M50展讯|罗德里戈·赫尔南德斯:琴形感官

旅行   2024-10-10 18:01   上海  


罗德里戈·赫尔南德斯:琴形感官

Rodrigo Hernández: A Lyriform Organ

展览现场 Installation View



天线空间荣幸呈现艺术家罗德里戈·赫尔南德斯个展《琴形感官》,展览已于2024年9月14日开幕,并持续至10月27日


Antenna Space is pleased to present Rodrigo Hernández’s Solo exhibition A Lyriform Organ. The exhibition starts from September 14, 2024 and run through October 27, 2024.  

罗德里戈·赫尔南德斯:琴形感官

Rodrigo Hernández: A Lyriform Organ

展览现场 Installation View



感到自己无处不在 Feel yourself as pervading all directions,2024

纸浆、木材、颜料、柴烧茶杯、纯松烟墨条、折页佛像抄经本、其他材料

Papier mâché, wood, paint, wood-fired porcelain teacup, pure pine soot ink stick, folding Buddhist scriptures copybook, other materials

45 x 15.5 x 17 cm

配有定制基座 With bespoke plinth:110 x 20 x 58 cm

当你被那样的拥抱撼动,便沉浸于这震颤 When in such embrace your senses are shaken, enter this shaking,2024

锻铸不锈钢(孤版)Stainless steel cast (unique)

31 x 23 x 29 cm

配有定制透明基座 With bespoke glass plinth: 120 x 28 x 50 cm

浮动蛇形(专注于你身体里升起的火焰)

Floating Serpentine (Focus on the fire rising through your form)2019

手工锻打钢 Hand-hammered steel

尺寸可变 Variable measurements

安装尺寸:26 x 5 x 560 cm

琴形感官1(进入空间,无所支撑,永恒的,静止的)

A Lyriform Organ 1 (Enter space, support less, eternal, still), 2024

手工锻打不锈钢 hand-hammered stainless steel

95 x 70 x 2.5 cm

琴形感官(甜心..)A Lyriform Organ (Sweet-hearted one…),2024

木板油画 Oil on wood

30 x 25 x 3 cm


图片致谢艺术家及天线空间

摄影:Cra


罗德里戈•赫尔南德斯(墨西哥,1983)生活和工作于里斯本和墨西哥城。曾就读于卡尔斯鲁厄美术学院和马斯垂克的扬·凡·艾克学院。他曾是巴塞尔Laurenz-Haus基金会(2015)、斯图加特孤独城堡基金会、巴黎国际艺术城(2016)和伊斯坦布尔现代美术馆(2019)的研究员。


罗德里戈•赫尔南德斯主要使用传统的艺术创作媒介和技法,包括素描、雕塑和绘画。他主要的兴趣是探讨艺术图像中的构成与其流变,且从中美洲的图像学一直跨越到当代艺术实践。他的项目形式多样,从工作室中的物件制作到特定场域的创作实践,或是研究型导向的项目构建皆有涉及。他从多种美学参考中汲取灵感,这些参考范围从日本古典版画及时尚艺术、欧洲现代主义等,以此发展出极具个人特色的形式语言。


他最近的个展包括:“with what eyes?”,加州艺术学院沃迪斯当代艺术中心,旧金山,美国(2024);“Flux of Things”,凯斯特纳协会展览馆,汉诺威,德国(2023);“El Espejo”,Museo Jumex,墨西哥城,墨西哥(2022);“I Am a Stranger and I Am Moving”,瑞士学院,纽约,美国(2022);“El Espejo”,Museo de Arte Moderno,麦德林,美国(2022);“Petit Musc”,Kunsthalle Kohta,赫尔辛基,芬兰(2021);“Pasado”,CIAJG,基马拉斯,葡萄牙(2021);“Dampcloot”,Galerie Fons Welters,阿姆斯特丹,荷兰(2020);“A Moth to a Flame”,萨凡纳艺术与设计学院美术馆(SCAD Museum of Art),萨凡纳,美国(2020);“What do I hear when I hear the flow of time?”,西凯洛斯艺术博物馆,墨西哥城,墨西哥(2019);“O mundo real não alça voo”,Pîvo,圣保罗,巴西(2018);“Who Loves You”,温特图尔艺术中心,瑞士(2018);“A Complete Unknown”,Midway Contemporary,明尼阿波利斯,美国(2018);“THE GOURD & THE FISH”,SALTS,瑞士(2018);“The Shakiest of Things”,Kim? Contemporary Art Centre,里加,拉脱维亚(2017);“I am nothing”,海德堡艺术协会,德国(2016);“Every forest madly in love with the moon has a highway crossing it from one side to the other”,Kurimanzutto,墨西哥(2016);“El Pequeño Centro”,乔波大学博物馆,墨西哥(2016);“Go, Gentle Scorpio”,Parallel Oaxaca,墨西哥(2016);“What is the Moon? ”,博尼范登美术馆,荷兰(2014)。


