village, serene yet perceptual.
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项目名称 | “瓷村”私人博物馆
项目类型 | 展览空间
项目地点 | 江西景德镇
设计面积 | 215㎡
完工时间 | 2024年6月
设计单位 | 几言设计研究室
主创设计师 | 颜小剑
设计师 | 颜小剑、肖露娅
项目施工 | 曹工
家具品牌 | 定制
主要材料 | 耐候钢、水磨石、微水泥、亚克力、浅色花岗岩
项目摄影 | 吕晓斌、姚宇凡
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上海几言设计研究室（Y.AN DESIGN STUDIO）从事多年公共建筑设计及室内商业空间设计，曾就职于优意建筑（Unit architecture）、简和设计事务所（GEN DESIGN）、芝作室（Luk studio），于2020年在上海创立几言设计研究室，主要方向私宅改造及创意商业设计。（设计的逻辑和空间的秩序是下层基础，践行好基础那么形式美观自显）几言设计研究室是一家研究型的设计事务所。工作室以上海为据点，辐射周边城市进行设计实践，探索建筑、室内、产品的多元化设计。在设计中，我们注重空间，关注人在空间中的互动逻辑，坚持量身体裁的空间决策，力求每一次都能打破以往经验与时期流行审美的束缚。工作室成立四年时间里，期间也收获了众多主流媒体平台的肯定，包括安邸、家居廊、一条视频、ARCHIDAILY、谷德设计、设计腕、德国室内设计网、一起设计、设计风向等等。项目刊登设计书籍《时尚家居》 《现代装饰》《乡村私宅》《好家一起营造》《2022中国室内设计年鉴》等。2023 第二十届国际设计传媒奖.年度家居空间大奖2022“光井巷子私宅”项目德国室内设计网Dinz封面2022“光井巷子私宅”项目收录2022中国室内设计年鉴2022 40Under40中国（上海）设计杰出青年2021 IHIDA国际人居空间设计奖•年度十佳别墅空间2021 LUF DESIGN AWARD 年度提名大奖2021 WYDF2021年度大中华区100大杰出设计青年2020 40Under40中国（上海）设计杰出青年
