艺术家｜吕松、张如怡
Artist｜LU Song, ZHANG Ruyi
群展｜等待的剧场
Group Exhibition｜A Theatre of Waiting
策展人｜朱朱
Curator｜Zhu Zhu
萃舍云集当代艺术收藏中心, 南京 中国
The Cloud Collection, Nanjing China
2023/11/06 – 2024/05/31
Reverie Room 2 冥想室 2, LU Song 吕松, 2016. Acrylic on canvas 布面丙烯, 200 × 150 cm
“等待的剧场” 展览现场, 2023. 图片致谢艺术家和萃舍云集当代艺术收藏中心 Installation view of 'A Theatre of Waiting' at The Cloud Collection, 2023. Image courtesy the artist and The Cloud Collection
“等待的剧场” 展览现场, 2023. 图片致谢艺术家和萃舍云集当代艺术收藏中心 Installation view of 'A Theatre of Waiting' at The Cloud Collection, 2023. Image courtesy the artist and The Cloud Collection
Internal External Unit 室内外机, ZHANG Ruyi 张如怡, 2019. Air conditioner condenser, aquarium, concrete, Suckermouth catfish, heater, filter, light 空调外机, 转速器, 鱼缸, 混凝土, 清道夫, 加热棒, 过滤器, 灯, 90 × 32 × 152cm
关于萃舍云集 | The Cloud Collection
吕松 (生于1982年)，2006年毕业于英国伦敦艺术大学温布尔顿艺术学院油画专业，获硕士学位，次年归国，目前生活并工作于北京。艺术家热衷于在绘画创作中添加文学性的感受及蒙太奇的质地，在厚重且昏暗的色彩里映射出光感，灵活地体现与叙事性的对抗及与个人记忆的拉扯。
LU Song (b. 1982) received M.A. in painting from Wimbledon College of Art, University of London in 2006. He returned to China in the following year, currently working and living in Beijing. The artist is enthusiastic about adding his own literary sensibilities and montage-like textures in his painting, reflecting the perception of light in the massive coloration of great somberness, embodied with the confrontation against narrative and the obsession with autobiographical memory.
近期个展包括“空地：阴影下的光”（Massimo De Carlo Pièce Unique, 巴黎，法国，2023）、“日本花园” （东画廊，上海，2021）、“紫皮”（MDC香港画廊，香港，2021）、“罗马内室”（Mattatoio，罗马，2018）、“谿谷”（Massimo De Carlo，香港，2018）、“楼上的房间”（Massimo De Carlo，伦敦，2018）、“流”（OCAT西安馆，西安，2017）、“控制点”（东画廊，上海，2017）、“马背上的醉乞丐”（Galeria Nicodim，罗马尼亚布加勒斯特，2015）、“Hills Beyond the Backdrop”（Alexandre Ochs Galleries，柏林，2014）、“To the River till Sunrise”（Dominik Mersch Gallery，滑铁卢/悉尼，2013）、“To One Who Has Been Long in City Pent”（Alexandre Ochs Galleries，柏林，2012），参与群展包括“感谢对话”（碧云美术馆，上海，2022）、“咽夏”（东画廊，上海，2019）、 “作为窄门的绘画：80后艺术家邀请展”（蜂巢当代艺术中心，北京，2016）、“怀景之二”（科恩画廊，上海，2015）等。
His recent solo exhibitions include "Empty Space. The light beyond the shadow" (Massimo De Carlo Pièce Unique, Paris, France, 2023), "Japanese Garden" (Don Gallery, Shanghai, 2021), "PURPLE SKIN" (Massimo De Carlo, Hong Kong, 2021), "Interni Romani/Roman Interiors" (Mattatoio, Roma, 2018), "Combe" (Massimo De Carlo, Hong Kong, 2018), "The Room Upstairs" (Massimo De Carlo, London, 2018), "Flow" (OCAT Xi’an, Xi’an, 2017), "Control Point" (Don Gallery, Shanghai, 2017), "The Drunken Beggar on Horseback" (Galeria Nicodim, Bucharest, Romania, 2015), "Hills Beyond the Backdrop" (Alexandre Ochs Galleries, Berlin, 2014), "To the River till Sunrise" (Dominik Mersch Gallery, Waterloo/Sydney, Australia, 2013), "To One Who Has Been Long in City Pent" (Alexandre Ochs Galleries, Berlin, 2012). He has also participated in numerous group exhibitions such as “Un dialogue avec la sensibilité — Écriture, Désir, Amour” (Being Art Museum, Shanghai, 2022), “Swallow it!” (Don Gallery, Shanghai, 2019), "Painting as Strait Gate: Post-80s Artists Invitation Exhibition" (Hive Center for Contemporary Art, Beijing, 2016) and "In Memory of a Landscape 2" (James Cohen Gallery, Shanghai, 2015), amongst others.
张如怡 | ZHANG Ruyi
张如怡（生于1985年）现居上海。她的艺术实践围绕日常逻辑展开，作品因调和人工制品、工业经验以及城市生活而占据特殊空间。艺术家从日常材料中涉取灵感，以探索和调度个体、物料、场所三者之间的层次及相互作用力作为关键叙述途径。创作主要涉及据地装置、雕塑及综合媒介的运用，借“现实”为样板，牵引出城市环境变迁过程中现实对个体情绪的塑造，通过矛盾性转化的视觉语言，将直觉和观察种植于朴素的物质之中，赋予其物质之外的精神内涵。
ZHANG Ruyi (b.1985) currently lives and works in Shanghai. Her practice and work unfold around the logic of everyday and occupy a unique space which reconciles artefacts, industrial experience, and urban life. The artist draws inspiration from commonplace materials, exploring and mediating the hierarchy and interplay between the individual, the material, and the place as a key narrative pathway. Her work mainly involves site-specific installation, sculpture, and integrated media, using "reality" as a model to draw out the shaping of individual emotions as the city shifts around its inhabitants, and planting intuition and observation in simple materials through the visual language of paradoxical transformation, to bestow a spiritual significance which extends beyond the material.
Recent institutional exhibitions include Yuz Museum (Shanghai, 2023), the 16th Lyon Biennale of Contemporary Art - “Manifesto of Fragility” (Lyon, 2022), He Art Museum (Foshan, Guang Dong, 2022), Tai Kwun Contemporary (Hong Kong, 2022), Power Station of Art (Shanghai, 2021), TANK Shanghai Art Centre (Shanghai, 2021), UCCA Dune (Beijing, 2020), the K11 Art Foundation (Hong Kong, 2019), Rockbund Art Museum (Shanghai, 2018) and other institutions. Her featured solo exhibitions include “Once Remain, Once Remould” (Don Gallery, Shanghai, 2023), "ZHANG Ruyi: Speaking Softly" (UCCA Center for Contemporary Art, Beijing, 2022), "Modern Fossil" (START Museum, Shanghai, 2022), "Consciousness of Location " (Don Gallery, Shanghai, 2019), "Bonsai" (François Ghebaly Gallery, Los Angeles, 2019).
参观时间 | Opening Hours