他的作品曾在以下机构展出:海牙美术馆;明斯特艺术宫;哥德堡艺术中心;伊斯坦布尔现代艺术博物馆;平丘克艺术中心;贝加莫现当代艺术馆;卡尔斯鲁厄媒体艺术中心;纽伦堡艺术中心;博尼范登博物馆;格莱斯顿画廊;墨西哥城现代艺术博物馆;莫斯科现代艺术博物馆;苏黎世装置艺术之家;巴塞尔美术馆。



Rodrigo Hernández (Mexico City, Mexico, 1983) currently lives and works between Lisbon and Mexico City. Studied at the Akademie der bildenden Künste in Karlsruhe, and at Jan Van Eyck Academie in Maastricht. He has been a fellow of the Laurenz-Haus Stiftung in Basel (2015), Akademie Schloss Solitude, Stuttgart, Cité International des Arts in Paris (2016) and Istanbul Modern (2019).


Working mostly with classical medias and techniques of art making, including drawing, sculpture and painting, Rodrigo Hernández is interested in the constitutive movement of art and image making, from Mesoamerican iconography to contemporary art. His projects vary from object making within a devoted studio practice to site specific and research oriented projects. He draws on a number of aesthetic references, which range classical Japanese printmaking to fashion, and European modernism, among others, to develop a very personal formal vocabulary. 


His recent solo exhibitions include: with what eyes?, CCA Wattis Institute, San Francisco, US(2024);Flux of Things, Kestner Gesellschaft, Hannover, DE(2023); El Espejo, Museo Jumex, Mexico City, MX(2022);I Am a Stranger and I Am Moving, Swiss Institute/Offsite, New York, US(2022);EL ESPEJO, Museo de Arte Moderno, Medellin, CO(2022);Petit-Musc, Kunsthalle Kohta, Helsinki, FI(2021);Pasado, CIAJG, Guimaraes, PT(2021);Dampcloot, Galerie Fons Welters, Amsterdam, NL(2020);A Moth to a Flame, SCAD Museum of Art, Savannah, US(2020);What do I hear when I hear the flow of time?, Sala de Arte Público Siqueiros, Mexico City, MX(2019);O mundo real não alça voo, Pîvo, São Paulo, BR(2018);Who Loves You,Kunsthalle Winterthur, CH(2018); A Complete Unknown, Midway Contemporary, Minneapolis, US(2018);THE GOURD & THE FISH, SALTS, Birsfelden , CH(2018);The Shakiest of Things, kim? Contemporary Art Centre, Riga, LV(2017); I am nothing, Heidelberger Kunstverein, Heidelberg, DE(2016);Every forest madly in love with the moon has a highway crossing it from one side to the other, Kurimanzutto, Mexico City, MX(2016);El Pequeño Centro, Museo Universitario del Chopo, Mexico City, MX(2016);Go, Gentle Scorpio, Parallel Oaxaca, Oaxaca, MX(2016); What is the Moon?, Bonnefanten museum, Maastricht, NL(2014).


His work has been exhibited in venues such as: Kunstmuseum Den Haag; Kunsthalle Münster; Göteborg Konsthall; Istanbul Modern; PinchukArtCenter, Kiev; GaMec, Bergamo; ZKM Museum für Neue Kunst, Karlsruhe; Kunstverein Nürnberg; Bonnefanten museum, Maastricht; Gladstone Gallery, Brussels; Museo de Arte Moderno, Mexico City; Moscow Museum of Modern Art, Moscow; Museum Haus Konstruktiv, Zürich; Kunsthalle Basel, Basel.




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