或废或更 | Once Remain, Once Remould
Don Gallery, 2555-9 Longteng Avenue, West Bund, Shanghai
展览现场 | Installation View
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Bycatch the Dust 兼捕尘埃, ZHANG Ruyi 张如怡, 2023. Concrete, rebar, steel wire, electric wires 混凝土、钢筋、钢丝绳、电线, installation dimensions variable 尺寸可变, sculpture 雕塑 21 × 18 × 50 cm (H), Ed2+1Ap![]()
Planter-7 (Detail) 种植-7(局部), ZHANG Ruyi 张如怡, 2022. Construction rubble, cactus thorns, nail polish, imported glue 建筑碎石、仙人掌刺、指甲油、进口胶, 27 × 25 × 18 cm(H)![]()
Extracting Slices-2 提取切片 -2, ZHANG Ruyi 张如怡, 2023. Metal, construction debris, wooden door, concrete, 金属、碎石、木门、混凝土, 33 × 18 × 197cm(H), sculpture 雕塑 23 × 15 × 69 cm(H)![]()
Decoration(Guess the Shape) 装饰物(猜测形状) , ZHANG Ruyi 张如怡, 2023. Wood board, aluminum-plastic panel, UV print, silkscreen print, coloured sulphate paper, sandpaper, copper wire, nylon mesh, plastic film, teak frame, museum quality non-reflective acrylic 木板、铝塑板、UV 打印、丝网印刷、有色硫酸纸、砂纸、铜丝、尼龙网、塑料薄膜、柚木框、博物馆级无反光亚克力, 76 × 101 × 4.3 cm(framed 含框)![]()
Draw Breath, At Night(Detail) 夜晚, 能让人呼吸(局部), ZHANG Ruyi 张如怡, 2023. Single-channel video 单屏影像, 4分12秒(4'12")![]()
Circular Ruin (Detail) 环形废墟(局部), ZHANG Ruyi 张如怡, 2023. Density board, plasterboard, wooden stool, construction debris, concrete, round fish tank, metal frame, tape 密度板、石膏板、木凳、碎石、混凝土、圆形鱼缸、金属铁架、胶带, 30 × 30 × 98 cm(H)
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Submerged Landscape-3(Detail) 浸泡景观-3(局部), ZHANG Ruyi 张如怡, 2023. Concrete, aquarium, fish, LED light, filter, metal, heater 混凝土、玻璃缸、鱼、LED 灯、过滤器、金属、加热棒, fish tank鱼缸 49.5 × 26.5 × 31 cm (H)![]()
Installation View of "Once Remain, Once Remould", Don Gallery, 2023 “或废或更” 展览现场, 东画廊, 2023
艺术家 | Artist
张如怡 | ZHANG Ruyi
张如怡（生于1985年）现居上海。她的艺术实践围绕日常逻辑展开，作品因调和人工制品、工业经验以及城市生活而占据特殊空间。艺术家从日常材料中涉取灵感，以探索和调度个体、物料、场所三者之间的层次及相互作用力作为关键叙述途径。创作主要涉及据地装置、雕塑及综合媒介的运用，借“现实”为样板，牵引出城市环境变迁过程中现实对个体情绪的塑造，通过矛盾性转化的视觉语言，将直觉和观察种植于朴素的物质之中，赋予其物质之外的精神内涵。ZHANG Ruyi (b.1985) currently lives and works in Shanghai. Her practice and work unfold around the logic of everyday and occupy a unique space which reconciles artefacts, industrial experience, and urban life. The artist draws inspiration from commonplace materials, exploring and mediating the hierarchy and interplay between the individual, the material, and the place as a key narrative pathway. Her work mainly involves site-specific installation, sculpture, and integrated media, using "reality" as a model to draw out the shaping of individual emotions as the city shifts around its inhabitants, and planting intuition and observation in simple materials through the visual language of paradoxical transformation, to bestow a spiritual significance which extends beyond the material.张如怡的作品近年在以下重要机构中展出：上海余德耀美术馆（上海，2023年）、“脆弱宣言”——第16届里昂双年展（法国里昂，2022年）、和美术馆（广东佛山，2022年）、大馆当代美术馆（香港，2022年）、上海当代艺术博物馆（上海，2021年）、上海油罐艺术中心（上海，2021年）、UCCA 沙丘美术馆（秦皇岛，2020年）、K11 基金会（香港，2019年）、外滩美术馆（上海，2018年）等。她的精选个展包括：“或废或更”（东画廊，上海，2023年）、“张如怡：低声细语”（UCCA尤伦斯当代艺术中心，北京，2022年）、“现代化石”（星美术馆，上海，2022年）、“以为何处”（东画廊，上海，2019年）、“盆栽”（François Ghebaly画廊，洛杉矶，2019年）等。Recent institutional exhibitions include Yuz Museum (Shanghai, 2023), the 16th Lyon Biennale of Contemporary Art - “Manifesto of Fragility” (Lyon, 2022), He Art Museum (Foshan, Guang Dong, 2022), Tai Kwun Contemporary (Hong Kong, 2022), Power Station of Art (Shanghai, 2021), TANK Shanghai Art Centre (Shanghai, 2021), UCCA Dune (Beijing, 2020), the K11 Art Foundation (Hong Kong, 2019), Rockbund Art Museum (Shanghai, 2018) and other institutions. Her featured solo exhibitions include “Once Remain, Once Remould” (Don Gallery, Shanghai, 2023), "ZHANG Ruyi: Speaking Softly" (UCCA Center for Contemporary Art, Beijing, 2022), "Modern Fossil" (START Museum, Shanghai, 2022), "Consciousness of Location " (Don Gallery, Shanghai, 2019), "Bonsai" (François Ghebaly Gallery, Los Angeles, 2019).
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参观时间 | Opening Hours
周二 Tue-周六 Sat | 10AM-6PM
周日 Sun | 1PM-6PM
地址 | Address
上海市徐汇滨江龙腾大道2555-9号
2555-9 Longteng Avenue, West Bund, Shanghai
联系方式 | Contact
T: +86 21 6473 1533
E: info@dongallery.net
ins: dongallery
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