深秋迟暮，新冬可期。
遍地梧桐诉说着秋天过去的故事。
听寒风拍窗，看婆娑光影下
轻霜凝结，万物始藏，美好沉淀于冬季。
编织一个关于未来的梦想，静候来年绽放。
能源转型中的光伏技术：现状与未来挑战
性质：SRTP型讲座
时间：2024年11月21日（周四） 18:30
地点：九龙湖校区 教四-104
主讲人: Sandro Nižetić
主办单位：能源与环境学院
Four Great Regular Script Masters
In Chinese calligraphy history, there are four great regular script masters whose styles are copied and admired by later generations. They are Ouyang Xun(欧阳询), Yan Zhenqing(颜真卿), Liu Gongquan(柳公权), and Zhao Mengfu(赵孟頫).
The regulation of Ouyang Xun's calligraphy is strict; the vigour of the strokes is outstanding. The later generations find his calligraphy is canonical(规范的), easier to learn by beginners, and call his calligraphy"Outi", referring specifically to his style of calligraphy. Yan Zhenqing's calligraphy is called"Yan ti". His vigorous regular script set a good example in the Tang dynasty. The vigour of Liu Gongquan's calligraphy is strong and the regulation strict and serious. His characters are famous for their powerful strokes. Because of the unique characteristic of his calligraphy, people call his calligraphy"Liu ti". Yan Zhenqing and Liu Gongquan together are called"Yan Liu", and their calligraphy is called“Yan's tendon and Liu's bone".
Zhao Mengfu is a descendant of the Song dynasty's emperor Zhao Kuangyin. He was good at all the five styles of script, and famous for the running script and regular script especially. His calligraphy is elegant and vigorous with strict structure, and called“Zhao ti” .
(Quoted from A Glimpse of Chinese Culture)
图片 | 翁晴 李舟扬 李欣妮 部分图片来自网络
文案 | 朱妤
排版 | 陈予谦
审核 | 乌思根
